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146 stories by "Sara Holdren"

23 Exciting Theater Productions Taking the Stage in 2018 by Sara Holdren

It's a tricky thing to pull together a "Most Anticipated Shows" list, partly because most of the productions generating buzz this early in the year have enough resources to hitch a ride on t…

SOURCE: Vulture at 11:06am on January 5, 2018

Theater Review: An Enticing Twelfth Night for Beginners and Pros Alike by Sara Holdren

There must be something good in the water in Providence, Rhode Island. Something that encourages the growth of playful, ambitious but unpretentious, actor-and-text-driven theater companies. …

SOURCE: Vulture at 7:15pm on December 14, 2017

Theater Review: The Ensemble Triple Threat of Lucy Kirkwood’s The Children by Sara Holdren

"How are the children?" shouts a woman standing in a spare, roughly furnished cottage kitchen at the start of Lucy Kirkwood's potent, aching new play. The woman is still, serious " there's a…

SOURCE: Vulture at 9:00pm on December 12, 2017

Review: Theater, Terror, and A Room in India by Sara Holdren

In 1964 in Paris, the 25-year-old Ariane Mnouchkine did what countless young theater artists, fresh out of school and full of ideas and ambition, set out to do: She founded a company with so…

SOURCE: Vulture at 2:21pm on December 12, 2017

Theater Review: The Performances That Carry Once on This Island by Sara Holdren

Outside Circle in the Square, the winter winds are starting to snap. But inside a different wind is blowing " literally. In Michael Arden's vivid, celebratory revival of Lynn Ahrens and Step…

SOURCE: Vulture at 1:22pm on December 12, 2017

The 10 Best Theatrical Productions of 2017 by Sara Holdren

If 2016 was the frying pan, 2017 has frequently felt like the fire. In this year of daily shifts, shocks, and sucker punches, I went from being an opinionated director to being a critic, and…

SOURCE: Vulture at 10:07am on December 8, 2017

Theater Review: Describe the Night, a Tale of Russia and Fake Truth by Sara Holdren

Watching the deliberate, origami-like unfolding of Rajiv Joseph's dense and fascinating new play Describe the Night, directed by Giovanna Sardelli at Atlantic Theater Company, I found myself…

SOURCE: Vulture at 10:00pm on December 5, 2017

Adaptable, Yellow, and Porous Is He! SpongeBob Comes to Broadway by Sara Holdren

"When are you going to learn, SpongeBob? The world is a horrible place filled with fear, suffering and despair… Also dashed hopes, shattered dreams, broken promises and abject misery."So s…

SOURCE: Vulture at 10:11pm on December 4, 2017

Theater Review: The Parisian Woman Is Both Sleepy and Barely Woke by Sara Holdren

Beau Willimon's The Parisian Woman"a riff on 19th-century French naturalist Henri Becque's scandalous drawing room comedy about a sexually liberated socialite, La Parisienne"had its premiere…

SOURCE: Vulture at 10:58pm on November 30, 2017

Theater Review: Does Amy Schumer Shine in Meteor Shower? by Sara Holdren

Enough alcohol is imbibed over the course of Meteor Shower " Steve Martin's blithely wackadoodle new comedy now at the Booth Theatre, under the brisk direction of Broadway veteran Jerry Zaks…

SOURCE: Vulture at 10:00pm on November 29, 2017

Theater Review: On Wolves Who Kick by Sara Holdren

The Wolves are back in town.Last summer, Sarah DeLappe's play about an indoor girls' soccer team"the young playwright's first work to be professionally staged"started sending shockwaves thro…

SOURCE: Vulture at 9:53pm on November 20, 2017

Theater Reviews: Pride and Prejudice and Peter Pan, Reimagined by Sara Holdren

It is a truth universally acknowledged that a canonical novel in possession of a good story must be in want of a dramatist. Or at least so follows the logic in two lively new stage adaptatio…

SOURCE: Vulture at 1:33am on November 20, 2017

Theater Review: The Funny, Fierce, Fearsome Competition of School Girls by Sara Holdren

Earlier this year, I had a conversation with an artist of color who was fed up with being compared, even in the most complimentary fashion, to white artists that seemed to fill a similar nic…

SOURCE: Vulture at 9:00pm on November 16, 2017

Theater Review: Smallpox Stories that Slay, in Latin History for Morons by Sara Holdren

John Leguizamo knows exactly how to respond to the inevitable applause that greets movie actors when they make a first entrance on stage. He tells us to shut up. "Okay, people, stop, stop! S…

SOURCE: Vulture at 10:00pm on November 15, 2017

Theater Review: Actually Is Theater for This Weinstein Moment by Sara Holdren

Leaving Anna Ziegler's taut, devastating new play Actually " directed with a deft, unsparing sense of forward motion by Lileana Blain-Cruz at MTC " I was haunted by echoes of sound designer …

SOURCE: Vulture at 4:20pm on November 15, 2017

Theater Review: The Band’s Visit Finds Strength in Its Smallness by Sara Holdren

There's a saying: There are only two kinds of stories " someone goes on a journey, or a stranger comes to town. (Who said it? Unclear.) If that's true"at least it's intriguing!"it seems to m…

SOURCE: Vulture at 10:00pm on November 9, 2017

Theater Review: Office Hour Is a Well-Intentioned Mistake by Sara Holdren

On April 16, 2007, Seung-Hui Cho killed 32 people and wounded 17 at Virginia Tech, the university in Blacksburg where he was a senior majoring in English (a change from his original major in…

SOURCE: Vulture at 10:00pm on November 8, 2017

Theater Review: High Finance and Low Crimes, in Ayad Akhtar’s Junk by Sara Holdren

At 7 years old, Ayad Akhtar surprised his parents"both midwestern doctors from Muslim backgrounds but without a fervent religious practice " by becoming suddenly enraptured by his ancestral …

SOURCE: Vulture at 10:00pm on November 2, 2017

Theater Review: The Public Theater Stages Its Own Origin Story by Sara Holdren

As the lights in the Public's Anspacher Theatre began to dim at the start of Illyria"Richard Nelson's searching, anti-theatrical ode to a theater"the opening chords of The Decemberists' "A B…

SOURCE: Vulture at 10:00pm on October 30, 2017

Theater Review: M. Butterfly, Chasing Its Own Reality by Sara Holdren

When David Henry Hwang's memory play M. Butterfly made its Broadway debut almost 30 years ago, it took home the Tonys for Best Play, Best Direction, and Best Performance by a Featured Actor …

SOURCE: Vulture at 10:00pm on October 26, 2017

Theater Review: People, Places & Things Shatters and Soars by Sara Holdren

Duncan Macmillan's merciless, electric People, Places & Things " now playing at St. Ann's Warehouse in a production from London's National Theatre " starts with a play and ends with an a…

SOURCE: Vulture at 10:00pm on October 25, 2017

Theater Review: In Oedipus El Rey, Fate Falls a Little Flat by Sara Holdren

When you enter the Public's Shiva Theater for Oedipus El Rey, the setting of Luis Alfaro's transposition of Sophocles's tragedy becomes immediately and elegantly clear. The Shiva is a wide, …

SOURCE: Vulture at 2:46pm on October 25, 2017

Theater Review: John Patrick Shanley’s Misbegotten The Portuguese Kid by Sara Holdren

Early on in The Portuguese Kid, the unconscionable new play by John Patrick Shanley now onstage at MTC, our Real Greek Housewives of New York City heroine, Atalanta Lagana, whines to her law…

SOURCE: Vulture at 10:00pm on October 24, 2017

Theater Review: In Strange Interlude, 1 Man, 6 Hours, Many Ghosts by Sara Holdren

When Eugene O'Neill finished Strange Interlude in 1923, he was 35 years old, the same age as his heroine Nina Leeds in the seventh act out of nine in his paradigm-shifting, Pulitzer Prize-wi…

SOURCE: Vulture at 10:49pm on October 23, 2017

Theater Review: In After the Blast, the Apocalypse Is Now by Sara Holdren

Back in August, I compared Second Stage's production of Bruce Norris's A Parallelogram to Black Mirror. As I left the Claire Tow Theater at Lincoln Center in the wake of Zoe Kazan's sharp, s…

SOURCE: Vulture at 6:15pm on October 23, 2017
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