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1,485 stories by "Matt Wolf"

Theater Review: Oddity in the Key of Whimsy by Matt Wolf

Discovering "Dear World" 44 years after Broadway, as well as two obscurities from 1931.

SOURCE: The New York Times Subscription at 6:30am on February 19, 2013

Lia Williams on the Thrill of Alternating Roles With Kristin Scott Thomas in London's Old Times by Matt Wolf

London stage star Lia Williams is taking on a thrillingly difficult challenge: alternating the lead roles of Kate and Anna with Kristin Scott Thomas in Ian Rickson’s superb revival of …

SOURCE: Broadway.com at 2:49pm on February 13, 2013

The Stepmother, Orange Tree, Richmond by Matt Wolf

When's the last time you encountered a play with a hissable anti-hero and a young heroine who radiates charity, decency, and all things good? Those polarities are on full-throttle view in&nb…

SOURCE: The Arts Desk at 6:39pm on February 9, 2013

West End Star Debbie Kurup on Being a Whitney Girl and Dueting with Heather Headley in The Bodyguard by Matt Wolf

After starring on the West End in Chicago, West Side Story and Sister Act, Debbie Kurup is all but stealing the London premiere production of The Bodyguard from the formidable Heather Headle…

SOURCE: Broadway.com at 2:11pm on February 6, 2013

New Feature! Before Crossing the Pond, Consult Our Monthly London Datebook by Matt Wolf

“What should I see in London?” We are asked that question daily by friends headed to the theater capital for a visit—and even by locals. The good news is that there is neve…

SOURCE: Broadway.com at 5:35pm on January 30, 2013

Betty Buckley on Her Brilliant Career and Bringing Jerry Herman's Dear World to London by Matt Wolf

Betty Buckley has graced the London stage periodically for more than 40 years, and the Broadway diva, now 65, returns this season to play Countess Aurelia in Jerry Herman’s little-seen…

SOURCE: Broadway.com at 10:46am on January 23, 2013

Theater Review: Tentative Optimism for Children in London Theater by Matt Wolf

"No Quarter,'' written by Polly Stenham, concludes with some hope for the next generation, while "Hansel and Gretel'' shows the director Katie Mitchell's playful side.

SOURCE: The New York Times Subscription at 8:30am on January 22, 2013

London Star Gillian Bevan on 25 Years of Musical Memories, from Follies to Billy Elliot by Matt Wolf

Gillian Bevan has spent 25 years on and off the West End, appearing largely in musicals (Follies, The Boys From Syracuse, Road Show), as well as three years in playwright/director Alan Ayckb…

SOURCE: Broadway.com at 2:58pm on January 16, 2013

The Silence of the Sea, Trafalgar Studios by Matt Wolf

Few productions give the sound designer absolute pride of place, but such is the presumably inevitable nature of a play called The Silence of the Sea that what isn't voiced counts every bit …

SOURCE: The Arts Desk at 7:23pm on January 14, 2013

IHT Rendezvous: What to See on the London Stage in 2013 by Matt Wolf

The IHT's London theater critic takes a look at what's in store this season: Kristin Scott Thomas, Rufus Sewell, Helen Mirren, "Othello" and "Charlie and the Chocolate Factory."

SOURCE: rendezvous.blogs.nytimes.com at 8:52am on January 10, 2013

Reuven Gershon on Tapping Into Beatlemania as John Lennon in the Hit London Musical Let It Be by Matt Wolf

The sleeper musical success Let It Be finishes its initial West End run on January 19 at the Prince of Wales Theatre before resuming performances on February 1 across town at the Savoy, with…

SOURCE: Broadway.com at 11:19am on January 9, 2013

Theater Review: 'Viva!' but Maybe Not Forever by Matt Wolf

The much-discussed Spice Girls tribute musical arrives on stage with much froth. At the National, two Alan Bennett one-acts are much needed grace notes.

SOURCE: The New York Times Subscription at 12:50pm on January 8, 2013

Wunderbar! London Star Alex Bourne on the Old-School Appeal of Kiss Me, Kate by Matt Wolf

Popular London musical star Alex Bourne is best known for his long and successful runs in We Will Rock You and Buddy, and now the strapping 6'4" performer is wowing audiences in the…

SOURCE: Broadway.com at 2:36pm on January 3, 2013

It's ladies' night on the London stage in 2013 by Matt Wolf

The London theatre looks to be awash in great women of the English (and Irish) stage in a 2013 line-up of star roles that disproves the often-held assertion that the men get all the great st…

SOURCE: The Arts Desk at 5:28am on January 3, 2013

Theatre: The Best of 2012 by Matt Wolf

For much of 2012, London theatre seemed to celebrate the playhouse as much as the play, turning certain venues into essential destinations. I'm thinking, of course, of Shakespeare's Globe, w…

SOURCE: The Arts Desk at 4:00am on December 27, 2012

Critic's Notebook: A Bard-Fueled London Theater in 2012 by Matt Wolf

Festivals, a few misfires and all-around success in an action-packed year.

SOURCE: The New York Times Subscription at 1:05pm on December 26, 2012

London Year-End Roundup: Best Productions of 2012 by Matt Wolf

In a year dominated by the Olympics and the Queen’s diamond jubilee, could the London stage hold its own? Most emphatically yes, thanks to an inordinate array of world-class production…

SOURCE: Broadway.com at 10:11am on December 26, 2012

London Year-End Roundup: Best Performances of 2012 by Matt Wolf

The classics offered London stage actors plenty to chew on this year—not just not productions of Shakespeare but also Ibsen, Chekhov, Webster and Stephen Sondheim who, by this point, i…

SOURCE: Broadway.com at 9:50am on December 19, 2012

Daniel Ings on Winning Laughs as an Over-the-Top Actor in London's One Man, Two Guvnors by Matt Wolf

Daniel Ings is an actor playing an actor (the colorfully named Alan Dangle) in the long-running Richard Bean comedy One Man Two Guvnors, and the 27-year-old Englishman is especially winning …

SOURCE: Broadway.com at 3:47pm on December 12, 2012

Theater Review: 'Julius Caesar' Flexes Its Female Muscle by Matt Wolf

"Julius Caesar" packs a believable wallop while two other London shows stretch credibility to breaking point and beyond.

SOURCE: The New York Times Subscription at 11:16am on December 11, 2012

IHT Rendezvous: Love Unleashed on the London Stage by Matt Wolf

Love may or may not make the world go round, but it's certainly doing its bit for the London theater, from "Twelfth Night" and "Kiss Me Kate" to "Boy Meets Boy" and "The Effect," the galvani…

SOURCE: rendezvous.blogs.nytimes.com at 1:10pm on December 6, 2012

The Bodyguard, Adelphi Theatre by Matt Wolf

It's Academy Award season within the showbiz-centric world of The Bodyguard, but even the greatest of Oscar obsessives - count me among them - would be hard-pressed to toss many a trophy in …

SOURCE: The Arts Desk at 10:25pm on December 5, 2012

Sally Ann Triplett on Playing a Feisty Single Mom in London's New Spice Girls Musical Viva Forever! by Matt Wolf

Sally Ann Triplett knows her way around musicals, having appeared over the last 25 years in shows ranging from Follies, Grease and Chess to the original UK and Broadway productions of Carrie…

SOURCE: Broadway.com at 12:59pm on December 5, 2012

Merrily We Roll Along, Menier Chocolate Factory by Matt Wolf

On Broadway, Merrily We Roll Along remains forever scarred as the Stephen Sondheim musical that ground to an abrupt halt, closing after two weeks in 1981.read more

SOURCE: The Arts Desk at 3:30am on November 29, 2012

Jenna Russell on Her Sterling Sondheim Resume, from Sunday in the Park to the London Revival of Merrily We Roll Along by Matt Wolf

Jenna Russell has become London’s go-to star in the musicals of Stephen Sondheim. She played Young Sally in Follies back in 1988, won the 2007 Olivier Award for Dot/Marie in Sunday in …

SOURCE: Broadway.com at 11:07am on November 28, 2012
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