Royal Opera House, London: If the term 'computational neuroscience' in the programme notes for Alastair Marriott's Connectome makes the heart sink, it is buoyed by the actual performance. Behind glittering rods of throbbing white lights, Natalia Osipova moves like a cyber nymph, slicing through the air while six men roll and foam around and beneath her. There is something vaguely eastern in Marriott�…
SOURCE: The Stage at 07:08AM on June 2, 2014