DESKTOP
Contact
The Season
On Broadway
Login

Search BroadwayStars

Search:
Author:
Source:
Date Range: From: To:
Sort by: Most Recent   Most Relevant
247 stories by "Neil Norman"

Jakop Ahlbom Company: Lebensraum review at Peacock Theatre, London " 'acrobatic surrealism' by Neil Norman

The photo of Buster Keaton on the wall is a clue. Jakop Ahlbom's inspiration for Lebensraum derives from silent comedies and cinematic

SOURCE: The Stage Registration at 12:41pm on February 2, 2018

Cirque du Soleil's Ovo review at Royal Albert Hall, London " 'spectacular acts' by Neil Norman

I would like to say that with Ovo, Cirque du Soleil have laid an egg, but that would give the wrong impression.

SOURCE: The Stage Registration at 7:54am on January 11, 2018

The Nutcracker review at Royal Albert Hall, London " 'beautifully executed' by Neil Norman

For a 20th century adaptation of a 19th century ballet, Peter Wright's Nutcracker has endured remarkably well. Created in 1990 for Sadler's

SOURCE: The Stage Registration at 7:58am on December 29, 2017

Matthew Bourne's Cinderella review at Sadler's Wells, London " 'spectacular' by Neil Norman

Set in 1940 in London and combining Hollywood glitz with wartime drab, this Blitz-era ballet is steeped in tenebrous nostalgia and inspired

SOURCE: The Stage Registration at 6:17am on December 20, 2017

Project Polunin " Satori review at the London Coliseum " 'a messy affair' by Neil Norman

Satori is the Japanese Buddhist term for 'awakening' or 'seeing into one's true nature'. And if anyone needed a lesson in self-awareness,

SOURCE: The Stage Registration at 5:02am on December 7, 2017

The Nutcracker review at Royal Opera House, London " 'skips along' by Neil Norman

Is it my imagination of have there been some excisions in this venerable Nutcracker? I missed the naughty boys wielding wooden swords

SOURCE: The Stage Registration at 9:21am on December 6, 2017

Ivan Putrov's Men in Motion review at London Coliseum " 'an incoherent programme' by Neil Norman

Thirteen dance works in one evening may seem like a bargain. But for this latest programme curated by Ivan Putrov to explore

SOURCE: The Stage Registration at 6:08am on November 23, 2017

A Linha Curva/Symbiosis/Goat review at Sadler's Wells, London " 'a masterpiece' by Neil Norman

Rambert's latest triple bill delivers on many fronts. The louche-limbed La Linha Curva is a riot of Brazilian-inspired carnival movement set to

SOURCE: The Stage Registration at 8:29am on November 22, 2017

The Illustrated Farewell/The Wind/Untouchable review at Royal Opera House " 'a variable triple bill' by Neil Norman

There are two ways of programming mixed bills: either locate a common theme and encourage choreographers to riff around it or take

SOURCE: The Stage Registration at 8:19am on November 7, 2017

Twyla Tharp: 'My first language is ballet' by Neil Norman

In a career spanning more than 50 years, the acclaimed choreographer has been tireless in her pursuit of excellence and pushing the

SOURCE: The Stage Registration at 8:01pm on November 1, 2017

Birmingham Royal Ballet's Aladdin at Sadler's Wells, London " 'full of Eastern promise' by Neil Norman

Originally made for the National Ballet of Japan, David Bintley's Aladdin is an efficacious antidote to the panto versions at this time

SOURCE: The Stage Registration at 8:44am on November 1, 2017

Gloria/The Judas Tree/Elite Syncopations review at Royal Opera House " 'staggering' by Neil Norman

The third and final programme celebrating the legacy of Kenneth MacMillan sees Northern Ballet performing his First World War masterpiece Gloria at

SOURCE: The Stage Registration at 6:53am on October 27, 2017

Choreographer Ben Duke: 'Surrounded by violence, I wanted to explore who we're angry with' by Neil Norman

Ben Duke is a true original. Having trained as an actor and dancer he discovered his calling lay both outside those disciplines

SOURCE: The Stage Registration at 6:46am on October 23, 2017

Trois Grandes Fugues review at Sadler's Wells, London " 'illuminating' by Neil Norman

Take three female choreographers and set them the challenge of interpreting the same piece of music in their own fashion. Beethoven's Die

SOURCE: The Stage Registration at 9:12am on October 20, 2017

Hair review at the Vaults, London " 'energetic but toothless' by Neil Norman

It is five decades since Hair, the hippy musical, first shook its baubles, bangles and beads. Its claim to be the first

SOURCE: The Stage Registration at 7:08am on October 12, 2017

Yukio Ninagawa's Macbeth review at Barbican Theatre, London " 'horrific and deeply moving' by Neil Norman

The death of the great Japanese director Yukio Ninagawa in 2016 robbed the international theatre scene of one its most original and

SOURCE: The Stage Registration at 6:35am on October 6, 2017

Company Wayne McGregor " Autobiography review at Sadler's Wells, London " 'bewitching and bewildering' by Neil Norman

Wayne's world is increasingly informed by science. The thinking man's choreographer, McGregor had his entire genome sequenced by the Genetics Clinic of

SOURCE: The Stage Registration at 6:52am on October 5, 2017

Acosta Danza: Debut review at Sadler's Wells, London " 'a promising start' by Neil Norman

Only a churl would deny Carlos Acosta the chance to let his hair down. And there is plenty of evidence in his

SOURCE: The Stage Registration at 7:44am on September 29, 2017

Carlos Acosta: 'People see me as a mirror that reflects themselves' by Neil Norman

From humble beginnings in Cuba, Carlos Acosta beat extraordinary odds to become one of the world's greatest classical ballet dancers. As his

SOURCE: The Stage Registration at 7:24am on September 25, 2017

Footloose the Musical review at Peacock Theatre, London " 'well past its dance-by date' by Neil Norman

This is the production of Footloose where all the cast play instruments on stage. As well as dance and sing. I would

SOURCE: The Stage Registration at 8:20am on September 14, 2017

Hofesh Shechter Company: Grand Finale review at Sadler's Wells, London " 'mature and magnificent' by Neil Norman

One could never accuse Hofesh Shechter of lacking ambition. His latest work is inspired by nothing less than the Apocalypse; it's the

SOURCE: The Stage Registration at 5:27am on September 13, 2017

Miss Saigon review at Birmingham Hippodrome " 'an assault on the senses' by Neil Norman

There is a movie in my mind. I see a jungle enveloped in napalm fire. I see helicopter gunships strafing small villages.

SOURCE: The Stage Registration at 7:18am on August 30, 2017

Wayne McGregor's +/- Human review at London's Roundhouse " 'engaging experiment in human-to-drone interaction' by Neil Norman

Seven white globes come gliding into the central space of the Roundhouse. Small propellers whirring, they dance in the air of the

SOURCE: The Stage Registration at 7:11am on August 14, 2017

Contrasts review at the Royal Opera House, London " 'Mariinsky Ballet shows versatility' by Neil Norman

As a reaction to the conservative choices of the Mariinsky season (including Swan Lake and Don Quixote), this triple bill is positively

SOURCE: The Stage Registration at 11:59am on August 10, 2017

Paco Pena's Flamencura review at Sadler's Wells, London " 'outstanding' by Neil Norman

It began as a concept: a flamenco show in search of duende – the elusive, transcendent connection between dancer, musician and spectator.

SOURCE: The Stage Registration at 9:01am on August 9, 2017
« Previous 25   Page 3 of 10   Next 25 »