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223 stories by "Michael Schulman"

Oscar Spotlight: The Actors by Michael Schulman

"Actors aren't animals! They're human beings!" the wise producer Leo Bloom once said, to which his partner, Max Bialystock, replied, "They are? Have you ever eaten with one?" Most of the Osc…

SOURCE: The New Yorker Subscription at 6:00pm on February 8, 2017[SHARE]

Oscar Spotlight: The Actresses by Michael Schulman

For a certain stripe of Oscar obsessive"c'est moi"it's all about actresses. A healthy variety of tough, sly, vulnerable, funny, chilling female performances signals that the state of the cin…

SOURCE: The New Yorker Subscription at 8:00am on February 7, 2017[SHARE]

Meryl Streep at the Golden Globes by Michael Schulman

What a strange and contradictory"and not unentertaining"thing the Golden Globes were to watch last night. On the one hand, "La La Land," a Hollywood movie musical about the magic of Hollywoo…

SOURCE: The New Yorker Subscription at 1:12pm on January 9, 2017[SHARE]

Unearthing Rare Second World War Musicals by Michael Schulman

A few years before writing "Guys and Dolls," which premièred in 1950, Frank Loesser put his sizable talents to work for Uncle Sam, when the U.S. Army hired him to collaborate on a series of…

SOURCE: The New Yorker Subscription at 11:00pm on December 29, 2016[SHARE]

Postscript: Carrie Fisher, 1956-2016 by Michael Schulman

"If my life wasn't funny it would just be true, and that is unacceptable," Carrie Fisher, who died yesterday, at the age of sixty, wrote in her memoir "Wishful Drinking," from 2008. Fisher's…

SOURCE: The New Yorker Subscription at 12:42pm on December 28, 2016[SHARE]

The Thorny Ethics of the Oscars by Michael Schulman

The Academy Awards officially need a rabbi. How else to navigate the thorny ethics that seem to sprout up each year around the question of separating the artist from the art? Of course, this…

SOURCE: The New Yorker Subscription at 7:00am on December 21, 2016[SHARE]

A Lost "Glass Menagerie," Rediscovered by Michael Schulman

Jane Klain, the indefatigable research manager at the Paley Center for Media, which houses a vast collection of old television and radio programs, goes on archival treasure hunts that someti…

SOURCE: The New Yorker Subscription at 8:04am on December 7, 2016[SHARE]

Cheryl Strayed's Advice Becomes Theatre by Michael Schulman

Early in 2010, Cheryl Strayed got an e-mail from an acquaintance, Steve Almond, who wrote an advice column"Dear Sugar"for the literary Web site The Rumpus. Strayed was living in Portland wit…

SOURCE: The New Yorker Subscription at 11:00pm on December 4, 2016[SHARE]

The Oscars and the Election by Michael Schulman

Oscar winners aren't the best barometers by which to gauge the national mood. Movies and politics work at different speeds, reshaping themselves"and absorbing each other"in unpredictable bur…

SOURCE: The New Yorker Subscription at 2:41pm on December 2, 2016[SHARE]

Jason Sudeikis's Quotable Wisdom by Michael Schulman

Jason Sudeikis sat at the back of the Bowery Poetry Club, waiting for open-mike night to begin. He had parked his black Vespa outside, having motored in from Clinton Hill, where he lives wit…

SOURCE: The New Yorker Subscription at 11:00pm on November 27, 2016[SHARE]

More Broadway Recommendations for Mike Pence by Michael Schulman

Dear Vice-President-elect Pence,

SOURCE: The New Yorker Subscription at 3:51pm on November 21, 2016[SHARE]

David Oyelowo and Daniel Craig Face Off in "Othello" by Michael Schulman

It's an odd fact of "Othello" that Iago has more lines than the title character. But inconspicuousness"the ability to keep his own name out of the spotlight while cruelly manipulating events…

SOURCE: The New Yorker Subscription at 11:00pm on November 17, 2016[SHARE]

Richard Nelson's Final Election Play Proves to Be Eerily Prophetic by Michael Schulman

Around three-thirty yesterday afternoon, Richard Nelson made his final edits to a project that has spanned this parlous political season: a trilogy of quiet and sad dramas called "The Gabrie…

SOURCE: The New Yorker Subscription at 3:46pm on November 9, 2016[SHARE]

Peter Morgan Serves the Queen, Again by Michael Schulman

Is Queen Elizabeth II interesting? Not in a world-historical sense"the dwindling power of the monarchy in the postcolonial age, the assortment of turmoils that have raged around her durin…

SOURCE: The New Yorker Subscription at 3:00pm on November 4, 2016[SHARE]

Winter Theatre Preview by Michael Schulman

Few living actors can match the raw star power of Cate Blanchett, whose hypnotic self-possession"she has the gravitational pull of a small planet"made her a natural for roles like Queen Eliz…

SOURCE: The New Yorker Subscription at 12:00am on November 4, 2016[SHARE]

Revisiting a Legendary Sondheim Flop by Michael Schulman

In seventh grade, I became completely obsessed with the 1981 musical "Merrily We Roll Along," by Stephen Sondheim and George Furth. It was my introduction to cynicism, set to a brassy Broadw…

SOURCE: The New Yorker Subscription at 3:20pm on October 14, 2016[SHARE]

Immersion Theatre, on Broadway by Michael Schulman

In an era of binge-watching, live-tweeting, and the Oculus Rift, how can theatre compete as all-consuming entertainment? Perhaps it's our desire to be more than spectators"to be sucked headl…

SOURCE: The New Yorker Subscription at 12:00am on October 14, 2016[SHARE]

Festival Spotlight: Playing the President by Michael Schulman

It's become a cliché of this election season that, if you were to present the current Presidential race as fiction, no one would believe it. So what better time to hear from a group of fict…

SOURCE: The New Yorker Subscription at 5:01pm on October 4, 2016[SHARE]

Ghosts of Old Hollywood, as a Podcast by Michael Schulman

Karina Longworth is the host of the popular show "You Must Remember This," which covers the golden age of cinema.

SOURCE: The New York Times Subscription at 1:43pm on September 30, 2016[SHARE]

Andrew Rannells Stars in "Falsettos" by Michael Schulman

The thirty-eight-year-old actor Andrew Rannells is part of a new crop of gay stars"like Chris Colfer and Tituss Burgess"who never had to bother to be closeted in the public eye. Lean and boy…

SOURCE: The New Yorker Subscription at 12:00am on September 30, 2016[SHARE]

Catching Up with Richard Nelson, Real-Time Election Playwright by Michael Schulman

What were you up to on Friday, September 16th? Did you think about Donald Trump or Hillary Clinton? Did you talk about the election with the people you encountered? Chances are that you did,…

SOURCE: The New Yorker Subscription at 8:00am on September 22, 2016[SHARE]

How Many Jokes About the Upper West Side Can You Make? by Michael Schulman

George St. Geegland and Gil Faizon are two Upper West Side alter kakers who are partial to turtlenecks, cultural programs at the Y, and the oeuvre of Alan Alda. For a time, they hosted a …

SOURCE: The New Yorker Subscription at 12:35pm on September 21, 2016[SHARE]

Hari Nef, Model Citizen by Michael Schulman

A few days before graduating from Columbia University, in May, 2015, the actress and model Hari Nef showed up at a Flatiron office building to meet Ivan Bart, the president of IMG, the agenc…

SOURCE: The New Yorker Subscription at 12:00am on September 19, 2016[SHARE]

Remembering Crazy Eddie: His Prices Were Insane by Michael Schulman

Growing up in Manhattan in the eighties, I loved the TV commercials for the electronics chain "Crazy Eddie." What kid wouldn't? The pitchman, an unholy mashup of Pee-wee Herman and Donald Tr…

SOURCE: The New Yorker Subscription at 8:58am on September 17, 2016[SHARE]

Phones On, Curtain Up by Michael Schulman

Most theatregoers I know have an almost physical aversion to audience participation. That's probably because audience members are often cast in the role of patsy"set up to look awkward, outs…

SOURCE: The New Yorker Subscription at 2:11pm on July 22, 2016[SHARE]
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