London Theater Reviews: On London Stages, the Atmosphere Is Tragic
There's new writing, Shakespeare and a classic musical on offer. And the tone of them all is bleak.
There's new writing, Shakespeare and a classic musical on offer. And the tone of them all is bleak.
American titles were everywhere but British plays and the classics got a look-in, tooWill pride of place amongst theatre productions every year go in perpetuity to the work of Stephen Sondhe…
American work was everywhere on the London stage during 2018, as it looks to be again in the year ahead when, for example, there will be five major Arthur Miller revivals within the first si…
Whoever thinks actresses are getting a raw deal these days should hang out in London, where show after show during 2018 put one or another terrific female center-stage—sometimes solo, …
Lynn Nottage Pulitzer Prize-winner emerges even more strongly in London A tremendous year for American theatre on the London stage is resoundingly capped by Sweat, the Lynn Nottage Pulitzer …
Anthony Neilson's latest is a Poe-faced delightThe Tell-Tale Heart may be the title of an 1843 short story by Edgar Allen Poe, but rest assured that Anthony Neilson's adaptation of it f…
here's this for next week but please run Joshua Jenkins from CURIOUS first :-) x Bonnie Langford q-and-a / Matt Wolf Bonnie Langford began her career as a child actor in such shows as th…
It's not easy making history twice, but that's what Rosalie Craig has managed and within not very many years.
Congreve's Restoration-era rarity is boisterous to a fault It's been 40 years since The Double Dealer last had a major airing (indeed, perhaps any airing) in London, so on the basis of …
Joshua Jenkins has spent a sizable chunk of his acting life playing Christopher, the teenager at the wounding and wounded heart of The Curious Incident of the Dog in the Night-Time. The much…
Kit Harington and Johnny Flynn go hell for leather as savagery-prone siblingsDon't be deceived by Kit Harington's matted, slicked-back hair that is immediately visible the minute the audienc…
Three productions in London look at pairings (romantic and otherwise) that come to grief, including a retelling of the myth of Orpheus in the underworld.
Patsy Ferran was barely out of the prestigious London drama school, RADA, when she proved that she could steal a scene or two from none other than Angela Lansbury in the 2014 West End reviva…
Reeve Carney soared above the audience as Spider-Man in the much-chronicled Broadway musical of the same name and this time descends to the underworld as the singing, romantically smitten Or…
Still only 26, Douglas Booth has been appearing on film and TV for a decade and has won screen attention in such titles as Noah, The Riot Club, Great Expectations and the experiment in paint…
Much of the success has to do with a range of artists whose own creativity isn't tethered to the Brexit-era antics at large
The Pinter season continues, this time in largely comic form The West End is specialising in two-parters of late. To Imperium and The Inheritance we can add to a growing list the latest duo …
Tim Howar has been rocking out on the London stage of late in Rock of Ages and Chess, and the Canadian performer is now donning that legendary mask to play—you guessed it—The Pha…
Among a range of plays in London exploring racial tensions, an adaptation of Zadie Smith's novel stands out for its positive view of the city's multicultural life.
Finty Williams and Chris Larkin are terrific English actors in their own right but share the fact of having a parent who is a Tony and Oscar-winning British legend—two women, in their …
Disability-themed two-hander suggests that little has changed in eight years To the recent spate of shows that put their own narrative-building first, we can now add Still No Idea, with the …
Jordan Luke Gage was already doing several performances a week as the ever-young Strat in the Jim Steinman-scored rock extravaganza Bat Out of Hell at the Dominion Theatre, but when original…
The commitment-phobic bachelor Bobby becomes Bobbie in a new production in London.
Robert Icke reaches a new career plateau with his Ibsen adaptation Beware the smile that Edward Hogg wears like a shield in the opening scenes of The Wild Duck, the Ibsen play refashioned in…
Angela Carter adaptation strains to sustain its high spirits"What could possibly go wrong?" The question ends the first act of Wise Children, the debut venture from the new company birthed b…