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247 stories by "Sanjoy Roy"

Cassandra review curiously hollow new ballet by Sanjoy Roy

Linbury Theatre, LondonThe cast is strong, but too many questions are left unanswered in this under-choreographed depiction of madness and myth Continue reading...

SOURCE: The Guardian at 9:05am on October 31, 2014[SHARE]

Sampling the Myth review patchwork programme aimed at dance outsiders by Sanjoy Roy

Linbury Studio, LondonMatthew Bournes Swan Lake and Aakash Ohedras Unearthed feature in an uneven but intriguing lineup that weaves in the cinematic and the theatrical Unearthed: Chris Ofili…

SOURCE: The Guardian at 8:02am on September 7, 2014[SHARE]

Wendy Whelan: Restless Creature review a quartet of dreamy dance sketches by Sanjoy Roy

Linbury Studio, LondonThe renowned ballerina moves into contemporary dance in four duets with different choreographers Continue reading...

SOURCE: The Guardian at 9:04am on July 24, 2014[SHARE]

Carlos Acosta: Cubanía review eloquent, electrifying and hokey by Sanjoy Roy

Royal Opera House, LondonThe Cuban superstar's mixed bill oscillates between transfixing works and less engaging pieces Continue reading...

SOURCE: The Guardian at 12:26pm on July 23, 2014[SHARE]

Rosemary Lee: Under the Vaulted Sky review dance with a fragile magic by Sanjoy Roy

Milton Keynes international festivalThis procession for almost 100 performers is a clever synthesis of the natural and the spiritual Rosemary Lee: how to create a large-scale, site-specific …

SOURCE: The Guardian at 8:14am on July 21, 2014[SHARE]

Clod Ensemble: Red Ladies review dance rendezvous with Grace Kelly style by Sanjoy Roy

Purcell Room, LondonThis musical dance-theatre piece has striking sounds and images, but there's simply too much going onGenre-busting performance group Clod Ensemble, headed by choreographe…

SOURCE: The Guardian at 8:59am on July 17, 2014[SHARE]

From Queen to Little Mix: what dance stars groove to in their downtime by Sanjoy Roy

What gets top dancers moving behind closed doors? We asked Tamara Rojo, Eric Underwood, Akram Khan, Paul White, Martina Bussi and other big names and got some surprising answersDancing to T…

SOURCE: The Guardian at 12:28pm on July 4, 2014[SHARE]

Wendy Houstoun review a wise and witty dance of nothing by Sanjoy Roy

Purcell Room, LondonIn Pact With Pointlessness, Wendy Houstoun's response to the death of a fellow dancer, she asks the big existential questions Wendy Houstoun: the death that made me quest…

SOURCE: The Guardian at 8:07am on June 9, 2014[SHARE]

National Youth Dance Theatre: Vertical Road/The Rashomon Effect review by Sanjoy Roy

Sadler's Wells, LondonAkram Khan draws out brilliant performances from the dancers in these two powerful pieces Akram Khan on finding a 'purer form of interpretation' with young dancers Form…

SOURCE: The Guardian at 9:17am on April 17, 2014[SHARE]

Ballet Flamenco Sara Baras review " 'an explosive battle dance with little inner conflict' by Sanjoy Roy

Baras is the ideal dancer to begin the yearly Flamenco festival, but this material confines her art rather than igniting itSara Baras is a natural choice to kick off the annual Flamenco fest…

SOURCE: The Guardian at 10:21am on March 3, 2014[SHARE]

Candoco: Miniature/Two for C/Notturnino review " wrestlers' masks and glittery shoes in triple bill by Sanjoy Roy

Laban theatre, LondonThe company of disabled and non-disabled dancers presented three stimulating works " from living-doll cameos and gladiatorial rituals to a study of human vulnerabilityTh…

SOURCE: The Guardian at 9:53am on March 2, 2014[SHARE]

Musicals we love: Some Like It Hip Hop by Sanjoy Roy

Zoo Nation's rhythmic fireworks and soulful music make you want to get up and dance' Read more from the Musicals we love seriesDespite breaking box-office records for a West End dance show w…

SOURCE: The Guardian at 4:00am on February 24, 2014[SHARE]

Ignis " review by Sanjoy Roy

Print Room, LondonThe second in Hubert Essakow's trilogy conjures a love triangle through vignettes fired by fantasy, rivalry and remembranceThe second of Hubert Essakow's planned trilogy of…

SOURCE: The Guardian at 10:18am on February 14, 2014[SHARE]

Michael Clark Company " review by Sanjoy Roy

Barbican, LondonScritti Politti meets pilates and punk in Clark's focused triple bill, exploring the tension between formality and urgent energyCharacteristically, Michael Clark's All Three …

SOURCE: The Guardian at 8:31am on November 24, 2013[SHARE]

De Oscuro: Mac//Beth " review by Sanjoy Roy

Royal Opera House, LondonShakespearean English meets Welsh in this curious multimedia Macbeth with fascinating " and curious " resultsJudith Roberts's Cardiff-based company De Oscuro special…

SOURCE: The Guardian at 8:17am on November 13, 2013[SHARE]

Royal Ballet: Chroma/The Human Seasons/The Rite of Spring " review by Sanjoy Roy

Royal Opera House, LondonOne of Wayne McGregor's most enjoyable works begins a mixed evening that concludes with Kenneth MacMillan's crude interpretation of StravinskyIt may be called Chroma…

SOURCE: The Guardian at 8:30am on November 11, 2013[SHARE]

Dance Umbrella: Trisha Brown Dance Company " review by Sanjoy Roy

Central Saint Martins, LondonThe works in Trisha Brown's farewell tour are a bracing pleasure to watchLate last year, pioneering American choreographer Trisha Brown announced she'd be retiri…

SOURCE: The Guardian at 7:54am on October 11, 2013[SHARE]

How black dancers brought a new dynamism to British dance by Sanjoy Roy

An exhibition in Liverpool aims to acknowledge the richness of black dance in Britain, from the 1940s to the present day"Like Britain itself," says dance history professor Ramsay Burt, "Brit…

SOURCE: The Guardian at 9:10am on September 20, 2013[SHARE]

The Forsythe Company " review by Sanjoy Roy

Sadler's Wells, LondonFor 20 years, the American choreographer William Forsythe was director of the Frankfurt Ballet, where he created a series of highly technical, determinedly experimental…

SOURCE: The Guardian at 8:35am on June 19, 2013[SHARE]

Scottish Dance Theatre " review by Sanjoy Roy

The Place, LondonTen years after his first Scottish Dance Theatre commission, Montreal-based Victor Quijada has returned with Second Coming " aptly titled not just as his second company piec…

SOURCE: The Guardian at 1:15pm on March 8, 2013[SHARE]

Resolution! 2013 " review by Sanjoy Roy

The Place, LondonIf it's new year, it's time for Resolution!, the Place's platform for new works by novice choreographers. Artists ranging from Wayne McGregor to Tino Sehgal took their first…

SOURCE: The Guardian at 12:36pm on January 10, 2013[SHARE]

Rosas: Cesena " review by Sanjoy Roy

Sadler's Wells, LondonCesena is choreographer Anne Teresa De Keersmaeker's sequel to En Atendant, with which it has much in common. It begins as En Atendant had ended, with a naked man in da…

SOURCE: The Guardian at 12:37pm on November 9, 2012[SHARE]

Rosas: En Atendant " review by Sanjoy Roy

Sadler's Wells, LondonAs a gaunt man slowly raises a flute and exhales into it raggedly, an unearthly noise emerges: a blend of ascending siren whistles and long, rasping sighs like the groa…

SOURCE: The Guardian at 12:51pm on November 6, 2012[SHARE]

Anne Teresa de Keersmaeker: Fase " review by Sanjoy Roy

Tate Tanks, LondonCross-disciplinary, multidisciplinary, interdisciplinary ... the terms are often used rather nebulously in the admittedly nebulous field of live art. But the word that spri…

SOURCE: The Guardian at 1:08pm on July 23, 2012[SHARE]

Big Dance Trafalgar Square " review by Sanjoy Roy

Trafalgar Square, LondonWhat's the big idea behind Big Dance? The biannual London-based programme is designed to big up the profile of dance through a network of assorted events, performance…

SOURCE: The Guardian at 9:24am on July 16, 2012[SHARE]
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