320 stories by "Matt Windman"
Shakespeare fans were given a unique opportunity to see the four history plays presented as a coherent, extended narrative.
Some of Broadway s musicals actually sound better on the album, while others aren t captured quite as well.
The layered and dynamic new musical transfers to Broadway and continues to soar.
Harvey Weinstein has given the musical an overhaul that appeals to the lowest common denominator.
This musical comedy bypasses a regional run and jumps right to the Great White Way.
For better or worse, this Larry David vehicle gives you a lot of Larry David and not much else.
Terrence McNally s paper-thin comedy runs mostly on weak inside jokes about the theater.
After a disappointing summer season, New York s fall theater lineup promises a variety of exciting plays new and old.
Jane Lynch injects new life into Annie s summer run.
Self-pity and self-destruction never felt so damn good.
This smart, irreverent new comedy makes Broadway a more exciting, youth-friendly place.
A quarter-century after the historic flop of the original production, the second attempt strips the play of its chaos as well as its intensity.
The Grisham novel and popular film has been adapted into a cheesy but crowd-pleasing courtroom drama.
Six actors play multiple roles in a tight and engaging contemporary production.
This could have been such an entertaining, action-packed musical. Unfortunately, the talents of Laura Osnes and Jeremy Jordan go largely wasted.
This self-indulgent bio musical about Shlomo Carlebach suffers from haphazard storytelling and superficial sentimentality.
John Ford’s 17th-century tragedy spills over with naughty sex and bloodshed.
Norm Lewis, for all his talent, doesn t fit in the role of the Phantom.
Classic Stage Company’s sexy, jubilant production explodes with imagination and an overload of costumes and props.
This is a dreary, downright incomprehensible play that lacks the drama of Tennessee Williams’ earlier works.
The classic 1935 American folk opera gets a little tightening and tweaking but keeps its heart where it was.
A talented creative team and cast take us through three stages of a young girl s life.
The first new play in over a decade by David Rabe is a letdown, with too many characters and not enough backbone.
How did such respected authors and directors come to put together such a bad triple-bill?
