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409 stories by "Luke Jennings"

Hans van Manen: Master of Dance; Atma " review by Luke Jennings

Sadler's Wells; The Place, both LondonIt's a man's world at the ballet. At least it is when Hans van Manen is in charge. Eighty next year, the Dutch choreographer is one of the founding fath…

SOURCE: The Guardian at 7:05pm on May 14, 2011

Dunas; May " review by Luke Jennings

Sadler's Wells; The Place, both LondonMaría Pagés is a Spanish flamenco dancer whose career has embraced decades of international touring, film-work with Carlos Saura, and even a stint w…

SOURCE: The Guardian at 7:05pm on May 7, 2011

Alice " review by Luke Jennings

Eden Court, InvernessThere's a sequence in Act 2 of Scottish Ballet's Alice when the young heroine is lured into the toils of a giant spider, and it's hard not to see this as a metaphor for …

SOURCE: The Guardian at 7:05pm on April 30, 2011

The Royal Ballet: a new era awaits by Luke Jennings

The Royal Ballet is at crossroads " its current artistic director, Monica Mason, is about to retire and the search is on for a successor who will guard the company's rich classical heritage …

SOURCE: The Guardian at 2:00am on April 18, 2011

Rosas: Early Works " review by Luke Jennings

Sadler's Wells, LondonAnne Teresa De Keersmaeker is a Belgian choreographer and the director of the dance company Rosas, founded by her in 1983. An original member of the Belgian new wave, 5…

SOURCE: The Guardian at 7:05pm on April 16, 2011

Royal Ballet highlights - in pictures by Luke Jennings

As the Royal Ballet recruits a new artistic director, we look back at the highlights of Monica Mason's decade at the helmLuke Jennings

SOURCE: The Guardian at 7:05pm on April 16, 2011

The Place prize " the final by Luke Jennings

Robin Howard Dance theatre, LondonThe Place prize is dance's equivalent of the Turner or Man Booker prizes. Awarded annually, and sponsored by the business news organisation Bloomberg, it's…

SOURCE: The Guardian at 7:04pm on April 9, 2011

Black Swan: does it matter if Natalie Portman didn't do all the dancing? by Luke Jennings

The controversy over Natalie Portman's dance double reveals the culture clash between Hollywood's colossal budgets and the underfunded world of ballet Continue reading...

SOURCE: The Guardian at 10:54am on March 30, 2011

Black Swan: does it matter if Natalie Portman didn't do all the dancing? | Luke Jennings by Luke Jennings

The controversy over Natalie Portman's dance double reveals the culture clash between Hollywood's colossal budgets and the underfunded world of balletFeathers are continuing to fly over Blac…

SOURCE: The Guardian at 10:54am on March 30, 2011

The Most Incredible Thing " review by Luke Jennings

Sadler's Wells, LondonThe Venezuelan-born choreographer Javier de Frutos is a volatile talent. At its best, in pieces such as Paseillo and Nopalitos, his work has a dream-like intensity and …

SOURCE: The Guardian at 8:05pm on March 26, 2011

Royal Ballet triple bill " review by Luke Jennings

Royal Opera House, LondonIt's been a strange week for the Royal Ballet's Marianela Nuñez. On Tuesday she made her debut in the title role of Christopher Wheeldon's Alice's Adventures in W…

SOURCE: The Guardian at 8:05pm on March 19, 2011

Cleopatra; Henri Oguike Dance Company " review by Luke Jennings

Grand theatre, Leeds; Linbury theatre, Royal Opera House, LondonWhen asked what they want to be in life, most schoolchildren reportedly say that they want to be famous. Like hyper-ambitious …

SOURCE: The Guardian at 7:05pm on March 12, 2011

Alice's Adventures in Wonderland " review by Luke Jennings

Royal Opera House, LondonThe strongest scene in the Royal Ballet's new production of Alice's Adventures in Wonderland, choreographed by Christopher Wheeldon, opens with Alice (Lauren Cuthber…

SOURCE: The Guardian at 7:10pm on March 5, 2011

I Don't Believe in Outer Space " review by Luke Jennings

Sadler's Wells, LondonAt the beginning of the Forsythe Company's I Don't Believe in Outer Space, the dancer Dana Caspersen, wife of the choreographer William Forsythe, voices a bizarre dialo…

SOURCE: The Guardian at 7:05pm on February 26, 2011

Balletboyz: The Talent " review by Luke Jennings

artsdepot, LondonAll-male dance companies are something of an anomaly. At one end of the scale you've got the Trocks in drag, at the other the dickie-bowed Chippendales rippling their pecs …

SOURCE: The Guardian at 7:04pm on February 19, 2011

Ballet Menu; Ballet Black " review by Luke Jennings

Royal Ballet of Flanders, Vlaamse Opera, Antwerp; Linbury theatre, Royal Opera House, LondonStriking the right balance between the old and the new is the hardest task facing today's ballet d…

SOURCE: The Guardian at 7:05pm on February 12, 2011

American Ballet Theatre; LOL (Lots of Love) " review by Luke Jennings

Sadler's Wells, London; Jerwood Dance House, IpswichIt's hard to imagine a piece more perfectly tailored to American Ballet Theatre's dancers than Alexei Ratmansky's Seven Sonatas. Performed…

SOURCE: The Guardian at 7:06pm on February 5, 2011

A few small steps from Ballets Russes ... one giant leap for dance historians by Luke Jennings

This 30-second scrap of film showing Diaghilev's famed Ballets Russes in action represents one of dance's great discoveriesThe Ballets Russes, founded in 1910 by the Russian impresario Serge…

SOURCE: The Guardian at 1:23pm on February 2, 2011

Swan Lake " review by Luke Jennings

Royal Opera House, LondonI'd love not to mention Darren Aronofsky's film Black Swan this week, but I can't resist telling you that according to Royal Ballet director Monica Mason, the Covent…

SOURCE: The Guardian at 7:05pm on January 29, 2011

Gobo. Digital Glossary " review by Luke Jennings

ICA, LondonAkhe Engineering Theatre defies categorisation. Presented under the banner of the 2011 London International Mime festival, its latest piece, Gobo. Digital Glossary, offers an expl…

SOURCE: The Guardian at 7:05pm on January 22, 2011

Giselle " review by Luke Jennings

Royal Opera House, LondonWhat a difference a day makes. On Tuesday's first night of Giselle, the Royal Ballet's Tamara Rojo gave a heart-rending account of the title role, miraculous in its …

SOURCE: The Guardian at 7:05pm on January 15, 2011

Romeo and Juliet " review by Luke Jennings

Coliseum, LondonIn Rudolf Nureyev's copy of Romeo and Juliet, the following quotation from Act 1 was underlined: "Some consequence, yet hanging in the stars,/ Shall bitterly begin his fearf…

SOURCE: The Guardian at 7:05pm on January 8, 2011

Wayne McGregor CBE: the rock star of ballet steps up by Luke Jennings

Wayne McGregor has spent 18 years at the cutting edge of choreography. Now the dynamic outsider of British dance has won the establishment seal of approval in the New Year honours list"I was…

SOURCE: The Guardian at 7:03pm on January 1, 2011

Chase the Dream; Tales of Beatrix Potter " review by Luke Jennings

Royal Festival Hall, London; Royal Opera House, LondonHip-hop dance has come a long way in recent years, but with the exception of ZooNation's Into the Hoods has had trouble establishing its…

SOURCE: The Guardian at 7:05pm on December 25, 2010

The Nutcracker; Faeries; Peter and the Wolf/Tales of Beatrix Potter " review by Luke Jennings

Coliseum, London; Linbury Theatre, Royal Opera House, London; ROH, LondonThere's a particular frisson that can exist between an established ballerina and a younger male dancer " Fonteyn and …

SOURCE: The Guardian at 7:04pm on December 18, 2010
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