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247 stories by "Neil Norman"

Constella Ballet and Orchestra - triple bill , Lilian Baylis Studio, Sadler's Wells, London by Neil Norman

Lilian Baylis Studio, Sadler's Wells, London: Can there be a sunnier personality in ballet than Nancy Osbaldeston? The former ENB dancer who has recently joined The Royal Ballet of Flanders …

SOURCE: The Stage Registration at 6:08am on September 22, 2014

BalletBoyz - The Talent , Linbury Studio Theatre, London by Neil Norman

Linbury Studio Theatre, London: More tightly integrated than their previous outing, there is an organic, holistic feel to this triple bill, as if each choreographer worked from the same blue…

SOURCE: The Stage Registration at 7:23am on September 17, 2014

Rudy's Rare Records , Repertory Theatre, Birmingham by Neil Norman

Repertory Theatre, Birmingham: The term 'community theatre' is often the kiss of death for many ostensibly noble productions. It smacks of political correctness and limited horizon…

SOURCE: The Stage Registration at 9:21am on September 10, 2014

Lord of the Dance - Dangerous Games , London Palladium by Neil Norman

London Palladium: Michael Flatley may have passed his Lord of the Dance cummerbund on to a younger man, but there is no escaping his presence in the latest show. Part Cirque du Soleil, part …

SOURCE: The Stage Registration at 6:32am on September 4, 2014

Solo for Two , Coliseum, London by Neil Norman

Coliseum, London: Since leaving the Bolshoi Ballet, the partnership of Osipova and Vasiliev may have sundered with him going to Mikhailovsky Ballet in St Petersburg and she to our own Royal …

SOURCE: The Stage Registration at 9:04am on August 7, 2014

Push , London Coliseum by Neil Norman

London Coliseum: Although they were made separately, the three solos and one duet that comprise Push are so beautifully integrated that they appear to be a single work, exploded to reveal th…

SOURCE: The Stage Registration at 6:55am on July 30, 2014

Mummenschanz: Musicians of Silence , Peacock Theatre, London by Neil Norman

Peacock Theatre, London: Celebrating 40 years of non-verbal mummery, this show from the uber-mime company Mummenschantz selects the best bits and runs them together; therein lies its appeal …

SOURCE: The Stage Registration at 6:28am on July 21, 2014

The Importance of Being Earnest , Harold Pinter Theatre, London by Neil Norman

Harold Pinter Theatre, London: What do you do if you want to repeat a successful partnership in a play you last appeared in three decades earlier? If you are Martin Jarvis and Nigel Havers, …

SOURCE: The Stage Registration at 7:48am on July 18, 2014

Dawn French: Thirty Million Minutes , Theatre Royal Brighton by Neil Norman

Theatre Royal Brighton: "I seem to live my life six months in arrears," says Dawn French at the start, adding that the show is an attempt to stop time and gather the elements of he…

SOURCE: The Stage Registration at 6:21am on June 26, 2014

Midnight Circus , Jacksons Lane, London by Neil Norman

Jacksons Lane, London: Devised by the south London circus school Aircraft Circus, this is a heady cocktail of sex, strobes and hardcore acrobatics. Audience members are invited to stand, sit…

SOURCE: The Stage Registration at 6:20am on June 23, 2014

The Dream/Connectome/The Concert, Royal Opera House, London by Neil Norman

Royal Opera House, London: If the term 'computational neuroscience' in the programme notes for Alastair Marriott's Connectome makes the heart sink, it is buoyed by the actual …

SOURCE: The Stage Registration at 7:08am on June 2, 2014

Meow Meow: Feline Intimate, London Wonderground by Neil Norman

London Wonderground: She arrives on stage sheathed in gold lame, arms flowing in acknowledgment of the applause. Basking in the adulation she waits for a few moments. Something appears to be…

SOURCE: The Stage Registration at 5:57am on May 23, 2014

Limbo, London Wonderground by Neil Norman

London Wonderground: If you want circus with a little more fire in its belly than the slick and soulless Cirque du Soleil, look no further than Limbo. Returning for a second season to the Sp…

SOURCE: The Stage Registration at 6:36am on May 16, 2014

Ballet du Nord - Tragedie, Sadler's Wells, London by Neil Norman

Sadler's Wells, London: A barely discernible figure walks to the front of the stage, turns and walks back again. Then another. And another. The light is so dim it is almost impossible to tel…

SOURCE: The Stage Registration at 6:14am on May 9, 2014

Rites of War, Stratford Circus, London by Neil Norman

Stratford Circus, London: Yet another dance piece inspired by the First World War, Darshan Singh Buller's first major work since Caravaggio contrasts the past conflict with the present …

SOURCE: The Stage Registration at 5:57am on May 6, 2014

Puffball, Roundhouse, London by Neil Norman

Roundhouse, London: Created by the company from personal experiences of scores of lesbian, gay, bisexual, transgender and questioning folk, this is a show that wears its heart on its sleeve.…

SOURCE: The Stage Registration at 6:03am on April 25, 2014

Rodin, London Coliseum by Neil Norman

London Coliseum: Of all the performing arts, dance exhibits the greatest degree of sexuality. Whether it is the amused detachment of Ashton, the pathological passion of MacMillan or the rauc…

SOURCE: The Stage Registration at 6:28am on April 17, 2014

The Rite of Spring and Petrushka, Sadler's Wells, London by Neil Norman

Sadler's Wells, London: After flirting unnecessarily with gender equality by revising the production with six men and six women, Michael Keegan-Dolan has restored the male-heavy stage presen…

SOURCE: The Stage Registration at 6:21am on April 14, 2014

SoLe Sanctuary, Sadler's Wells, London by Neil Norman

Sadler's Wells, London: Savion Glover is to tap dance what Israel Galvan is to flamenco: a revolutionary virtuoso, a fearless exponent of a traditional art who stretches the boundaries of th…

SOURCE: The Stage Registration at 5:47am on April 4, 2014

Boxe Boxe, Milton Keynes Theatre by Neil Norman

Milton Keynes Theatre: Boxing and dance are not especially strange bedfellows - both involve structured movement, grace under pressure and an aesthetic use of space, but dance doesn't i…

SOURCE: The Stage Registration at 6:16am on March 26, 2014

Shadowland, Peacock Theatre, London by Neil Norman

Peacock Theatre, London: Thought to have originated during the Han Dynasty in China (206 BC-220 AD), shadow theatre is the earliest form of motion picture projection. Britain's Got Tale…

SOURCE: The Stage Registration at 9:55am on March 13, 2014

Border Tales, The Place, London by Neil Norman

The Place, London: I don't mind being told what to think. But I object to being told what I am thinking. The fundamental flaw in Luca Silvestrini's flailing investigation into Engl…

SOURCE: The Stage Registration at 6:47am on February 28, 2014

Ballet Black Triple Bill, Linbury Studio, London by Neil Norman

Linbury Studio, London: Cassa Pancho's small but perfectly formed company of black and Asian dancers fits neatly onto the stage of the Linbury Studio, as the big beasts of classical bal…

SOURCE: The Stage Registration at 9:47am on February 27, 2014

The Sleeping Beauty, Royal Opera House, London by Neil Norman

Royal Opera House, London: Considering how many cooks have stirred the broth of this work since its creation in Imperial Russia in 1890 it is a miracle that it has survived with such integri…

SOURCE: The Stage Registration at 5:18am on February 24, 2014

Running on Empty, Soho Theatre, London by Neil Norman

Soho Theatre, London: Rarely has a work been so aptly titled. Brighton-based Probe's latest venture into fusion performance is an empty vessel, a rust bucket running out of gas in a cre…

SOURCE: The Stage Registration at 5:59am on February 12, 2014
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