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122 stories by "Lauren Whalen"

Review: Boy (TimeLine Theatre) by Lauren Whalen

Playwright Anna Ziegler began Boy as a direct homage to David Reimer, who in1967 at 18-month-old, was left with damaged genitals due to a circumcision accident. Desperate, his parents turned…

SOURCE: Chicago Theater Beat at 1:27pm on January 24, 2018

Review: For the Loyal (Interrobang Theatre Project) by Lauren Whalen

What does loyalty mean? How far does it go? And what if your loyalty (or lack of) affects your livelihood and the ability to support your family? Award-winning playwright Lee Blessing tackle…

SOURCE: Chicago Theater Beat at 7:53pm on January 22, 2018

Review: BLKS (Steppenwolf Theatre) by Lauren Whalen

Playwright and poet Aziza Barnes wrote BLKS as a self-portrait of herself and her best friends in her early 20s. Full of laugh-out-loud moments as well as dark humor and quiet poignancy, BLK…

SOURCE: Chicago Theater Beat at 4:12pm on December 22, 2017

Review: Potted Potter (Broadway in Chicago, 2017) by Lauren Whalen

*Potted* means condensed. *Potter,* at least in this case, means Harry Potter, a child wizard and the center of seven books that propelled J.K. Rowling from broke schoolteacher to wealthy me…

SOURCE: Chicago Theater Beat at 5:54pm on December 19, 2017

Review: Red Velvet (Chicago Shakespeare Theater) by Lauren Whalen

Chicago Shakespeare Theater's Red Velvet chronicles Ira Aldridge's groundbreaking but ill-timed two-day run as Othello at Covent Garden in 1833, the first African-American actor to star on a…

SOURCE: Chicago Theater Beat at 8:24pm on December 12, 2017

Review: The Minutes (Steppenwolf Theatre) by Lauren Whalen

When Tracy Letts' newest play, The Minutes, is good, it's very, very good, and that's the case for the play's first 90-95 minutes. As a small-town transplant myself, I can verify the hilario…

SOURCE: Chicago Theater Beat at 12:18am on December 9, 2017

Review: The Nutcracker (Joffrey Ballet, 2017) by Lauren Whalen

Now in its second glorious year, Joffrey Ballet's updated The Nutcracker, set during the construction of Chicago's 1893 Worlds Fair in an immigrant family's shack and their daughter's fantas…

SOURCE: Chicago Theater Beat at 9:36pm on December 6, 2017

Review: Altar Boyz (Theo Ubique Cabaret Theatre) by Lauren Whalen

One of off-Broadway's longest-running shows, the boy band parody Altar Boyz is a real-time concert of a Christian boy band who love singing and dancing - but love Jesus even more. Theo Ubiqu…

SOURCE: Chicago Theater Beat at 7:12pm on December 5, 2017

Review: Rudolph the Red-Hosed Reindeer (Hell in a Handbag Productions, 2017) by Lauren Whalen

Based on the 1967 children's TV special, this fun Rudolph chronicles the adventures of a North Pole reindeer (Graham Thomas Heacock) who just doesn't fit in with his peers - he just can't co…

SOURCE: Chicago Theater Beat at 5:06pm on December 5, 2017

Review: Othello (Invictus Theatre Company) by Lauren Whalen

In Invictus Theatre Company's inaugural production of Othello, Iago is played as a woman. Her strong performance and a largely solid ensemble are not enough, however, to save a weak lead and…

SOURCE: Chicago Theater Beat at 8:48pm on November 30, 2017

Review: Fade (Teatro Vista and Victory Gardens Theater) by Lauren Whalen

Victory Gardens' latest play, Fade, a co-production with Teatro Vista, features the relationship of two very different Latinx individuals who happen to work in the same building. Fade is fun…

SOURCE: Chicago Theater Beat at 10:04pm on November 29, 2017

Review: Tick, Tick…BOOM! (The Cuckoo's Theater Project) by Lauren Whalen

Running 90 minutes with no intermission, Tick, Tick...BOOM! is poignant but inconsistent, with a score that's lovely and touching but also frustrating and dreary. The Cuckoo's Theater Projec…

SOURCE: Chicago Theater Beat at 10:04pm on November 28, 2017

Review: The Pearl Fishers (Lyric Opera) by Lauren Whalen

Everyone loves a good, tragic love story, and Lyric Opera's The Pearl Fishers doesn't disappoint. Its two-and-a-half-hour running time is shorter than that of the average opera, making it a …

SOURCE: Chicago Theater Beat at 7:42pm on November 26, 2017

Review: Yasmina's Necklace (Goodman Theatre) by Lauren Whalen

Yasmina's Necklace is very Muslim in its theme, but also very American " unique yet universal. Thoughtfully directed by Ann Filmer, and featuring a gifted ensemble, the Chicago premiere of M…

SOURCE: Chicago Theater Beat at 8:48pm on November 19, 2017

Review: Breath, Boom (Eclipse Theatre) by Lauren Whalen

Breath, Boom is never an easy watch, challenging the audience to check its collective privilege and watch a survivor endure her darkest years with only small flashes of optimism. Beautifully…

SOURCE: Chicago Theater Beat at 10:33pm on November 17, 2017

Review: Lizzie (Firebrand Theatre) by Lauren Whalen

Firebrand Theatre's Lizzie is an all-female rock musical about the the true story of Lizzie Borden, whose alleged axe murder of her father and stepmother in 1892 led to a media frenzy, a nur…

SOURCE: Chicago Theater Beat at 8:12pm on November 16, 2017

Review: School of Rock (Broadway in Chicago) by Lauren Whalen

With a running time of just over 2 hours, School of Rock is just as winning as the original film. Taking an underdog story and blending it with cute kids and a rousing score, the musical mak…

SOURCE: Chicago Theater Beat at 8:24pm on November 10, 2017

Review: Akeelah and the Bee (Adventure Stage Chicago) by Lauren Whalen

With Akeelah and the Bee, Adventure Stage Chicago has adapted the 2006 screenplay, relocating the story to the South Side of Chicago, adding Spanish supertitles to make the show more accessi…

SOURCE: Chicago Theater Beat at 12:48am on November 10, 2017

Review: Bobby Pin Girls (Nothing Without A Company) by Lauren Whalen

Besides its humor, Bobby Pin Girls tackles issues such as addiction, self-harm and toxic masculinity without being manipulative or heavy-handed, which is a skill on its own. Nothing Without …

SOURCE: Chicago Theater Beat at 7:04pm on November 3, 2017

Review: Giselle (Joffrey Ballet) by Lauren Whalen

The Joffrey Ballet's premiere of a newly-staged Giselle doesn't disappoint, wringing out every possible drop of excitement, in a production that's equal parts breathtaking and horrifying, ha…

SOURCE: Chicago Theater Beat at 10:42pm on October 25, 2017

Review: Deirdre of the Sorrows (City Lit Theater) by Lauren Whalen

Forbidden love, war and deception are all present in the story of playwright John Millington Synge's Deiredre of the Sorrows (which hasn't been professionally produced in Chicago in a centur…

SOURCE: Chicago Theater Beat at 1:06am on September 17, 2017

Review: Bonnie & Clyde (Kokandy Productions) by Lauren Whalen

Known for their innovative, quality work, Kokandy Productions knocks Bonnie & Clyde out of the park, as director Spencer Neiman and team overcome some of the source material's flaws wit…

SOURCE: Chicago Theater Beat at 9:42pm on September 16, 2017

Review: The CiviliTy of Albert Cashier (Permoveo Productions) by Lauren Whalen

The CiviliTy of Albert Cashier has the bones of a solid production: a sad but compelling true story, dynamic lead performers and a beautiful score. However, it still feels like a work-in-pro…

SOURCE: Chicago Theater Beat at 6:18pm on September 12, 2017

Review: Cicada Summer (Rough House Theater) by Lauren Whalen

Rough House Theater Company specializes in physical theater and puppetry, and their world premiere of Cicada Summer seamlessly fuses both with a sweet coming-of-age tale involving thirteen-y…

SOURCE: Chicago Theater Beat at 8:18pm on September 2, 2017

Review: A Funny Thing Happened on the Way to the Gynecological Oncology Unit at Memorial Sloan-Kettering Cancer Center of New York City (Route 66 Thea by Lauren Whalen

Route 66 Theatre's A Funny Thing Happened... has an excellent cast that almost (but not quite) make up for the script's flaws. One wishes playwright Halley Feiffer had a better critique part…

SOURCE: Chicago Theater Beat at 8:06pm on August 30, 2017
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