Royal Opera House, LondonThe Royal Ballet showcases its best and its most chaotic in the same evening, from impeccable Balanchine to Carlos Acosta's new CarmenThe Royal Ballet's new quadruple bill shows us the company at its most quixotic, brilliant and imponderably awful. This is an establishment in which matchless dedication and near-fatal complacency have somehow achieved an accommodation. An establishment whose c…
SOURCE: The Guardian at 03:24AM on November 1, 2015