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2,436 stories by "Michael Billington"

Richard III review " Greg Hicks is a magnetic, darkly memorable king by Michael Billington

Arcola theatre, LondonHicks has the power to give individual words a wealth of meaning in his portrayal of a villain driven by infantile dreams and private demonsHot on the heels of an accla…

SOURCE: The Guardian at 7:48pm on May 15, 2017[SHARE]

Caroline, Or Change review " Tony Kushner blasts 60s America wide open by Michael Billington

Minerva, ChichesterA Jewish boy and his family's black maid are at the heart of this witty, pulsing musical that takes in everything from klezmer to Tamla MotownSince this musical has book a…

SOURCE: The Guardian at 9:06am on May 12, 2017[SHARE]

Wicked: the Musical, Apollo, London by Michael Billington

Apollo, LondonFriends of Dorothy may be diverted by this musical prequel to The Wizard of Oz. But, although it has been a hit in New York, it seems all too typical of the modern Broadway mus…

SOURCE: The Guardian at 3:33am on May 12, 2017[SHARE]

Room review " Emma Donoghue's story of survival is ingeniously staged by Michael Billington

Theatre Royal Stratford East, London A moving adaptation of the award-winning novel, with added songs, explores the mental toll on an abducted woman and her childMy queasiness about the subj…

SOURCE: The Guardian at 7:24am on May 11, 2017[SHARE]

King Charles III review " a 21st-century Shakespearean tragedy by Michael Billington

Wyndham's, LondonTim Pigott-Smith gives the performance of his career in Mike Bartlett's intelligent meditation on the pressures and purpose of monarchy today' King Charles III: a West End t…

SOURCE: The Guardian at 5:54pm on May 10, 2017[SHARE]

Salomé review " Yaël Farber's portentous take on the myth is a headache by Michael Billington

Olivier, LondonThe celebrated writer-director's attempt to radically update and reclaim the story is hamstrung by a terrible text and an over-complex stagingIt's not been a great month for c…

SOURCE: The Guardian at 10:05am on May 10, 2017[SHARE]

Salome | Theatre review by Michael Billington

Hampstead Theatre, LondonMore symbolist poem than play, Oscar Wilde's once-banned Salome invites a strong directorial concept. But where Steven Berkoff memorably gave us a stylised, slow-mot…

SOURCE: The Guardian at 6:36am on May 10, 2017[SHARE]

Occupational Hazards review " headlong rush through Rory Stewart's Iraq memoir by Michael Billington

Hampstead theatre, LondonThis adaptation shows the nightmarish conflicts faced by Stewart as a provincial governor in Iraq but fails to connect with the bigger political pictureThere have be…

SOURCE: The Guardian at 10:06am on May 9, 2017[SHARE]

All Our Children review " Nazi drama is a gripping battle of words by Michael Billington

Jermyn Street theatre, LondonIn his debut as a playwright, Stephen Unwin explores the fate of disabled youths in Nazi Germany and creates an engrossing moral debateThere is an obvious diffic…

SOURCE: The Guardian at 8:02am on May 8, 2017[SHARE]

Oh What a Lovely War: the show that shook Britain by Michael Billington

Joan Littlewood's pioneering 1963 musical about the first world war not only changed attitudes towards the conflict, it remade British theatre. As the show gets a loving revival, Michael Bil…

SOURCE: The Guardian at 5:48pm on May 7, 2017[SHARE]

The Life of Galileo, National, London by Michael Billington

National, LondonGalileo is a restless, endlessly evolving masterpiece. Brecht himself wrote three versions between 1937 and his death. David Hare has now amplified his 1994 adaptation for th…

SOURCE: The Guardian at 3:06am on May 7, 2017[SHARE]

Ubu Roi " review by Michael Billington

Barbican, LondonHow do you recapture the shock impact of Alfred Jarry's 1896 play, with its savage portrait of a grotesque monster? Given that Jarry's play started as a schoolboy prank aimed…

SOURCE: The Guardian at 10:24pm on May 6, 2017[SHARE]

Angels in America review " Garfield and Lane excel in revival of Kushner's epic by Michael Billington

Lyttleton, LondonTwenty five years after its first production, this eight-hour fantasia is revealed as both a document of the Aids crisis and an amply justified vision of US politicsTwo big …

SOURCE: The Guardian at 8:12pm on May 4, 2017[SHARE]

The Ferryman review " Butterworth and Mendes deliver shattering tale of passion and violence by Michael Billington

Royal Court, London Paddy Considine stars as a reformed IRA activist in the Jerusalem playwright's deeply involving and abundant new workThe combination of Jez Butterworth as writer and Sam …

SOURCE: The Guardian at 7:42pm on May 3, 2017[SHARE]

Educating Rita review " Lenny Henry walks off stage but returns with conviction by Michael Billington

Minerva, ChichesterDespite stumbling over a line, Henry ended the evening looking totally assured in a Willy Russell revival that proves Lashana Lynch's star potentialThis was one of the str…

SOURCE: The Guardian at 8:42pm on May 2, 2017[SHARE]

The Resistible Rise of Arturo Ui review " Lenny Henry powers Trumped-up fascist parable by Michael Billington

Donmar Warehouse, London Henry exudes authority as a deadly racketeer but Bruce Norris's version of Brecht's 1941 drama tries too hard to draw parallels with the new US presidentIt is always…

SOURCE: The Guardian at 6:24pm on May 2, 2017[SHARE]

Everything Between Us review " siblings' bitter battle lays bare Ulster's divisions by Michael Billington

Finborough, LondonTwo sisters confront each other and the irrationality of hatred in David Ireland's blackly comic political dramaDavid Ireland is our theatre's expert at exploring the psych…

SOURCE: The Guardian at 8:48am on May 2, 2017[SHARE]

The Cardinal review " darkly comic revenge drama is a forgotten gem by Michael Billington

Southwark Playhouse, London A defiant duchess takes on a corrupt clergyman in this vigorous revival of James Shirley's cracking 17th-century playJames Shirley (1596-1666) is one of British t…

SOURCE: The Guardian at 6:48am on May 1, 2017[SHARE]

The Treatment review " Martin Crimp's movie biz satire is more potent than ever by Michael Billington

Almeida, London Lyndsey Turner's immaculate, neon-lit revival of Crimp's 1993 play lays bare the ways reality is exploited and distorted by the mediaThere's a rich ambiguity to the title of …

SOURCE: The Guardian at 9:18am on April 30, 2017[SHARE]

Romeo and Juliet review " the Globe's perverse show vandalises Shakespeare by Michael Billington

Shakespeare's Globe, LondonThis risible production butchers the language, turns Juliet into a squawking, pampered princess and makes everyone dance to the Village PeopleDaniel Kramer, direct…

SOURCE: The Guardian at 8:02am on April 28, 2017[SHARE]

Forty Years On review " Richard Wilson returns in Bennett's satirical school play by Michael Billington

Chichester Festival theatreDaniel Evans directs a patchy and slightly chaotic revival of Alan Bennett's comedy about a Britain torn between tradition and progressDaniel Evans made such a suc…

SOURCE: The Guardian at 7:12am on April 27, 2017[SHARE]

Obsession review " Jude Law is artfully romantic but remake lacks power by Michael Billington

Barbican, LondonJude Law stars in Ivo van Hove's classy stage adaptation of Luchino Visconti's 1942 film that just falls short of original's atmospheric detailJude Law is the big draw in thi…

SOURCE: The Guardian at 8:42pm on April 25, 2017[SHARE]

All the President's Men? review " Trump's allies squirm under the Senate spotlight by Michael Billington

Vaudeville, LondonPhil Davis and Sinéad Cusack star in Nicolas Kent's verbatim staging of the US Senate's confirmation hearings of four of Donald Trump's political appointeesOne of the most…

SOURCE: The Guardian at 7:48am on April 25, 2017[SHARE]

Nuclear War review " bizarre scenes of a woman alone in the city by Michael Billington

Royal Court, LondonSimon Stephens' experimental new piece about grief and urban alienation is intentionally 'fluid and contradictory' " but also baffling and obscureSimon Stephens is clearly…

SOURCE: The Guardian at 10:02am on April 23, 2017[SHARE]

Michael Billington: A greasepaint glossary by Michael Billington

The Old Vic, we read, is "going dark" for the summer: a far more expressive phrase than being "shut", since it implies the temporary extinction of light. But it's also a potent reminder that…

SOURCE: The Guardian at 7:31pm on April 22, 2017[SHARE]
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