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1,481 stories by "Matt Wolf"

Reeve Carney on Descending into London's Hadestown After Soaring in Broadway's Spider-Man by Matt Wolf

Reeve Carney soared above the audience as Spider-Man in the much-chronicled Broadway musical of the same name and this time descends to the underworld as the singing, romantically smitten Or…

SOURCE: Broadway.com at 12:12am on November 24, 2018[SHARE]

Rising Star Douglas Booth on Returning to the London Stage in A Guide for the Homesick, His Broadway Girlfriend and More by Matt Wolf

Still only 26, Douglas Booth has been appearing on film and TV for a decade and has won screen attention in such titles as Noah, The Riot Club, Great Expectations and the experiment in paint…

SOURCE: Broadway.com at 3:54pm on November 19, 2018[SHARE]

London theatre is at the top of its game, so who will win our awards? by Matt Wolf

Much of the success has to do with a range of artists whose own creativity isn't tethered to the Brexit-era antics at large

SOURCE: www.standard.co.uk at 9:25am on November 16, 2018[SHARE]

Pinters Three and Four, Harold Pinter Theatre review - double-bill boasts double-acts to treasure by Matt Wolf

The Pinter season continues, this time in largely comic form The West End is specialising in two-parters of late. To Imperium and The Inheritance we can add to a growing list the latest duo …

SOURCE: The Arts Desk at 12:24pm on November 13, 2018[SHARE]

West End Star Tim Howar on His Surprising History with The Phantom of the Opera and More by Matt Wolf

Tim Howar has been rocking out on the London stage of late in Rock of Ages and Chess, and the Canadian performer is now donning that legendary mask to play—you guessed it—The Pha…

SOURCE: Broadway.com at 12:33pm on November 12, 2018[SHARE]

London Theater Reviews: 'White Teeth' Makes a Big-Hearted, but Bumpy, Transition to the Stage by Matt Wolf

Among a range of plays in London exploring racial tensions, an adaptation of Zadie Smith's novel stands out for its positive view of the city's multicultural life.

SOURCE: The New York Times Subscription at 3:18am on November 9, 2018[SHARE]

Pack of Lies' Finty Williams and Chris Larkin on Finally Working Together Onstage and Their Famous Mums (Judi Dench and Maggie Smith!) by Matt Wolf

Finty Williams and Chris Larkin are terrific English actors in their own right but share the fact of having a parent who is a Tony and Oscar-winning British legend—two women, in their …

SOURCE: Broadway.com at 5:06pm on November 6, 2018[SHARE]

Still No Idea, Royal Court review - spiky, funny, and politically pointed by Matt Wolf

Disability-themed two-hander suggests that little has changed in eight years To the recent spate of shows that put their own narrative-building first, we can now add Still No Idea, with the …

SOURCE: The Arts Desk at 1:36am on November 6, 2018[SHARE]

London Bat Out of Hell Star Jordan Luke Gage on Taking over the Leading Role in the Rock Extravaganza and His Surprising Tattoo by Matt Wolf

Jordan Luke Gage was already doing several performances a week as the ever-young Strat in the Jim Steinman-scored rock extravaganza Bat Out of Hell at the Dominion Theatre, but when original…

SOURCE: Broadway.com at 6:32pm on November 1, 2018[SHARE]

London Theater Reviews: A Gender Swap Makes Sondheim's 'Company' Soar by Matt Wolf

The commitment-phobic bachelor Bobby becomes Bobbie in a new production in London.

SOURCE: The New York Times Subscription at 6:18am on October 25, 2018[SHARE]

The Wild Duck, Almeida Theatre review - meta, merciless and altogether brilliant by Matt Wolf

Robert Icke reaches a new career plateau with his Ibsen adaptation Beware the smile that Edward Hogg wears like a shield in the opening scenes of The Wild Duck, the Ibsen play refashioned in…

SOURCE: The Arts Desk at 9:12pm on October 24, 2018[SHARE]

Wise Children, Old Vic review - Emma Rice in fun if not quite top-flight form by Matt Wolf

Angela Carter adaptation strains to sustain its high spirits"What could possibly go wrong?" The question ends the first act of Wise Children, the debut venture from the new company birthed b…

SOURCE: The Arts Desk at 10:06am on October 19, 2018[SHARE]

Measure for Measure, Donmar Warehouse review - Shakespeare twice-over packs a partial sting by Matt Wolf

Shakespeare at the Donmar, in double visionShakespeare exists to be refracted and filtered through the age in which he is presented. So there's every good reason for the Donmar's artistic di…

SOURCE: The Arts Desk at 8:48am on October 16, 2018[SHARE]

London Company Star Jonathan Bailey on Revering Patti LuPone, Texting Samantha Barks and Not Getting Married Today by Matt Wolf

Jonathan Bailey’s credits range from Gavroche in Les Miz when he was a child actor to the most recent London revival of The Last Five Years, opposite Samantha Barks, and the Almeida Th…

SOURCE: Broadway.com at 3:48pm on October 15, 2018[SHARE]

The Inheritance's Kyle Soller on Bringing the Two-Part Epic to the West End, Vanessa Redgrave's Surprise & More by Matt Wolf

West End transfers rarely come as keenly anticipated as the upgrade currently being afforded the Young Vic production of The Inheritance, Matthew Lopez’s seven-hour, two-part play chro…

SOURCE: Broadway.com at 1:36pm on October 11, 2018[SHARE]

The Height of the Storm, Wyndham's Theatre review - Eileen Atkins raises the elliptical to art by Matt Wolf

Florian Zeller puzzle-play benefits from two potent starsIf you're going to write a play that traffics in bafflement, it's not a bad idea to have on hand one of the most beady-eyed actresses…

SOURCE: The Arts Desk at 7:32pm on October 10, 2018[SHARE]

Twelfth Night, Young Vic review - Kwame Kwei-Armah makes a big-hearted return home by Matt Wolf

Shakespeare sings in buoyant if sometimes strenuous UK premiere What better way to celebrate a homecoming than with a party? That is the capacious-hearted thinking behind this new musical ve…

SOURCE: The Arts Desk at 7:18am on October 9, 2018[SHARE]

London Theater Reviews: Epic Shakespeare and Bite-Size Pinter Command the London Stage by Matt Wolf

There is much to enjoy in a production of "Antony and Cleopatra" and a season of Pinter's one-act plays in London, our critic says.

SOURCE: The New York Times Subscription at 1:48am on October 5, 2018[SHARE]

Harry Reid on Making the Leap from TV's EastEnders to the London Stage in Witness for the Prosecution by Matt Wolf

Harry Reid spent three and a half years making a name for himself in the popular British TV soap opera EastEnders and now the 25-year-old performer can be seen in the crucial role of Leonard…

SOURCE: Broadway.com at 7:18pm on October 1, 2018[SHARE]

Book Your Flight! Five Can't-Miss Shows to See in London This Fall by Matt Wolf

Fall brings with it shorter days but always more exciting nights as the London theater season kicks into gear, bringing with it the promise of excitement across the spectrum, whether on or o…

SOURCE: Broadway.com at 4:48pm on September 21, 2018[SHARE]

London Stage Star Kirsty Bushell on Playing the Fierce and Feral Regan Opposite Ian McKellen in King Lear by Matt Wolf

Kirsty Bushell has played Shakespeare’s Juliet as well as Olivia in Twelfth Night and has been earning praise, and eliciting gasps, for her no-holds-barred portrayal of the venomous Re…

SOURCE: Broadway.com at 12:24am on September 19, 2018[SHARE]

London Theater Reviews: Women Push the Envelope, in Different Ways by Matt Wolf

Alexis Zegerman's "Holy __" is a lively, if overheated, cautionary tale; while Clare Barron's "Dance Nation" looks at troubles that come from within.

SOURCE: The New York Times Subscription at 7:48am on September 14, 2018[SHARE]

Foxfinder, Ambassadors Theatre review - too ponderous by half by Matt Wolf

Onetime fringe success flounders in West End upgradeA sizable Off West End success nearly eight years ago looks more than a little exposed in a new, scaled-up production that is one of sever…

SOURCE: The Arts Desk at 5:32am on September 14, 2018[SHARE]

Sir Peter Hall: a day of thanksgiving and celebration for a colossus of culture by Matt Wolf

A year after his death, the great director was honoured by the stars at Westminster Abbey and the National TheatreSir Peter Hall had no ordinary life, as might be expected from the director …

SOURCE: The Arts Desk at 6:06am on September 12, 2018[SHARE]

London Heathers Star Carrie Hope Fletcher on Balancing Her Role with Being a YouTube Sensation & More by Matt Wolf

Les Miz alumna Carrie Hope Fletcher spent much of the summer headlining an in-town production of Heathers: The Musical that wasn’t open to the press: a somewhat-tweaked version of the …

SOURCE: Broadway.com at 3:06pm on September 10, 2018[SHARE]
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