Treadwell: God's Little Lies
At the height of Machinal's success in 1928, its playwright Sophie Treadwell would have been considered "the man."Â A man? No. Wildly brave, adventurous, talented, brilliant, and strong. Yes. I'd refer to her as "the woman" but this probably wouldn't have satisfied her, either. "I am a writer before I am a human, before I [...]