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247 stories by "Neil Norman"

Revisor review at Sadler's Wells, London " 'Gogol meets Kafka in a dark farce' by Neil Norman

Choreographer Crystal Pite and writer Jonathon Young's first collaboration, Betroffenheit, hatched a new kind of theatrical/dance language. The soundtrack propelling the dance

SOURCE: The Stage Registration at 12:04pm on March 4, 2020

Francesca Hayward: 'Criticism of Cats never upset me, the performers all share a sense of humour about it' by Neil Norman

In three years, Francesca Hayward rose from the Royal Ballet's first artist to principal in 2016. Last year she reached a new

SOURCE: The Stage Registration at 4:00am on March 2, 2020

Isadora Now review at Barbican Theatre, London " 'an intense and vivid tribute' by Neil Norman

Viviana Durante's all-female company is purpose-built for this triple-bill tribute to the "mother of modern dance". The revival of two short pieces

SOURCE: The Stage Registration at 10:57am on February 26, 2020

Message in a Bottle review at Peacock Theatre, London " 'jukebox show of unusual depth' by Neil Norman

This collaboration between Kate Prince's hip-hop dance company ZooNation and singer-songwriter Sting is as successful as it is surprising. The judicious selection

SOURCE: The Stage Registration at 6:34am on February 20, 2020

Pina Bausch's Bluebeard review at Sadler's Wells, London " 'unequivocal, uncompromising and still shocking' by Neil Norman

Pina Bausch made this groundbreaking work in 1977. By deconstructing formal dance structures, applying abandoned theatricality and asking performers to excavate and

SOURCE: The Stage Registration at 7:36am on February 14, 2020

Aisha and Abhaya review at Linbury Theatre, London " 'adventurous collaboration between Rambert and the Royal Ballet' by Neil Norman

Inspired by Andersen's The Little Match Girl and the plight of refugees, this artful collaboration between Rambert and the Royal Ballet is

SOURCE: The Stage Registration at 8:01am on January 29, 2020

Onegin review at Royal Opera House, London " 'ferocious and captivating' by Neil Norman

Choreographer John Cranko was the Marlowe to Kenneth MacMillan's Shakespeare. Onegin is his masterpiece, created for Stuttgart Ballet in 1965 and revised

SOURCE: The Stage Registration at 6:14am on January 20, 2020

Cirque du Soleil's Luzia review at the Royal Albert Hall, London " 'spectacular and thrilling' by Neil Norman

Mexico is too often reduced to cerveza and tequila, bandidos, big hats and even bigger cacti. Billed as 'A waking Dream of

SOURCE: The Stage Registration at 6:36am on January 16, 2020

The Nutcracker review at Royal Albert Hall, London " 'an inventive but muted staging' by Neil Norman

Ballet at the Royal Albert Hall is a risky enterprise. Derek Deane's Swan Lake worked well in the space but Birmingham Royal

SOURCE: The Stage Registration at 1:03pm on January 1, 2020

Matthew Bourne's The Red Shoes review at Sadler's Wells, London " 'dazzling' by Neil Norman

Imagine a cross between Giselle and The Wizard of Oz. Death by dancing and scarlet footwear. Matthew Bourne's interpretation of Powell and

SOURCE: The Stage Registration at 11:33am on December 13, 2019

Dorrance Dance Triple Bill review at Sadler's Wells, London " 'tap-fest loses its sparkle' by Neil Norman

From the industrial stomp of Tap Dogs to the sole-shifting beats of Savion Glover, tap dancing continues to evolve. Michelle Dorrance is

SOURCE: The Stage Registration at 10:42am on November 15, 2019

Natalia Osipova: Pure Dance review at Sadler's Wells " 'raw passion and beautiful ugliness' by Neil Norman

Seven pieces in two hours. It's a tall order for anyone even if you are one of the planet's most celebrated ballerinas.

SOURCE: The Stage Registration at 8:18am on October 25, 2019

La Fresque review at Sadler's Wells " 'laced with lyrical eroticism' by Neil Norman

Enticement. Entrapment. Enslavement. And hair. Lots of hair. Following Angelin Preljocaj's singularly sinister vision of Snow White, this latest work appears to

SOURCE: The Stage Registration at 6:59am on October 1, 2019

David Bintley: 'At this point I simply want to make dance, not be stuck in an office' by Neil Norman

Dancer, choreographer and artistic director David Bintley has led Birmingham Royal Ballet for 24 years, but this summer that all changed. He

SOURCE: The Stage Registration at 3:00am on September 11, 2019

Matthew Bourne's Romeo and Juliet review at Sadler's Wells, London " 'bang on the money' by Neil Norman

Every generation has its Romeo and Juliet. Franco Zeffirelli and Baz Luhrmann on film, Rudolf Nureyev and Kenneth MacMillan in ballet. Now

SOURCE: The Stage Registration at 7:04am on August 12, 2019

The Bright Stream review at Royal Opera House " 'Shostakovich ballet suffers from comedy cliché overkill' by Neil Norman

Shostakovich's ballet about a farm workers' collective in the Russian Steppes was briefly popular in 1935 until an article in Pravda damned

SOURCE: The Stage Registration at 8:13am on August 8, 2019

Giffords Circus: Xanadu review at Chiswick House " 'the little circus with a big heart' by Neil Norman

This year's theme at Giffords Circus is the Summer of Love, circa 1967, and the acts assembled by the redoubtable Nell Gifford

SOURCE: The Stage Registration at 7:27am on July 2, 2019

San Francisco Ballet review at Sadler's Wells, London " 'youthful vigour and physical dexterity' by Neil Norman

The San Francisco Ballet concludes its London season with another scintillating trio of UK premieres. The company's youthful vigour, physical dexterity and

SOURCE: The Stage Registration at 8:40am on June 12, 2019

Cinderella review at Royal Albert Hall, London " 'no shortage of spectacle' by Neil Norman

Created in 2012 for Dutch National Ballet, Christopher Wheeldon's Cinderella is stirred but not shaken from its traditional roots. The shift from

SOURCE: The Stage Registration at 9:04am on June 7, 2019

Sergei Polunin: Rasputin review at London Palladium " 'eye-rolling theatrics and thundering melodrama' by Neil Norman

There can be no ignoring the irony. Ballet's 'bad boy' Sergei Polunin as the 'mad monk' Rasputin has an undeniable appropriateness. It

SOURCE: The Stage Registration at 7:25am on June 3, 2019

Four Quartets review at Barbican Theatre " 'anaemic response to TS Eliot's enigmatic poem' by Neil Norman

It is possible to make a non-narrative ballet from a literary classic, as Crystal Pite's The Tempest Replica and Wayne McGregor's Woolf

SOURCE: The Stage Registration at 6:34am on May 23, 2019

Royal Ballet's Kevin O'Hare: 'We have a breadth of new talent. I can't help but be a proud parent' by Neil Norman

The former dancer took over as director of the Royal Ballet in 2012 with a reputation as a safe pair of hands.

SOURCE: The Stage Registration at 6:00am on May 14, 2019

Israel Galván: La Fiesta review at Sadler's Wells, London " 'magnificent surrealist flamenco' by Neil Norman

There is a sadness at the heart of Israel Galván's latest work. Inspired by the end of a flamenco performance when all

SOURCE: The Stage Registration at 9:14am on April 29, 2019

English National Ballet's She Persisted review at Sadler's Wells, London " 'wondrous and rewarding' by Neil Norman

When US senator Mitch McConnell admonished fellow senator Elizabeth Warren in 2017, who refused to be silenced, with the phrase "Nevertheless, she

SOURCE: The Stage Registration at 7:37am on April 5, 2019

Romeo and Juliet review at Royal Opera House, London " 'lacks sizzle' by Neil Norman

Kenneth MacMillan brought psychological depth and sexual passion to the classical repertoire with his first three-act ballet. Not that you'd know it

SOURCE: The Stage Registration at 12:24pm on March 27, 2019
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