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223 stories by "Michael Schulman"

The 2016 Tony Awards: After Orlando by Michael Schulman

For more than a year now, any half-conscious prognosticator could have told you that the 2016 Antoinette Perry Awards would unofficially be the "Hamilton" Tonys. Mostly, it was. Nominated fo…

SOURCE: The New Yorker Subscription at 1:15pm on June 13, 2016[SHARE]

Gross Indecency by Michael Schulman

On April 5, 1895, Oscar Wilde was holed up at the Cadogan Hotel, in London, torn between fleeing the country and facing a parlous fate. Spurred by his sometime paramour Lord Alfred Douglas, …

SOURCE: The New Yorker Subscription at 6:01am on May 6, 2016[SHARE]

The 2016 Tony Nominations: Not All About the Hamiltons by Michael Schulman

Yesterday, the Asian American Performers Action Coalition released its annual report of "Ethnic Representation on New York Stages." On Broadway and Off, thirty per cent of available roles we…

SOURCE: The New Yorker Subscription at 11:12pm on May 3, 2016[SHARE]

Theatre for Babies by Michael Schulman

Not long ago, a resident of the Financial District named Evan Miles settled in for a theatrical production on Forty-second Street. He was not an experienced playgoer"actually, this was his f…

SOURCE: The New Yorker Subscription at 7:26pm on April 20, 2016[SHARE]

The Room Where It Happens by Michael Schulman

Of the many allusions woven throughout Lin-Manuel Miranda's score for "Hamilton"""The Pirates of Penzance," the Notorious B.I.G."one of the funniest comes in Act II, when Alexander Hamilton …

SOURCE: The New Yorker Subscription at 8:44am on March 25, 2016[SHARE]

How Broadway Imagines Africa by Michael Schulman

Until a few weeks ago, if you wanted to see Africa represented in a Broadway show, you had two options, both ridiculous. There is the colorful puppet wilderness of "The Lion King," in which …

SOURCE: The New Yorker Subscription at 6:07pm on March 13, 2016[SHARE]

Theatre's Superpower by Michael Schulman

The theatre has the power"more like the prerogative"to warp reality to suit its own ends, exiting the literal world through whatever trapdoors it creates. Why does an angel crash through a g…

SOURCE: The New Yorker Subscription at 5:34pm on November 17, 2015[SHARE]

Fall Preview by Michael Schulman

Movie stars crash-landing on Broadway seems de rigueur, but last season "Fun Home" and "The Curious Incident of the Dog in the Night-Time" led the pack without famous names. This fall, star …

SOURCE: The New Yorker Subscription at 6:35am on August 21, 2015[SHARE]

The Women of "Hamilton" by Michael Schulman

Lin-Manuel Miranda's rightfully lauded hip-hop musical "Hamilton," which has just opened on Broadway after a smash run at the Public, is about many things, among them men: how they fight, wr…

SOURCE: The New Yorker Subscription at 6:45am on August 7, 2015[SHARE]

The Best Broadway Musical That Doesn't Exist by Michael Schulman

Broadway loves a messy, washed-up diva who cleans up (only so much) for a comeback, and on Monday night that diva was "Smash." It's been two years since NBC cancelled the series, a musical d…

SOURCE: The New Yorker Subscription at 7:22pm on June 10, 2015[SHARE]

The Tony Awards Phone Home by Michael Schulman

The Tony Awards broadcast is an act of contortion, in which one medium (live theatre) simultaneously puffs itself up and scrunches itself down to fit into another (television). Every once in…

SOURCE: The New Yorker Subscription at 3:46pm on June 8, 2015[SHARE]

The Boards: Playoff by Michael Schulman

Broadway and football: it was only a matter of time before someone put the two together.

SOURCE: The New Yorker Subscription at 5:58pm on May 25, 2015[SHARE]

The Tony Nominations: Kings, Queens, and Lesbian Cartoonists by Michael Schulman

It's a bad day to be Harvey Weinstein's assistant. That is, a particularly bad day. The Pooh-Bah of Oscar campaigning cannonballed into Broadway this year, as the lead producer of "Finding N…

SOURCE: The New Yorker Subscription at 2:43pm on April 28, 2015[SHARE]

How to Write for the Rockettes by Michael Schulman

The playwright Joshua Harmon is thirty-one years old and currently in his third year at Juilliard. He lives on the Upper West Side, because Wendy Wasserstein lived there, too. The first play…

SOURCE: The New Yorker Subscription at 9:30am on March 27, 2015[SHARE]

Spring Preview by Michael Schulman

Broadway is an old dog, slow to learn new tricks. But every now and then it aces one of its old tricks. The audiences who flocked to Lincoln Center's 2008 revival of "South Pacific" won't so…

SOURCE: The New Yorker Subscription at 12:00am on February 27, 2015[SHARE]

Why "Into the Woods" Matters by Michael Schulman

For the past year or so, a certain segment of the population"musical-theatre fans who were children in the eighties and thought they were too good for Andrew Lloyd Webber"has experienced a p…

SOURCE: The New Yorker Subscription at 12:00am on December 24, 2014[SHARE]

For Alan Cumming, Life Isn't Always a Cabaret by Michael Schulman

As revealed in a new memoir, "Not My Father's Son," Mr. Cumming lived for years under the long shadow of his father " or, at least, the man he thought was his father.

SOURCE: The New York Times Subscription at 7:10pm on October 3, 2014[SHARE]

Michael Schulman: Amanda Burden sees herself in “If/Then.” by Michael Schulman

One night this spring, Amanda Burden went to see the new Broadway musical “If/Then.” She had recently returned from a “psychic healing” retreat in Arizona, having spe…

SOURCE: The New Yorker Subscription at 12:00am on June 23, 2014[SHARE]

The 2014 Tony Awards Go All the Way by Michael Schulman

At their best, the Tony Awards dance like nobody’s watching.

SOURCE: The New Yorker Subscription at 11:05am on June 9, 2014[SHARE]

Michael Schulman: The cast of “The Cripple of Inishmaan” break some eggs. by Michael Schulman

Among the trends on Broadway this season: musicals about sixties girl rockers (Janis Joplin, Carole King); bravura performances by men in drag (Neil Patrick Harris, Mark Rylance); and raw eg…

SOURCE: The New Yorker Subscription at 12:00am on June 2, 2014[SHARE]

Michael Schulman: Lily Rabe in “Much Ado About Nothing,” at the Delacorte. by Michael Schulman

Shakespeare’s women, Harold Bloom has observed, are always marrying down. Is Orlando truly worthy of Rosalind, with her panoptic wit? How does Viola wind up with that ninny Orsino? Per…

SOURCE: The New Yorker Subscription at 12:00am on May 30, 2014[SHARE]

Scene City: LaTanya Richardson Jackson, Nominated for a Tony Award for 'A Raisin in the Sun,' is Honored by Michael Schulman

LaTanya Richardson Jackson is honored by a roomful of star-powered women.

SOURCE: The New York Times Subscription at 5:23pm on May 28, 2014[SHARE]

Michael Schulman: Trampolining with Toni Collette. by Michael Schulman

Two aspiring trampoliners arrived the other day at Streb Lab for Action Mechanics (SLAM), a fitness and dance studio in Williamsburg, described by its founder, Elizabeth Streb, as a “b…

SOURCE: The New Yorker Subscription at 12:00am on April 14, 2014[SHARE]

Watching the Obamas Watch “A Raisin in the Sun” by Michael Schulman

It’s not often that a single member of the audience commands more attention than the action onstage.

SOURCE: The New Yorker Subscription at 1:16pm on April 13, 2014[SHARE]

Who’s Afraid of Elaine Stritch? by Michael Schulman

The new documentary “Elaine Stritch: Shoot Me” shows its eighty-nine-year-old subject’s ferocious dual nature.

SOURCE: The New Yorker Subscription at 1:31pm on February 21, 2014[SHARE]
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