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2,344 stories by "Michael Dale"

BWW Review: Jez Butterworth's Olivier-Winning THE FERRYMAN is A Harvest of Engaging Characters and Performances by Michael Dale

The angry graffiti painted on the red bricks of the Bogside alleyway, memorializing Irish Republicans who have fallen in the cause of independence, contributes to the ominous mood of the ope…

SOURCE: BroadwayWorld at 3:36am on October 22, 2018

BWW Review: Christine Lahti is Gloria Steinem in Emily Mann's Riveting GLORIA: A LIFE by Michael Dale

'I grew up in working class Toledo,' says the subject of Emily Mann's Gloria A Life, arguably the most potent, informative, emotionally riveting and ultimately uplifting theatre piece curren…

SOURCE: BroadwayWorld at 11:12am on October 21, 2018

BWW Review: Daniel Radcliffe, Cherry Jones and Bobby Cannavale Hilariously Debate The Value of Truth in THE LIFESPAN OF A FACT by Michael Dale

'I take liberties with things that deepen the central truth of the piece,' explains writer John D'Agata. 'Don't get bogged down in the details, keep your eye on the big picture.'

SOURCE: BroadwayWorld at 3:12am on October 19, 2018

BWW Review: Glenn Close is Joan of Arc's Bewildered Mom in Jane Anderson's MOTHER OF THE MAID by Michael Dale

Behind most poverty-to-celebrity stories, there's usually a hard-working parent or two who dreamed of a better lifefor their child, but perhaps never imagined that better life might include …

SOURCE: BroadwayWorld at 8:36am on October 18, 2018

BWW Review: Mark Sonnenblick's Superb MIDNIGHT AT THE NEVER GET Mixes Song, Romance and Resistance by Michael Dale

While it would be easy to exit the York Theatre these days having been absolutely swept away by Mark Sonnenblick's wonderfully engaging and ear-tingling score for his new musical, MIDNIGHT A…

SOURCE: BroadwayWorld at 12:54am on October 16, 2018

BWW Review: Aasif Mandvi Offers New Yorkers Seconds of His Obie-Winning SAKINA'S RESTAURANT by Michael Dale

Savvy New Yorkers will immediately have a clear picture of the work environment when Azgi, the narrating character of playwrightactor Aasif Mandvi's solo piece SAKINA'S RESTAURANT, says he's…

SOURCE: BroadwayWorld at 8:48pm on October 14, 2018

BWW Review: Eddie Korbich Plays Brilliant But Bigoted Richard Wagner in Allan Leicht's MY PARSIFAL CONDUCTOR by Michael Dale

'A Jew In heaven Jews' an incredulous 92-year-old Cosima Wagner asks her delirium-induced vision of her long-gone husband, Richard, at the outset of Allan Leicht's history-based My Parsifal …

SOURCE: BroadwayWorld at 8:42am on October 12, 2018

BWW Review: Heidi Schreck's Inescapably Truthful WHAT THE CONSTITUTION MEANS TO ME by Michael Dale

Though designer Rachel Hauck's set for Heidi Schreck's inescapably truthful, yet eventually hopeful autobiographical performance piece WHAT THE CONSTITUTION MEANS TO ME is based on the autho…

SOURCE: BroadwayWorld at 2:54am on October 10, 2018

BWW Review: Beautifully Sung and Acted GIRL FROM THE NORTH COUNTRY Matches Storytellers Conor McPherson and Bob Dylan by Michael Dale

Do not expect a rousing 'Rainy Day Woman''Blowin' In The Wind''Mr. Tambourine Man' dance mega-mix.at the end of Girl from the North Country, playwrightdirector Conor McPherson's lovely, intr…

SOURCE: BroadwayWorld at 3:12am on October 2, 2018

BWW Review: Richard Bean's Eccentric Comedy THE NAP Introduces Snooker To Broadway by Michael Dale

British playwright Richard Bean made a riotous Broadway debut six years ago with the knockabout farce ONE MAN, TWO GUVNORS, but his newest hit to cross the Atlantic, The Nap, while full of g…

SOURCE: BroadwayWorld at 10:54pm on September 27, 2018

BWW Review: Janet McTeer Speaks The Speeches Ever So Trippingly in Theresa Rebeck's BERNHARDT/HAMLET by Michael Dale

'All that privilege and he can't figure out how to do anything,' ponders one of the world's greatest actors as she attempts to delve into the psyche of one of the world's greatest theatrical…

SOURCE: BroadwayWorld at 11:32pm on September 25, 2018

BWW Review: Craig Lucas' Job-Inspired Drama, I WAS MOST ALIVE WITH YOU, Performed in Both Spoken English and ASL by Michael Dale

The press script provided to critics reviewing Craig Lucas' somber and overstuffed drama, I WAS MOST ALIVE WITH YOU, specifies that the play was created to be performed by Deaf and hearing a…

SOURCE: BroadwayWorld at 12:24am on September 25, 2018

BWW Review: Kristine Nielsen and Annette O'Toole in Tennessee Williams Rarity A LOVELY SUNDAY FOR CREVE COEUR by Michael Dale

Don't be surprised to immediately sense a bit of familiarity in the dynamic between the two main characters as director Austin Pendleton's very fine La Femme Theatre production of the lesser…

SOURCE: BroadwayWorld at 12:06am on September 24, 2018

BWW Review: Edie Falco, Michael McKean and Peter Scolari Tackle Politics and Marriage in Sharr White's THE TRUE by Michael Dale

Dorothea Polly Noonan, the real-life central character of Sharr White's new political drama, THE TRUE, was the grandmother of current United States Senator Kirsten Gillibrand. If times were …

SOURCE: BroadwayWorld at 4:18am on September 21, 2018

BWW Review: Musical Dating Adventure NEUROSIS Is Extremely Enjoyable Fluff by Michael Dale

While the exact location of composer Ben Green, lyricist Greg Edwards and bookwriter Allan Rice's funny and frothy new musical dating adventure, Neurosis, is never revealed, it's a safe bet …

SOURCE: BroadwayWorld at 3:04am on September 19, 2018

BWW Review: Richard Nelson Gives UNCLE VANYA The Rhinebeck Treatment by Michael Dale

For the better part of the present decade, playwrightdirector Richard Nelson has been going seriously Chekhovian, first with a quartet of plays set during the Obama years in the Rhinebeck, N…

SOURCE: BroadwayWorld at 10:42am on September 17, 2018

BWW Review: Jen Silverman's Weird and Wonderful COLLECTIVE RAGE by Michael Dale

Eat your heart out, THE PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE. Paul Weiss' 1963 h…

SOURCE: BroadwayWorld at 5:06am on September 13, 2018

BWW Review: R.R.R.E.D. Warns of Genetic Extinction of Redheads by Michael Dale

There are times in musical theatre when a talented cast performing their hearts out can make questionable material not only endurable, but even somewhat enjoyable. Sadly, this is not the cas…

SOURCE: BroadwayWorld at 9:32am on September 7, 2018

BWW Review: The Mint Revives Lillian Hellman's Intriguing Labor Drama DAYS TO COME by Michael Dale

Perhaps if Clifford Odets' landmark pro-union drama, WAITING FOR LEFTY, hadn't opened the year before,Lillian Hellman's 1936 labor drama, DAYS TO COME, the sophomore Broadway effort of the p…

SOURCE: BroadwayWorld at 1:18am on August 27, 2018

BWW Review: Bland PRETTY WOMAN Is Not An Affair To Remember by Michael Dale

With an innocuous book more focused on moving to plot points than creating interesting leading characters and a platitude-heavy score that tends to linger on moments instead of expanding on …

SOURCE: BroadwayWorld at 1:36am on August 20, 2018

BWW Review: GETTIN' THE BAND BACK TOGETHER Salutes A Different Breed of Jersey Boys by Michael Dale

The past several Broadway seasons have seen extraordinary developments in musical theatre, with a steady stream of new shows, usually transferring from non-profit Off-Broadway, offering smar…

SOURCE: BroadwayWorld at 9:54am on August 16, 2018

BWW Review: Austin Pendleton Creates a Shakespearean Combo in WARS OF THE ROSES: HENRY VI & RICHARD III by Michael Dale

The stage is quite empty, save for a makeshift throne in a corner and a couple of rows of ordinary looking chairs in the back, where actors not involved with scenes sit. The costumes are con…

SOURCE: BroadwayWorld at 8:18am on August 13, 2018

BWW Review: Joe Iconis and Joe Tracz's Hard-Rocking, Super-Charged and Very Well Written BE MORE CHILL by Michael Dale

It may not have the romantic sweep of 'Some Enchanted Evening' or the driving intensity of 'Don't Rain On My Parade,' but so far, the best new theatre song of this young season is a finely-c…

SOURCE: BroadwayWorld at 7:24pm on August 11, 2018

BWW Review: Renee Taylor's MY LIFE ON A DIET Is a Comedy Feast by Michael Dale

Back in the days, really not very long ago, when self-effacing gags about failed diets were one of the few topics of discussion deemed acceptable for women in comedy, the punchline Renee Tay…

SOURCE: BroadwayWorld at 9:06am on August 8, 2018

BWW Review: Israeli Star Sasson Gabay Revisits His Film Role in Broadway's THE BAND'S VISIT by Michael Dale

The last time an actor appeared in a Broadway musical playing a role he had previously essayed on film, it was 1983, when Anthony Quinn opened in the revival of ZORBA. Sharing that unusual d…

SOURCE: BroadwayWorld at 1:33am on August 7, 2018
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