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322 stories by "John Morrison"

Rules for Living by John Morrison

I have often complained to my family that our Christmas festivities furnish no worthwhile material for drama. Nary a cross word is exchanged; nobody complains about their presents; no skelet…

SOURCE: John Morrison at 5:36am on March 21, 2015

How To Hold Your Breath by John Morrison

It took me a while to tune in to Zinnie Harris's new play at the Royal Court. While I was mesmerised by Maxine Peake's extraordinary performance in the leading role, I was turning the dial t…

SOURCE: John Morrison at 3:59pm on March 19, 2015

Patrick Marber's Closer by John Morrison

I've written before about the 'Donmar Effect' which makes every play staged in this intimate West End venue seem twice as good as it really is. But Closer is a play that's so well written th…

SOURCE: John Morrison at 3:19pm on March 15, 2015

Game by John Morrison

Mike Bartlett's new play at the Almeida is a disorienting and uncomfortable experience in several ways. It's physically claustrophobic for the audience, the visual and auditory experience is…

SOURCE: John Morrison at 2:53pm on March 15, 2015

Farinelli and the King by John Morrison

Farinelli and the King is a delicious 18th century confection of words and music that provides a perfect vehicle for Mark Rylance's first appearance on the candlelit stage of the Sam Wanamak…

SOURCE: John Morrison at 3:52am on February 25, 2015

The Domestic Extremists by John Morrison

This is a very sharp satire on the world of television by Dan Davies, whose play Is Anything Broken? wowed audiences at Player-Playwrights a couple of years ago and went on to the Camden Fri…

SOURCE: John Morrison at 4:51am on February 21, 2015

Walking The Tightrope by John Morrison

What would I do if a Russian bank offered to part-fund a play of mine set in Russia, as part of a London-Moscow theatre festival? If I were to refuse the funding, it might mean none of the a…

SOURCE: John Morrison at 6:41am on February 1, 2015

Golem by John Morrison

This 90-minute stage production at the Young Vic, coming to a close this weekend, has bowled over just about everyone who has seen it, including those like me who are discovering 1927's work…

SOURCE: John Morrison at 10:14am on January 29, 2015

The Hard Problem by John Morrison

Brain scientists will love Tom Stoppard's new play, and it's a feast of ideas for the intellectually curious. But in dramatic terms it's a disappointment. Seeing Stoppard's first hit Rosencr…

SOURCE: John Morrison at 4:43am on January 22, 2015

The Changeling (Aside) by John Morrison

Dominic Dromgoole's production of The Changeling in the Sam Wanamaker theatre has the same power and intimacy as his version of The Duchess of Malfi a year ago. It's a robust, though fairly …

SOURCE: John Morrison at 10:03am on January 19, 2015

The Merchant of Venice at the Almeida by John Morrison

Yes, I'm all shook up. Rupert Goold's Las Vegas-themed production of the Merchant won't appeal to people who disapprove of Elvis, but I loved it. I found it one of the most entertaining nigh…

SOURCE: John Morrison at 7:14am on December 17, 2014

Accolade by John Morrison

Post-war vintage cars like the Ford Popular and Austin A30 have a certain appeal to motorists jaded with more contemporary models, but you wouldn't want to drive one every day. Emlyn William…

SOURCE: John Morrison at 11:26am on December 5, 2014

Pomona by John Morrison

Well, it didn't work for me. That's a polite way of expressing my opinion of this new play by Alistair McDowall, which has garnered rave reviews all round. I'm allergic to sci-fi fantasy, ha…

SOURCE: John Morrison at 6:57am on December 3, 2014

'Tis Pity She's A Whore at Shakespeare's Globe by John Morrison

Blood. How useful is it to a theatre director staging Jacobean revenge plays? John Ford's play ends with a scene that makes the end of Hamlet look like a vicarage tea-party. So is it best to…

SOURCE: John Morrison at 7:52am on November 26, 2014

East is East by John Morrison

Sam Yates. Never heard of him? Neither had I until I saw his cracking revival of Ayub Khan Din's East is East last night at Trafalgar Studios. This is is his first West End show, but he's cl…

SOURCE: John Morrison at 6:03am on November 6, 2014

Anya Reiss's Uncle Vanya by John Morrison

There's a strong sense of place and time and social context in Chekhov's plays which make them difficult to adapt convincingly to a modern setting. That's why I'm generally lukewarm about ve…

SOURCE: John Morrison at 12:54pm on October 30, 2014

Henry IV at the Donmar by John Morrison

Harriet Walter 'Mad' Frankie Fraser When Phyllida Lloyd staged Julius Caesar at the Donmar two years ago, reinventing the play by placing it in a women's prison, I welcomed the absence of ha…

SOURCE: John Morrison at 5:30am on October 26, 2014

The House That Will Not Stand by John Morrison

'Melodrama' is often used by me and by most theatregoers as a pejorative term. Today the word suggests a form of drama that relies on over-intense emotions, improbable plots and thinly drawn…

SOURCE: John Morrison at 9:39am on October 23, 2014

Seminar by John Morrison

'FRIENDS, series 11. The one where Phoebe and Joey organise a creative writing group.' That's my review of Theresa Rebeck's comedy at the Hampstead Theatre. I kept it short because good crea…

SOURCE: John Morrison at 9:34am on October 16, 2014

The James Plays (2&3) by John Morrison

The first play in this cycle by Rona Munro about 15th century Scottish monarchs whetted my appetite for more. Now I've seen parts two and three, I would really like to see all three of them …

SOURCE: John Morrison at 2:07pm on October 11, 2014

Pitcairn by John Morrison

Max Stafford-Clark's fertile imagination as a theatre director provided the initial suggestion for this new play by Richard Bean, just as he provided the initial spark for Timberlake Wertenb…

SOURCE: John Morrison at 5:48am on October 7, 2014

Electra by John Morrison

Contest over. There can be only one winner of Best Actress at the next Olivier awards. Her name is Kristin Scott Thomas. Scott Thomas delivers a performance of breathtaking intensity in the …

SOURCE: John Morrison at 7:20am on September 25, 2014

Toast by John Morrison

Chorleywood is a harmless little town in Hertfordshire, within striking distance of Watford. I feel sorry for its hapless residents, because Chorleywood is also notorious as the name of the …

SOURCE: John Morrison at 6:25am on September 18, 2014

The James Plays (1) by John Morrison

'Rules of chivalry? Bollocks to that!' Henry V of England is offering a little advice to the newly minted James 1, King of Scots, as he returns from 18 years in captivity. James wants to lea…

SOURCE: John Morrison at 5:13pm on September 14, 2014

Ballyturk by John Morrison

I was left spellbound in 2012 by Cillian Murphy's amazing solo performance in Enda Walsh's Misterman, brought from the Galway Festival to the National Theatre. Ballyturk, another 90-minute p…

SOURCE: John Morrison at 1:27pm on September 14, 2014
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