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409 stories by "Luke Jennings"

Giselle; Scary Shit review " esprit de corps and goofball chaos by Luke Jennings

Royal Opera House; Pleasance theatre, LondonSupporting players shine in a splendid Giselle, while a two-woman show about urban life has wit and poignancyGiselle is the greatest of the Romant…

SOURCE: The Guardian at 3:31am on March 6, 2016

The Odyssey; Quests review " Homer, Tom Waits and a one-woman whirlwind by Luke Jennings

Wilton's Music Hall; Greenwich Dance, LondonBlood and terror saturate Mark Bruce's vivid Odyssey. And take a bow, Tara d'ArquianMark Bruce is one of the most consistently thought-provoking c…

SOURCE: The Guardian at 3:38am on February 28, 2016

Christopher Wheeldon triple bill review " all the right moves by Luke Jennings

Royal Opera House, LondonNatalia Osipova is a natural as the scandalous Madame X in Christopher Wheeldon's new ballet Strapless. If only we cared about her…The Royal Ballet's current tripl…

SOURCE: The Guardian at 3:27am on February 21, 2016

Bel/Millepied/Robbins review " parting shots by Luke Jennings

Palais Garnier, ParisWith the mood still raw after his resignation from Paris Opera Ballet, Benjamin Millepied presents a provocative triple billOpening the day after Benjamin Millepied's sh…

SOURCE: The Guardian at 4:09am on February 14, 2016

Benjamin Millepied: ballet's black swan bows out in Paris by Luke Jennings

Last week Benjamin Millepied resigned as head of dance at the prestigious Paris Opera Ballet, criticising the company's rigid ways. Luke Jennings, who spoke to the choreographer twice in rec…

SOURCE: The Guardian at 4:21am on February 7, 2016

He Who Falls (Celui qui tombe) review " hyper-skilled and remote by Luke Jennings

Barbican, London Yoann Bourgeois's circus-influenced piece has a dramatic tilting stage and his dancers in a spinYoann Bourgeois is a French choreographer based in Grenoble. He came to dance…

SOURCE: The Guardian at 3:19am on February 7, 2016

Jakop Ahlbom Company: Horror review " a razor-sharp delight by Luke Jennings

Peacock theatre, LondonJakop Ahlbom's loving homage to horror films is a masterclass in time-and-motion stagecraftJakop Ahlbom's brilliantly strange Lebensraum was one of the cult successes …

SOURCE: The Guardian at 3:39am on January 31, 2016

Rhapsody review " heart-stopping Ashton from Francesca Hayward by Luke Jennings

Royal Opera House, LondonHayward is astonishing, easy perfection in classic Frederick Ashton. In the Royal Ballet's second cast, Steven McRae takes commandThe Royal Ballet's revival of Frede…

SOURCE: The Guardian at 3:33am on January 24, 2016

You're wrong, Akram. We do need more female choreographers by Luke Jennings

The choreographer Akram Khan has said that the number of female choreographers should not be increased "for the sake of it", despite industry concerns that women in dance face much greater o…

SOURCE: The Guardian at 12:46pm on January 18, 2016

Until the Lions review " lean, thrilling and beautiful by Luke Jennings

Roundhouse, London Akram Khan dances what is likely to be one of his last roles in his supremely potent retelling of the MahabharataIn 1987, 13-year-old Akram Khan was cast in Peter Brook's …

SOURCE: The Guardian at 3:39am on January 17, 2016

Cinderella review " all in all, magic by Luke Jennings

Festival theatre, EdinburghChristopher Hampson's lyrical Cinderella for Scottish Ballet delivers drama, emotion and really annoying stepsisters…A fairy-story ballet is not easy to get righ…

SOURCE: The Guardian at 4:02am on December 20, 2015

Luke Jennings: the best dance of 2015 by Luke Jennings

Enthralling dance came in tiny packages in 2015, as productions triumphed on a shoestring, a cliff-face, a grain of sand… ' Observer critics' reviews of the year in full2015 was a year in …

SOURCE: The Guardian at 4:54am on December 13, 2015

Sleeping Beauty review " Matthew Bourne's show is flawed but enchanting by Luke Jennings

Sadlers Wells, LondonA traditional take on the story of Aurora and the dark fairy Carabosse suffers from the lack of a believable love story, but has a suitably magical feelMatthew Bourne's …

SOURCE: The Guardian at 3:42am on December 13, 2015

Carlos Acosta: A Classical Selection review " high-wire fun by Luke Jennings

Coliseum, LondonThe virtuoso dance star approaches his final farewell with an evening of short worksOnly rarely does a male ballet dancer truly capture the public's imagination. When it happ…

SOURCE: The Guardian at 3:42am on December 13, 2015

Obituary: Pina Bausch by Luke Jennings

German choreographer whose bleak vision changed the face of European danceThe work of the German choreographer Pina Bausch, who has died aged 68 of cancer, had a controversial, often violent…

SOURCE: The Guardian at 4:24pm on December 6, 2015

Wheeldon/ McGregor/ Bausch review " a happy birthday bash for Boulez by Luke Jennings

Palais Garnier, ParisThe Paris Opera Ballet celebrates Pierre Boulez's 90th birthday with a strong triple bill that features two British choreographersLast week, the Paris Opera Ballet prese…

SOURCE: The Guardian at 3:37am on December 6, 2015

Swan Lake II: Dark Waters review " sidetracked by the camp and trivial by Luke Jennings

Chelsea theatre, LondonJoseph Mercier reimagines Swan Lake as one man's struggle with the (naked) self. And a very dead birdThe reworking of classical ballets by contemporary choreographers …

SOURCE: The Guardian at 3:10am on November 29, 2015

Monotones I and II/ The Two Pigeons review " Nuñez steals the show by Luke Jennings

Royal Opera House, LondonThe Royal Ballet's Ashton double bill finds Cuthbertson and Muntagirov struggling to take offThe Two Pigeons was choreographed by Frederick Ashton and first performe…

SOURCE: The Guardian at 3:12am on November 22, 2015

Who Killed Bambi?; Kaleidoscopic Arts " review by Luke Jennings

DanceEast, Ipswich; Galvanisers Union, LondonRenaud Wiser's take on the Snowden affair has more craft than story, while Kaleidoscopic Arts head for the pub…Renaud Wiser is a Swiss-born dan…

SOURCE: The Guardian at 3:54am on November 15, 2015

Rambert: Love, Art & Rock'n'roll review " squaring up to the cubists and the Stones by Luke Jennings

Sadler's Wells, LondonChristopher Bruce rocks, Didy Veldman takes on Picasso and Kim Brandstrup gets to grips with Schoenberg in Rambert's triple billRambert's latest triple bill turns its g…

SOURCE: The Guardian at 3:06am on November 8, 2015

Royal Ballet mixed bill review " quixotic, brilliant and imponderably awful by Luke Jennings

Royal Opera House, LondonThe Royal Ballet showcases its best and its most chaotic in the same evening, from impeccable Balanchine to Carlos Acosta's new CarmenThe Royal Ballet's new quadrupl…

SOURCE: The Guardian at 3:24am on November 1, 2015

Voronia review " you have nothing to lose but your soul by Luke Jennings

Sadler's Wells, LondonThe world's deepest cave is a metaphor for hell in La Veronal's arcane but rewarding production that's indebted to BuñuelToday's choreographers must know more than d…

SOURCE: The Guardian at 10:29am on October 23, 2015

Ham and Passion review " funny, sexy and flamboyant by Luke Jennings

DeNada Dance Theatre's smart meditations on sexual identity and machismo could teach larger ensembles a thing or twoCarlos Pons Guerra grew up on the island of Gran Canaria. As a teenager he…

SOURCE: The Guardian at 3:41am on October 18, 2015

Political Mother: The Choreographer's Cut review " a powerhouse of a show by Luke Jennings

O2 Academy, London Hofesh Shechter has this rock venue jumping with his cathartic piece about indoctrinationPolitical Mother, created by choreographer-composer Hofesh Shechter in 2010, is a …

SOURCE: The Guardian at 3:20am on October 11, 2015

Chéri review " Alessandra Ferri is beautifully poignant as Colette's older woman by Luke Jennings

Linbury Studio, Royal Opera House, LondonThe tender expressiveness of 52-year-old Ferri carries Martha Clarke's adaptation of Colette's obsessive love storyChéri, the 1920 novel by th…

SOURCE: The Guardian at 4:43am on October 4, 2015
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