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154 stories by "Mark Swed"

A stirring Requiem for San Diego Opera's senseless, premature death by Mark Swed

Critic's Notebook: The performance of Verdi's Requiem ahead of San Diego Opera's closing is a rousing rebuke to that disturbing decision.SAN DIEGO — On the first page of the program bo…

SOURCE: Los Angeles Times at 6:35pm on March 21, 2014[SHARE]

Review: Long Beach Opera's 'Death of Klinghoffer' illuminates world by Mark Swed

John Adams' controversial 'Death of Klinghoffer' gets a spirited Southern California premiere by Long Beach Opera.Long Beach Opera is the latest company with bragging rights to John Adams' "…

SOURCE: Los Angeles Times at 8:15am on March 18, 2014[SHARE]

Taking inspiration from opera visionary Gerard Mortier by Mark Swed

An appreciation: Los Angeles owes much to the late Gerard Mortier, who revolutionized the Salzburg Festival and helped give Esa-Pekka Salonen and the L.A. Philharmonic an international stage…

SOURCE: Los Angeles Times at 11:40pm on March 10, 2014[SHARE]

Review: Tchaikovsky on a grand scale by Mark Swed

The Simón Bolívar Symphony Orchestra performs Tchaikovsky at Walt Disney Concert Hall led by Gustavo Dudamel.Orchestras everywhere play a lot of Tchaikovsky. The Simón Bolívar Sy…

SOURCE: Los Angeles Times at 8:30am on February 28, 2014[SHARE]

Furor follows L.A. Phil's Gustavo Dudamel by Mark Swed

L.A. Philharmonic maestro Gustavo Dudamel disputes news reports and tries to distance himself from political unrest and violence in his native Venezuela.Wherever he goes, Los Angeles Philhar…

SOURCE: Los Angeles Times at 9:30am on February 19, 2014[SHARE]

Critic's Pick: 'Death and the Powers' melds opera and apps at Hammer by Mark Swed

Attending the opera was once straighforward. Buy a ticket and go. But that was before the information age. A little more can be involved these days.

SOURCE: Los Angeles Times at 12:00pm on February 13, 2014[SHARE]

Review: A Baltic blast with L.A. Philharmonic by Mark Swed

With Andrey Boreyko conducting, the L.A. Phil touches down in the Baltic for an absorbing evening of Anders Hillborg's 'King Tide,' Carl Nielsen's Violin Concerto and Sibelius' Second Sympho…

SOURCE: Los Angeles Times at 8:00am on February 3, 2014[SHARE]

Opera review: 'Queenie Pie' picks up where Duke Ellington left off by Mark Swed

Long Beach Opera makes the most ambitious effort yet on a Duke Ellington opera-in-the-making, and it has an electrifying cast to work with.Did Duke Ellington want to write an opera? Absolute…

SOURCE: Los Angeles Times at 8:30am on January 28, 2014[SHARE]

Review: With 'Turn of the Screw,' Pacific Opera Project gets serious by Mark Swed

A young company assembles a strong cast of emerging singers for the production of the Benjamin Britten work, its most ambitious offering, at an arts district venue.Pacific Opera Project, a y…

SOURCE: Los Angeles Times at 9:35am on January 15, 2014[SHARE]

Best of 2013: Mark Swed picks 'The Perfect American,' Kronos Quartet by Mark Swed

Kronos Quartet, George Benjamin's 'Written on Skin,' Christopher Cerrone's 'Invisible Cities' and more.In this time when news is disseminated ever more quickly, we asked our critics to list …

SOURCE: Los Angeles Times at 11:30am on December 20, 2013[SHARE]

The perfect time for the 'Perfect American' by Mark Swed

Notes on the Year: The Philip Glass opera 'The Perfect American' does more for the image of Walt Disney as an artist than Disney's own film 'Saving Mr. Banks.'Philip Glass, who turned 76 the…

SOURCE: Los Angeles Times at 11:30am on December 20, 2013[SHARE]

Review: 'Falstaff' dramatically flawed but musically bracing by Mark Swed

Los Angeles Opera's new production leans too often on jokey shtick, but music director James Conlon deftly handles Verdi's magical score.Los Angeles finally has its first new "Falstaff" in d…

SOURCE: Los Angeles Times at 8:30am on November 11, 2013[SHARE]

Review: An inward tour through 'Invisible Cities' by Mark Swed

In 'Invisible Cities,' audiences roam Union Station to experience Christopher Cerrone's new opera based on Italo Calvino's novel. But much of this fascinating tale is meant to be imagined.If…

SOURCE: Los Angeles Times at 3:29pm on October 21, 2013[SHARE]

Review: Time and space are one in thrilling 'Einstein on the Beach' by Mark Swed

From the first counts to the last four ecstatic hours later, Los Angeles Opera's heroic mounting of the experimental Philip Glass and Robert Wilson work 'Einstein on the Beach' is a rapturou…

SOURCE: Los Angeles Times at 10:05pm on October 13, 2013[SHARE]

Philip Glass' 'Einstein' is opera because 'that's where the stuff was' by Mark Swed

As Los Angeles Opera prepares to present 'Einstein on the Beach,' composer Philip Glass discusses the 37-year-old work's creation.NEW YORK — What opera launched a legendarily prolific …

SOURCE: Los Angeles Times at 12:00pm on October 5, 2013[SHARE]

'My Moby Dick' comes to Broad Stage by Mark Swed

The Los Angeles Public Library has been obsessing over “Moby Dick” lately,  with celebrity readings, discussions, scientific studies, family days, film screenings and whatnot.

SOURCE: Los Angeles Times at 12:30pm on October 3, 2013[SHARE]

'King Gesar' gathers 'round the campfire in Long Beach by Mark Swed

The late American composer Peter Lieberson imagined he was creating a campfire opera, a Tibetan Buddhist legend told by a narrator, who recites, scats and sings, backed by a small instrument…

SOURCE: Los Angeles Times at 11:30am on September 12, 2013[SHARE]

Gay bullying inspires composer David Del Tredici's 'Bullycide' by Mark Swed

You can’t seemingly find a more insider composer than David Del Tredici, whose “Bullycide” was commissioned by La Jolla Music Society’s SummerFest and will have its p…

SOURCE: Los Angeles Times at 12:40pm on August 15, 2013[SHARE]

Review: Gustavo Dudamel delivers a blockbuster 'Aida' by Mark Swed

The Los Angeles Philharmonic's Gustavo Dudamel conducts a roller-coaster thrill ride at the Hollywood Bowl.I wonder whether the 9,985 who showed up at the Hollywood Bowl on Sunday to hear Gu…

SOURCE: Los Angeles Times at 7:40pm on August 12, 2013[SHARE]

Review: San Francisco Opera's 'Mary Magdalene' takes Broadway turn by Mark Swed

Mark Adamo may have invented a biblical Broadway/opera hybrid in the memorable 'Gospel of Mary Magdalene.'SAN FRANCISCO — There have been, in modern times, three Marilyns, a couple of …

SOURCE: Los Angeles Times at 7:05pm on June 20, 2013[SHARE]

Review: Mark Morris' 'Spring' bucks recent 'Rite' by Mark Swed

'Spring, Spring, Spring,' from the choreographer with an arrangement by the Bad Plus, reverses trends in performing Stravinksy's 'Rite of Spring.'BERKELEY — "The Rite of Spring" is a b…

SOURCE: Los Angeles Times at 7:50pm on June 13, 2013[SHARE]

Review: Six opera works-in-progress, all terrific , from the Industry by Mark Swed

Promising great things in the First Take at the Hammer are Mohammed Fairouz's 'Pierrot' and Pauline Oliveros' 'The Nubian Word for Flower.'Opera, in our parts, has embarked upon an exception…

SOURCE: Los Angeles Times at 8:00am on June 3, 2013[SHARE]

Theater for the unfocused mind by Mark Swed

Critic's Notebook: Stanford's 'brain-like' Bing Concert Hall tends to engulf its audience, making it perhaps the perfect setting for the premiere of 'Visitations,' Jonathan Berger's chamber …

SOURCE: Los Angeles Times at 8:00am on April 15, 2013[SHARE]

London opera companies' 'crisis' is others' envy by Mark Swed

The Royal Opera and English National Opera may be in flux, but what they're putting on stage is instructive for American companies.LONDON — The editor of Opera is worried.

SOURCE: Los Angeles Times at 11:00am on March 30, 2013[SHARE]

Review: 'Cinderella's' many rewards by Mark Swed

A whimsical production of the Rossini work that has been imported by L.A. Opera offers satire, class warfare — and lovable rats. Definitely bring the kids.The romanticized image Los An…

SOURCE: Los Angeles Times at 8:00am on March 25, 2013[SHARE]
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