The Divide review
King's theatre, EdinburghAlan Ayckbourn's Handmaid's Tale-esque projection of a plague-ravaged future contains many nice ironies and performances, but strains patience over its six hours Alan Ayckbourn, as we know from plays like Henceforward and Comic Potential, is fascinated by science-fiction. The subjugation of women is also a theme that runs through his work. The two ideas now come together in this inordinate, t…