Revivals are one thing, but the current production of Larry Shue's sweet-tempered semi-farce The Foreigner at the Repertory Theater Of St. Louis is more like a resurrection.
The Comedy Of Errors, one of Shakespeare's earliest plays, is brimming with his youthful zest for language.
The final play in this year's Studio Series at the Repertory Theater of St. Louis is the world premier of Ayad Akhtar's taut and absorbing The Invisible Hand.
It looks, finally, as if anger may be the only genuine emotion of which David Mamet is capable.
Stephen Sondheim is known among puzzle connoisseurs as a brilliant and devious constructor of cryptic crosswords, so it should not be surprising that so many critics and theatergoers have ap…
"Tom Sawyer," her innovative and charming adaptation of the novel everybody knows even if they haven't read it, had its inception at Hartford Stage a year ago. The current production started…
By the end of the evening, it becomes clear that this exercise is a good metaphor for Miss Baker's deceptively deep and involving play.
What might happen, Yasmina Reza asks, when the four parents of two boys involved in a playground fight come together to seek—well, what, exactly? The psychobabble word for it is "closure,"…
One could simply not ask for a better physical production than Stages the one St. Louis has put together for this final show of their 25th season.
Featuring intense performances from Brian Dykstra as Rothko, and Matthew Carlson as his sometimes hapless, sometimes acerbic assistant Ken, under the meticulous direction of Steve Woolf, the…
The second production of the Summer season at Stages St. Louis is a lavish reading of The Secret Garden, a grown-up musical version of the beloved Frances Hodgson Burnett novel about a young…