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1,485 stories by "Matt Wolf"

McQueen, St James Theatre by Matt Wolf

"You make clothes that make the darkness in me matter": If such an accolade strikes you as profound, make a beeline for McQueen, the James Phillips play about the tortured, all-too-brief lif…

SOURCE: The Arts Desk at 4:29am on May 21, 2015

Tony Nominee Alessandro Nivola on Forgetting His Lines & Traveling to the West End with The Elephant Man by Matt Wolf

It’s rare for a Broadway hit to cross the Atlantic intact, but that is currently happening with director Scott Ellis’ acclaimed revival of The Elephant Man, which has arrived in …

SOURCE: Broadway.com at 4:18pm on May 20, 2015

Theater Review: Review: In London, 'Everyman,' 'American Buffalo' and 'The Merchant of Venice' Explore Salvation and Bravado by Matt Wolf

"Everyman" lets Chiwetel Ejiofor show off a palpable soul, "American Buffalo" has John Goodman inhabiting a landscape of hucksterism, and "The Merchant of Venice" brings Jonathan Pryce home.

SOURCE: The New York Times Subscription at 6:57am on May 20, 2015

How to Succeed in Business Without Really Trying, Royal Festival Hall by Matt Wolf

Frank Loesser seems to be known in Britain for one show and one show only, which seems a shame given that the composer-lyricist of Guys and Dolls wrote other shows including the ravishing Th…

SOURCE: The Arts Desk at 3:03am on May 20, 2015

Sir Antony Sher on Bringing RSC's Death of a Salesman to the West End & Why Willy Loman Is Like William Shakespeare by Matt Wolf

Antony Sher, the actor-knight who was nominated for a Best Actor Tony Award in 1997 for his performance as the British painter Stanley Spencer in Stanley, has played many of the great Shakes…

SOURCE: Broadway.com at 11:44am on May 13, 2015

Democracy's Mad Little Dance Onstage in London by Matt Wolf

Reviews of "The Vote," "The Audience," and "Beyond Caring" in London

SOURCE: The New York Times Subscription at 7:21pm on May 9, 2015

Rachel Tucker on Beautiful Dreams & Unleashing Her Inner Dominatrix in London's Communicating Doors by Matt Wolf

After a passionate Broadway debut in the short-lived Sting musical The Last Ship, Belfast-born actress-singer Rachel Tucker has returned to London to head the cast of the Menier Chocolate Fa…

SOURCE: Broadway.com at 11:41am on May 7, 2015

The Apple Family Plays, Brighton Dome by Matt Wolf

"I hear America singing," wrote Walt Whitman, the American poet whose language playwright Richard Nelson has co-opted for the title of the second (Sweet and Sad) of his remarkable quartet of…

SOURCE: The Arts Desk at 4:25am on May 6, 2015

London Datebook: Kristin Scott Thomas Reigns, Jonathan Groff Goes Corporate & The Elephant Man Comes Home by Matt Wolf

The sun is shining and as if to celebrate, the Dames are coming out to play on London stages this month. Fold in a musical theater favorite turning her attentions to Alan Ayckbourn and …

SOURCE: Broadway.com at 3:51pm on April 30, 2015

Follies, Royal Albert Hall by Matt Wolf

God love Christine Baranski: Eight years after the Tony and Emmy-winning actress played the supporting role of Carlotta Campion in a semi-staged 2007 production of Stephen Sondheim's Follies…

SOURCE: The Arts Desk at 4:32am on April 29, 2015

Why the Brits are ruling Broadway by Matt Wolf

Will the States' Anglophilia fade? asks Matt Wolf

SOURCE: The Telegraph at 1:45pm on April 28, 2015

Ruthie Henshall on Losing Her Mind in Follies & How London's Billy Elliot Kids Have Opened Her Heart by Matt Wolf

Ruthie Henshall needs scant introduction as one of the West End’s leading musical theater lights, with credits spanning the Atlantic that include Chicago, Miss Saigon, Putting It Toget…

SOURCE: Broadway.com at 3:50pm on April 23, 2015

Theater Review: Opera and Drama, Deconstructed in London by Matt Wolf

A provocative and elusive reimagining of Bizet's "Carmen," National Health Service testimonials, and revisiting Roald Dahl.

SOURCE: The New York Times Subscription at 7:30am on April 22, 2015

John Heffernan on Playing an American, Being a Fanboy & Oppenheimer's Quick Move to the West End by Matt Wolf

J. Robert Oppenheimer has been called the father of the atomic bomb, and the American physicist has now given his name to a new Royal Shakespeare Company play, Oppenheimer. With a running ti…

SOURCE: Broadway.com at 4:44pm on April 16, 2015

Finding Neverland, Broadway, review: 'still doesn't fly' by Matt Wolf

Matt Wolf wishes the score of this revamped production was less generic

SOURCE: The Telegraph at 2:00am on April 16, 2015

Nancy Wallinger on Why Flipping Out & Smashing Things in London's The Play That Goes Wrong Keeps Her Sane by Matt Wolf

The Play That Goes Wrong at the Duchess Theatre contains lots of men behaving badly—or, at least clumsily—but the Olivier-nominated hit comedy owes much of its success to the two…

SOURCE: Broadway.com at 2:36pm on April 9, 2015

Review: In London, 'Rules for Living,' 'Stevie' and 'Harvey' Tackle Familiar Ground by Matt Wolf

Fantastic food fights, serene wits and a rabbit that won't go away on the stages in London.

SOURCE: The New York Times Subscription at 7:53am on April 8, 2015

London Datebook: Everything's Coming Up Imelda, Damian Lewis & John Goodman in American Buffalo & More April Picks by Matt Wolf

Spring is in the air and with it a raft of high-profile openings that include the West End bow of Imelda Staunton’s show-stopping Rose in Gypsy, a gala concert of Follies in honor of S…

SOURCE: Broadway.com at 5:15pm on April 2, 2015

Memphis' Beverley Knight on Her Thrilling Olivier Nod, The Wiz Dreams & Adventures in London's 'Theaterland' by Matt Wolf

English soul singer Beverley Knight has been batting a thousand in her stage forays to date. She first appeared on the West End in 2013 as Heather Headley’s replacement in The Bodyguar…

SOURCE: Broadway.com at 1:56pm on March 25, 2015

Sweeney Todd, Harrington's Pie and Mash Shop, Shaftesbury Avenue by Matt Wolf

Stephen Sondheim's ever-elastic masterpiece is downsized to largely dazzling effect in its latest iteration, which has been transferred intact to a Shaftesbury Avenue pop-up after premiering…

SOURCE: The Arts Desk at 5:15am on March 23, 2015

Jenna Augen on Her High-Octane Turn in London's Bad Jews & Why She's Like Her Singular Character by Matt Wolf

Breakout performances rarely come as high-voltage as Jenna Augen’s turn in Bad Jews, the Joshua Harmon play that is transferring to the Arts Theatre starting March 18 after previous ru…

SOURCE: Broadway.com at 1:53pm on March 18, 2015

Olivier Nominee George Maguire on Jamming in The Kinks Musical Sunny Afternoon & His Next Rock God Dream Role by Matt Wolf

Sunny Afternoon, the Edward Hall-directed jukebox musical salute to the legendary British band The Kinks, was just nominated for five Olivier Awards, but arguably none of its nods is more de…

SOURCE: Broadway.com at 4:55pm on March 11, 2015

Review: Ralph Fiennes Tears Into Shaw's 'Man and Superman' in London by Matt Wolf

Two other plays " "Closer" and "Kill Me Now'' " also find their own ways of pushing the envelope.

SOURCE: The New York Times Subscription at 7:41am on March 11, 2015

The Audience, Gerald Schoenfeld Theatre, review: 'puckish' by Matt Wolf

Helen Mirren's comic timing as the Queen sets this performance apart, says Matt Wolf

SOURCE: The Telegraph at 11:00pm on March 8, 2015

Puckish triumph of Dame Helen by Matt Wolf

Helen Mirren's comic timing as the Queen sets this performance apart, says Matt Wolf

SOURCE: The Telegraph at 11:00pm on March 8, 2015
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