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1,125 stories by "Natasha Tripney"

Brighton Festival and Fringe highlights " who to see, where and when by Natasha Tripney

Brighton Festival Every year the Brighton Festival has a different guest director. This year, it is performance artist and musician Laurie Anderson

SOURCE: The Stage Registration at 9:00am on May 6, 2016[SHARE]

Natasha Tripney's theatre picks: May 4 by Natasha Tripney

The next seven days sees the opening of the Brighton Festival and Fringe and a major new production in Stratford-upon-Avon. In London,

SOURCE: The Stage Registration at 2:00am on May 4, 2016[SHARE]

Natasha Tripney's theatre picks: April 27 by Natasha Tripney

After the onslaught of last week, with a major opening taking place every night as well as the events to mark the

SOURCE: The Stage Registration at 2:00am on April 27, 2016[SHARE]

Natasha Tripney's theatre picks: April 20 by Natasha Tripney

The weekend of April 23 is the 400th anniversary of Shakespeare's death and there will be events taking place all around the

SOURCE: The Stage Registration at 2:00am on April 20, 2016[SHARE]

Barely Methodical Troupe: 'We are pushing boundaries' by Natasha Tripney

The Cyr wheel is a large metal ring the size of a person. It was the only piece of acrobatic apparatus to

SOURCE: The Stage Registration at 9:00am on April 14, 2016[SHARE]

Natasha Tripney's theatre picks: April 13 by Natasha Tripney

Cruel April may be, but it sure isn't quiet, with openings over the next seven days including Pulitzer-winning drama at the National

SOURCE: The Stage Registration at 2:00am on April 13, 2016[SHARE]

Natasha Tripney's theatre picks: April 6 by Natasha Tripney

This is the week of all the things, everywhere. There are multiple King Lears and Royal Court openings in abundance " and

SOURCE: The Stage Registration at 2:00am on April 6, 2016[SHARE]

Natasha Tripney's theatre picks: March 30 by Natasha Tripney

The next seven days see major productions open at the National Theatre and the Royal Court, London, the latter of which –

SOURCE: The Stage Registration at 2:00am on March 30, 2016[SHARE]

Natasha Tripney: Which plays should we consign to the dustbin of history? by Natasha Tripney

What is it we actually mean when we describe a play as being a museum piece? I found myself asking this question

SOURCE: The Stage Registration at 2:00am on March 29, 2016[SHARE]

Natasha Tripney's theatre picks: March 23 by Natasha Tripney

Though relatively quiet because of the long Easter weekend, the next seven days include some major openings including the transfer of People, Places

SOURCE: The Stage Registration at 3:00am on March 23, 2016[SHARE]

Natasha Tripney's theatre picks: March 16 by Natasha Tripney

There's an interesting mix of things this week, including a rich range of new writing in London, as well as a chance

SOURCE: The Stage Registration at 3:00am on March 16, 2016[SHARE]

Natasha Tripney: When is having three intervals the right thing to do? by Natasha Tripney

Robert Icke really, really likes an interval. His 2015 production of Oresteia at the Almeida Theatre, London, had three of them, and

SOURCE: The Stage Registration at 3:00am on March 15, 2016[SHARE]

Alan Lane: 'Things need to change. If that means blowing stuff up, fine' by Natasha Tripney

The last time I stood in the square outside Sheffield's Crucible Theatre, Alan Lane had just set the place on fire. Okay,

SOURCE: The Stage Registration at 10:00am on March 14, 2016[SHARE]

Natasha Tripney's theatre picks: March 9 by Natasha Tripney

There's a really rich and interesting spread of work opening around the UK this week, including an intriguing and contrasting double-bill of

SOURCE: The Stage Registration at 2:00am on March 9, 2016[SHARE]

Natasha Tripney's Theatre Picks: March 2 by Natasha Tripney

The next seven days continues to be busy with a cluster of exciting things all happening on March 3, including the directorial

SOURCE: The Stage Registration at 2:00am on March 2, 2016[SHARE]

Natasha Tripney: Can we all stop banging on about the violence in Cleansed? by Natasha Tripney

Is this really the story we want to be telling? With dispiriting predictability the mainstream press has latched hungrily on to the

SOURCE: The Stage Registration at 2:00am on March 2, 2016[SHARE]

Mrs Henderson Presents split the critics " was it a question of gender? by Natasha Tripney

The reviews of Mrs Henderson Presents have been an educative exercise in writing about nudity. Or, rather, not writing about it. Many of

SOURCE: The Stage Registration at 12:53pm on February 25, 2016[SHARE]

Natasha Tripney's theatre picks: February 18 by Natasha Tripney

After last week's great wave of openings, things slow down slightly during the next seven days, though only comparatively speaking. The return

SOURCE: The Stage Registration at 2:00am on February 17, 2016[SHARE]

Natasha Tripney's theatre picks: February 10 by Natasha Tripney

This week is absolutely packed. Following a fairly quiet January, it feels like everything has suddenly woken up and there are new

SOURCE: The Stage Registration at 2:00am on February 10, 2016[SHARE]

Natasha Tripney's theatre picks: February 3 by Natasha Tripney

While the Vault Festival hums away beneath London's streets, above ground there's new writing at the Gate Theatre and the Finborough, as

SOURCE: The Stage Registration at 2:00am on February 3, 2016[SHARE]

Rachel O'Riordan: 'I see Sherman Cymru as the major producing theatre in Wales' by Natasha Tripney

As Rachel O'Riordan knows, there are many ways into the theatre industry. "I didn't have a very traditional path into the business,"

SOURCE: The Stage Registration at 5:00am on January 29, 2016[SHARE]

Natasha Tripney's theatre picks: January 13 by Natasha Tripney

It's still relatively quiet, particularly around the UK, but there are a number of intriguing new openings taking place in London this

SOURCE: The Stage Registration at 2:00am on January 13, 2016[SHARE]

Natasha Tripney's theatre picks: January 6 by Natasha Tripney

2016 might still be mewling like a newborn kitten but there are already new shows to be seen, including the UK staging

SOURCE: The Stage Registration at 2:00am on January 6, 2016[SHARE]

2015 year in review: Natasha Tripney's best and worst by Natasha Tripney

Robert Icke's Oresteia " the triumphant first production in Rupert Goold's thrillingly ambitious Almeida Greeks season " was not only a superb

SOURCE: The Stage Registration at 5:00am on December 29, 2015[SHARE]

Natasha Tripney's theatre picks: December 23 by Natasha Tripney

With new openings all but wrapped up for the year, this week's theatre picks takes the form of a collection of some

SOURCE: The Stage Registration at 2:00am on December 23, 2015[SHARE]
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