Professor Bernhardi
This production of a rarely presented Arthur Schnitzler play is dogged by an unwieldy translation and a large, uneven cast but features a title performance of genuine distinction.
This production of a rarely presented Arthur Schnitzler play is dogged by an unwieldy translation and a large, uneven cast but features a title performance of genuine distinction.
Playwright Nick Starr displays an overactive imagination in this muddled sci-fi fantasy, whose characters are mere puppets and which is stuffed with everything except logic.
This cautionary 1731 play by George Lillo, never before seen in New York, is the forefather of every "she done him wrong" drama.
Under the ever-enterprising Albert Bergeret, New York Gilbert & Sullivan Players delivers a cheery account of this classic comic operetta, strong on song and good-natured humor.
In this theatrical accusation, written and performed by Gerard Mannix Flynn, an Irishman details in exuberant language the horrendous damage inflicted upon him by church and state.
James Presson's would-be comedy about television's sitcom industry has a split personality, strangely trying to mix satire with Henrik Ibsen without much success.
Samuel Brett Williams' new play offers the dynamics of destructive behavior in a work that is not so much over-the-top as up the next hillside.
Billed as "a new political drama," Robert L. Hecker's play is replete with the best of intentions regarding just causes, self-sacrifice, and political protest but devolves into muddle-head…
Playwright Nicholas Pierpan's moral fable of an inauthentic 21st-century man is given a compelling, authentic performance by Felix Scott in the Brits Off Broadway festival.
This examination of hijinks at a regional theater, highlighting the role of the dramaturge, could do with some reshaping of its own.
In this musical version of a 1912 play, the plot may be thin but the tunes are truly tuneful, in an old-fashioned show neatly performed.
This modern-day production has diverting gender-bender inclinations, but it soon gets swamped in busy-bee business and inconsistent performances as poetry and magic struggle to survive.
Kristin Newbom and W. David Hancock's new play is yet another examination of dysfunctional siblings, a well-trodden path brightened by a superior cast.
In Metropolitan Playhouse's second annual festival, the East Village, past and present, is explored with varying degrees of invention and success in eight new short plays seen on two progr…
Larry Kunofsky's well-intentioned but unwieldy new play, lacking the fast-moving, satirical style it's premise needs, will hardly do much for the cause of gay marriage.
We meet another Miss Brodie from Scotland in Douglas Maxwell's compelling if overwrought character study, and Joanna Tope shines in this one-woman play.