Allison Janney spiralled, cranelike, up the ramp of the Guggenheim Museum. She stopped in front of a Kandinsky""Black Lines" (1913), a jumble of Technicolor splotches"and gasped. "My gosh, that's so beautiful," she said. She was wearing chunky glasses and a dark blazer over a leopard-print blouse. "I felt an energy go through my chest." It was her day off from "Six Degrees of Separation," a Broadway revival of the 19…
SOURCE: The New Yorker at 12:00AM on April 10, 2017