Belleville, Donmar Warehouse, London, theatre review: 'The acting is terrific' by Paul Taylor, Paul Taylor

Some terrific acting from James Norton and Imogen Poots in Amy Herzog's study of a young marriage that is starting to unravel

SOURCE: The Independent at 2:06pm on December 18, 2017[SHARE]

The Jungle, Young Vic, London, theatre review: 'Wonderfully humane and illuminating' by Paul Taylor, Paul Taylor

The Jungle is the playwriting debut from Joe Murphy and Joe Robertson who built a theatre - the Good Chance - in the heart of an unofficial refugee and migrant camp in Calais

SOURCE: The Independent at 1:04pm on December 18, 2017[SHARE]

Pinocchio, Lyttelton, National Theatre, London, review: A handful of ridiculously catchy songs by Paul Taylor, Paul Taylor

This is the first time that the Disney organisation has given its blessing to a stage version of the 1940 movie

SOURCE: The Independent at 4:06am on December 15, 2017[SHARE]

The Twilight Zone, Almeida Theatre, London, review: A witty and piquant alternative to forced jollity by Paul Taylor, Paul Taylor

Anne Washburn's production of the acclaimed CBS Television Series 'The Twilight Zone' includes a mash-up of eight of the original transmissions

SOURCE: The Independent at 1:18pm on December 13, 2017[SHARE]

Cell Mates, Hampstead Theatre, London, review: An astute revival by Paul Taylor, Paul Taylor

The first major revival since the original 1995 production of Simon Gray's play which was deemed a flop after Stephen Fry left the show suffering with depression

SOURCE: The Independent at 1:18pm on December 11, 2017[SHARE]

Imperium, Swan Theatre, Stratford-upon-Avon, review: Richard McCabe gives a superb central performance by Paul Taylor, Paul Taylor

Mike Poulton, who adapted Hilary Mantel's Thomas Cromwell novels, 'Wolf Hall' and 'Bring Up The Bodies', has turned Robert Harris' trilogy of novels about Cicer…

SOURCE: The Independent at 1:18pm on December 11, 2017[SHARE]

Barnum, Menier Chocolate Factory, London, review: Choreography that takes the breath away by Paul Taylor, Paul Taylor

Gordon Greenberg's striking production transforms the small Menier Chocolate Factory theatre into a Big Top and circus ring with comedian Marcus Brigstocke in the title role

SOURCE: The Independent at 5:54am on December 7, 2017[SHARE]

Dear Brutus, Southwark Playhouse, London, review: A cleverly mounted revival by Paul Taylor, Paul Taylor

This darkly comic play by 'Peter Pan's' J M Barrie has deliberate echoes of 'A Midsummer Night's Dream'

SOURCE: The Independent at 2:33pm on December 6, 2017[SHARE]

Parliament Square, Bush Theatre, London, review: An artfully structured work by Paul Taylor, Paul Taylor

James Fritz's powerful play, which won the Judges' Award in the 2015 Bruntwood Prize for Playwriting, explores what one person can do to effect change

SOURCE: The Independent at 2:24pm on December 4, 2017[SHARE]

Goats, Royal Court, London, review: The writing is shrewd and impassioned but it lacks bite by Paul Taylor, Paul Taylor

A major new work by Syrian playwright and documentary filmmaker Liwaa Yazji explores propaganda in a village and includes six real goats on stage

SOURCE: The Independent at 1:12pm on December 4, 2017[SHARE]

A Christmas Carol, Old Vic, London, review: Rhys Ifans gives a remarkably powerful performance by Paul Taylor, Paul Taylor

Matthew Warchus directs Jack Thorne's new adaptation of Charles Dickens' classic with Ifans as Scrooge

SOURCE: The Independent at 6:36am on November 30, 2017[SHARE]

Bad Roads, Royal Court, London, review: 'a savage look at the dehumanising impact of war' by Paul Taylor, Paul Taylor

Ukrainian dramatist Natal'ya Vorozhbit's play switches between bitter comedy and horror as it focuses on women's experiences in wartime

SOURCE: The Independent at 8:04am on November 23, 2017[SHARE]

Everybody's Talking About Jamie, Apollo Theatre, review: a Billy Elliot for the gender-fluid age by Paul Taylor, Paul Taylor

A hit in Sheffield early this year, this musical about a teenage drag queen proves just as irresistible as it transfers to the West End

SOURCE: The Independent at 6:54am on November 23, 2017[SHARE]

Trestle, Southwark Playhouse, London, review: brimming with quiet insight and sympathetic humour by Paul Taylor, Paul Taylor

Stewart Pringle's 'Trestle' which explores love and ageing has a whiff of 'Last of the Summer Wine' and 'Last Tango in Halifax' about the proceedings

SOURCE: The Independent at 12:04pm on November 6, 2017[SHARE]

The Slaves of Solitude, Hampstead Theatre, London, review: Needs more of a sense of purpose by Paul Taylor, Paul Taylor

Jonathan Kent directs Nicholas Wright's stage adaptation of Patrick Hamilton's novel, but despite its flaws, Fenella Woolgar is perfect in the leading role as Miss Roach

SOURCE: The Independent at 5:42am on November 2, 2017[SHARE]

The Exorcist, Phoenix Theatre, London, review: This show is less scary than the film but more profoundly disturbing by Paul Taylor, Paul Taylor

'The Exorcist' hits the West End stage 44 years after William Friedkin's classic horror film about the demonic possession of a 12-year-old girl which caused audience members t…

SOURCE: The Independent at 9:24am on November 1, 2017[SHARE]

Romantics Anonymous, Sam Wanamaker Playhouse, London, review: Emma Rice's big-hearted swansong by Paul Taylor, Paul Taylor

Rice leaves Shakespeare's Globe as its artistic director on a good note with a musical adaptation of the 2010 French-Belgian rom-com film' Les Emotifs Anonymes'

SOURCE: The Independent at 11:54am on October 30, 2017[SHARE]

Young Marx, Bridge Theatre, London, review: Rory Kinnear is on glorious form here by Paul Taylor, Paul Taylor

Nicholas Hytner and Nick Starr open the doors to their brand new theatre with a show that reunites the team behind one of the biggest smashes of that era - 'One Man, Two Guvnors'

SOURCE: The Independent at 4:24am on October 27, 2017[SHARE]

Venus in Fur, Theatre Royal Haymarket, London, review: Natalie Dormer shows off her formidable theatrical talent by Paul Taylor, Paul Taylor

The 'Game of Thrones' actress Dormer and David Oakes star in the West End premiere of David Ives' Broadway hit

SOURCE: The Independent at 10:42am on October 23, 2017[SHARE]

The Lady from the Sea, Donmar Warehouse, London, review: Full of finely angled performances by Paul Taylor, Paul Taylor

Elinor Cook's sharp adaptation moves Ibsen's play from the icy fjords of Norway in the 1880s to the sticky heat of the Caribbean in the 1950s

SOURCE: The Independent at 8:18am on October 19, 2017[SHARE]

Saint George and the Dragon, National Theatre, London, review: Staged in a witty, exciting fashion by Paul Taylor, Paul Taylor

'Chimerica' director Lyndsey Turner directs Rory Mullarkey's version of the George and the dragon legend against Rae Smith's beautiful set design

SOURCE: The Independent at 7:24am on October 18, 2017[SHARE]

Albion, Almeida Theatre, London, review: A work of deeply absorbing emotional richness by Paul Taylor, Paul Taylor

Rupert Goold directs Mike Bartlett's new play - their first collaboration since their award-winning production of 'King Charles 111'

SOURCE: The Independent at 7:24am on October 18, 2017[SHARE]

A Woman of No Importance, Vaudeville Theatre, London, review: Eve Best is wonderfully moving by Paul Taylor, Paul Taylor

Eve Best stars in Dominic Dromgoole's production as part of a year-long season of Oscar Wilde plays in the West End

SOURCE: The Independent at 12:33pm on October 17, 2017[SHARE]

Beginning, National Theatre, London, review: A real depth of insight, humour and compassion by Paul Taylor, Paul Taylor

David Eldridge's new play is a wry, funny and touching meditation on the loneliness of the singleton, in the era of the dating app

SOURCE: The Independent at 7:24am on October 16, 2017[SHARE]

Young Frankenstein, Garrick Theatre, London, review: Silly and shameless from start to finish by Paul Taylor, Paul Taylor

Mel Brooks' new musical version of his 1974 comedy horror movie has no agenda other than to make you laugh

SOURCE: The Independent at 11:36am on October 11, 2017[SHARE]