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2,441 stories by "Michael Billington"

The March on Russia review " dreams turn to despair in David Storey's family reunion by Michael Billington

Orange Tree, Richmond In this revival of Storey's 1989 play, set during the Thatcher era, a poignant celebration subtly turns into a state-of-the-nation drama There could no better tribute t…

SOURCE: The Guardian at 9:42am on September 12, 2017

Sir Peter Hall: 'Politicians don't grasp the case for the arts' by Michael Billington

More than any other director, Sir Peter Hall shaped British theatre. As he turns 80, he tells Michael Billington about his doubts about the new RSC building and his dismay at fighting arts c…

SOURCE: The Guardian at 5:54am on September 12, 2017

The Knowledge review " Maureen Lipman steers witty cabbie comedy by Michael Billington

Charing Cross theatre, LondonThis adaptation of Jack Rosenthal's TV film brings back the desperate drivers and their sadistic examiner " but does the story belong on stage?Any adaptation has…

SOURCE: The Guardian at 6:42pm on September 11, 2017

On the Shore of the Wide World, Royal Exchange, Manchester by Michael Billington

Royal Exchange, ManchesterFamilies lie at the heart of drama. And Simon Stephens' new play, co-commissioned by the National Theatre and the Royal Exchange, offers a sensitive study of three …

SOURCE: The Guardian at 12:18am on September 8, 2017

Faithful Ruslan: The Story of a Guard Dog review " ingenious allegory with a bite by Michael Billington

Belgrade theatre, Coventry A dazzling ensemble play dogs and chickens, as well as brutal soldiers and their prisoners, in this account of the horrors of the gulagHelena Kaut-Howson is one of…

SOURCE: The Guardian at 10:48am on September 7, 2017

Follies review " Sondheim's showbiz stunner returns in breathtaking style by Michael Billington

National Theatre, LondonImelda Staunton is unforgettable in Dominic Cooke's ingenious revival of a musical that perfectly fuses splendour and poetic sadnessAlthough it has legions of admirer…

SOURCE: The Guardian at 6:04pm on September 6, 2017

Medea review " Carrie Cracknell's version is a tragic force to be reckoned with by Michael Billington

Olivier, LondonHelen McCrory excels in this modern-dress take on Euripides that is alive with complexity and psychological astutenessAfter her success with Ibsen's A Doll's House, Carrie Cra…

SOURCE: The Guardian at 11:18pm on September 5, 2017

Rudy's Rare Records review " Lenny Henry's reggae romp has the audience roaring by Michael Billington

Birmingham RepStuffed with gags and overflowing with an easygoing, laid-back liberalism, this comedy about a vinyl-shop owner fighting developers has the feel of a stonking hitIf there is a …

SOURCE: The Guardian at 5:48pm on September 4, 2017

Hamlet review " lucky few see Tom Hiddleston combine sweet sadness with incandescent fury by Michael Billington

Donmar Warehouse, LondonHollywood star shines in limited run production directed by Kenneth Branagh and designed to raise funds for RadaFew shows are seemingly more exclusive than this. Tom …

SOURCE: The Guardian at 8:12pm on September 1, 2017

Windows review " Galsworthy's warring family put woolly liberalism to the sword by Michael Billington

Finborough, LondonGeoffrey Beevers' production of little-known play about the moral fissures within an upper middle-class family is a razor-sharp take on a quietly subversive workAs a reform…

SOURCE: The Guardian at 11:18am on August 28, 2017

Loot review " Joe Orton's savage farce now even funnier and filthier by Michael Billington

Park theatre, LondonFrom the necrophilia to the suggestion Christ was framed, the playwright's most dangerous work " performed without the censor's cuts for the first time " shows Orton wasn…

SOURCE: The Guardian at 9:24am on August 24, 2017

Knives in Hens review " a fable with many messages by Michael Billington

Donmar Warehouse, LondonDavid Harrower's 1995 play, with its deceptively simple premise of a woman finding articulacy, offers insight into the power of language to shape our humanity If one …

SOURCE: The Guardian at 7:04am on August 23, 2017

The Stepmother review " marriage, morals and misdemeanours by Michael Billington

Minerva, ChichesterInjustice, inequality, power and passion drive the plot of this remarkable play which still rings horribly true a century after it was writtenGitha Sowerby's remarkable 19…

SOURCE: The Guardian at 12:04pm on August 20, 2017

Against review " Ben Whishaw on a mission to save the world by Michael Billington

Whishaw is quietly charismatic in this play with lofty philosophical ambitions but which ignores the social and political history behind today's violenceBen Whishaw is a highly sympathetic a…

SOURCE: The Guardian at 6:48am on August 20, 2017

King Lear review " poverty-stricken Shakespeare puts spotlight on homeless by Michael Billington

Shakespeare's Globe, London On a stripped-back stage, Nancy Meckler's production locates Lear in a world of deprivation, broken family relationships and bubbling anger'No disco-dancing yet,"…

SOURCE: The Guardian at 7:48am on August 17, 2017

The Majority review " solo show asks us to vote on ethical issues by Michael Billington

Dorfman, London Rob Drummond presents us with questions such as whether violence is a legitimate weapon of political protest but there's not enough room for real debateVoting is becoming the…

SOURCE: The Guardian at 10:06am on August 15, 2017

The Divide review by Michael Billington

King's theatre, EdinburghAlan Ayckbourn's Handmaid's Tale-esque projection of a plague-ravaged future contains many nice ironies and performances, but strains patience over its six hours Ala…

SOURCE: The Guardian at 2:18am on August 13, 2017

Looking at Lucian review " mesmerising portrait of the artist as an old man by Michael Billington

Ustinov Studio, BathHenry Goodman is utterly convincing in Alan Franks' one-man play about Lucian Freud, with stories of his models, from the Krays to the QueenA solo play about a painter so…

SOURCE: The Guardian at 8:12am on August 11, 2017

The Whip Hand review " fiery family drama tackles the slave trade by Michael Billington

Traverse, EdinburghDomestic friction and a guilty history set the scene for powerful performances in Douglas Maxwell's new playSubtlety is not the prime asset of Douglas Maxwell's new play. …

SOURCE: The Guardian at 9:36am on August 9, 2017

Play it again, Sam: why Krapp's Last Tape still leaves us reeling by Michael Billington

Albert Finney sobbed like an animal, Harold Pinter ramped up the terror and John Hurt even resembled Beckett himself. Now, at the Edinburgh festival, Barry McGovern takes on the role that ne…

SOURCE: The Guardian at 11:54am on August 8, 2017

Zinnie Harris brings stampeding rhinos and marooned lovers to Edinburgh by Michael Billington

The Scottish playwright's take on an Ionesco classic comes with added festival gags, while her drama Meet Me at Dawn looks at the difficulty of letting goThree works by the Scottish dramatis…

SOURCE: The Guardian at 11:24am on August 7, 2017

Flight review " miniature models tell epic refugee story by Michael Billington

Church Hill theatre, Edinburgh Two boys endure stormy seas and slave labour as they journey from Kabul to London this highly imaginative productionHow do you begin to recreate the refugee ex…

SOURCE: The Guardian at 10:04am on August 6, 2017

Apologia review " Stockard Channing induces sympathy for a monstrous matriarch by Michael Billington

Trafalgar Studios, LondonThe West Wing and Grease star takes the lead in this revival of Alexi Kaye Campbell's play, but is let down by unresolved contradictionsStockard Channing, star of Th…

SOURCE: The Guardian at 7:33am on August 4, 2017

Gangsta Granny review " David Walliams's comic crooks hit the West End by Michael Billington

Garrick, LondonNeal Foster has created a gentle, genial show based on the bestselling book about a boy and his gran joining forces for a heist at the Tower of LondonDavid Walliams bounced on…

SOURCE: The Guardian at 7:12am on August 2, 2017

Stage direction: North By Northwest takes Hollywood to the theatre by Michael Billington

A theatrical adaptation of the Hitchcock classic finds clever ways to rework film techniques " and is the latest example of how the screen is influencing the stageHollywood in its infancy ra…

SOURCE: The Guardian at 4:32am on August 2, 2017
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