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57 stories by "Jo Caird"

Producer Judy Craymer: 'Mamma Mia! was the dark horse that surprised everyone' by Jo Caird

In April it will be 20 years since Mamma Mia! first opened in the West End and 45 years since Abba won

SOURCE: The Stage Registration at 4:00am on March 20, 2019

London International Mime Festival " showcasing visual theatre on the capital's stages by Jo Caird

For more than four decades, the London International Mime Festival has welcomed performers from all over the globe, but this year it

SOURCE: The Stage Registration at 5:30am on January 8, 2019

Can't Wait for Christmas! review at Orange Tree Theatre, London " 'a celebration of play' by Jo Caird

Jessie, the little girl protagonist of Can't Wait for Christmas! has been given a tempting-looking present by her dad. The trouble is,

SOURCE: The Stage Registration at 7:59am on December 24, 2018

Hippity Hop review at Artsdepot, London " 'an energetic production' by Jo Caird

No one does scene-setting for young audiences better than Oily Cart. Rather than just taking their seats, audience members at Hippity Hop

SOURCE: The Stage Registration at 6:55am on December 18, 2018

Snow White and the Happy Ever After Beauty Salon review at Ovalhouse, London " 'Catchy original songs and a witty script' by Jo Caird

The Wrong Crowd has a lot of fun with this loose adaptation of the classic fairytale. Relocated to a 1950s beauty salon

SOURCE: The Stage Registration at 12:12pm on December 14, 2018

Huddle review at Unicorn Theatre, London " 'beautifully crafted' by Jo Caird

Huddle may be set on an icy tundra but it's impossible not to warm to this tale of a father penguin and his fearless

SOURCE: The Stage Registration at 11:28am on November 26, 2018

Mirabel review at Ovalhouse, London " 'bleakness and humour, tenderness and care' by Jo Caird

It's been four years since theatremaker Chris Goode gave us a solo show " Men in the Cities in 2014 " but the long

SOURCE: The Stage Registration at 5:38am on November 6, 2018

Beatles for Babies review at Gulbenkian Theatre, Canterbury " 'imaginative theatre for a young audience' by Jo Caird

Early years company La Petita Malumaluga have performed this tribute to the Fab Four all over the world and it's not hard to see

SOURCE: The Stage Registration at 12:35pm on August 29, 2018

Small Wonders review at Bernie Grant Arts Centre, London " 'imaginatively rich new work from Punchdrunk' by Jo Caird

Small Wonders, a new commission for the London International Festival of Theatre (LIFT), boasts the same extraordinary attention to detail and power

SOURCE: The Stage Registration at 7:46am on June 10, 2018

Not Now, Bernard review at Unicorn Theatre, London " 'effective adaptation of popular children's book' by Jo Caird

Happily-ever-afters are so ubiquitous in work for children that a story that embraces ambiguity is a refreshing experience. Based on the picture

SOURCE: The Stage Registration at 10:57am on June 4, 2018

Oily Cart's Tim Webb: Young audiences with complex disabilities 'are hidden " there is a real need for this work' by Jo Caird

After 37 years at the helm of Oily Cart, which works with 'the most hard to reach', Tim Webb is stepping down,

SOURCE: The Stage Registration at 12:00pm on May 9, 2018

Kika's Birthday review at Little Angel Theatre " 'charming but lacks oomph' by Jo Caird

Today is Sophie's 16th birthday, so her mother is baking a cake. As Danyah Miller (who co-wrote the show with John Miller)

SOURCE: The Stage Registration at 9:05am on May 8, 2018

Michael Rosen's Chocolate Cake review at Polka Theatre, London " 'deliciously moreish' by Jo Caird

Based on a poem by the former Children's Laureate, this diverting show from Polka Theatre artistic director Peter Glanville and singer-songwriter Barb

SOURCE: The Stage Registration at 10:39am on April 9, 2018

Randy Skinner: Meet the choreographer behind 42nd Street's dazzling routines by Jo Caird

After becoming a choreographer almost by accident, Randy Skinner went on to develop some of Broadway and the West End's most enduring

SOURCE: The Stage Registration at 12:00pm on March 27, 2018

The pits: why are no women leading West End orchestras? by Jo Caird

Women are few and far between when it comes to orchestras, but a recent snapshot of the West End showed no female

SOURCE: The Stage Registration at 8:42am on March 26, 2018

Dear Zoo review at Churchill Theatre, Bromley " 'irritatingly one-note' by Jo Caird

If you have a child, you'll have read Dear Zoo " many, many times probably. First published in 1982, this simple story

SOURCE: The Stage Registration at 9:44am on March 21, 2018

The Moor review at Old Red Lion Theatre, London " 'loses the plot' by Jo Caird

Leaving their baby daughter with a sitter for the night, Bronagh and Graeme go to a party at the working men's club

SOURCE: The Stage Registration at 12:07pm on February 9, 2018

Julius Caesar review at Northbury Primary School, Barking " 'a vivid experience' by Jo Caird

Julius Caesar isn't the most obvious choice for an audience of children aged seven to 13, but director Marieke Audsley's new production,

SOURCE: The Stage Registration at 9:29am on February 6, 2018

How Parents in the Performing Arts is giving theatre a creche course in caring by Jo Caird

Established just two years ago, Parents in the Performing Arts has launched a charter and toolkit to help theatres become inclusive and

SOURCE: The Stage Registration at 7:30am on January 23, 2018

Hush-A-Bye review at Arts Depot, London " 'magical' by Jo Caird

Every aspect of the theatre experience has been carefully considered in Hush-A-Bye, a gently interactive show for children aged three to five (there's a

SOURCE: The Stage Registration at 6:41am on December 18, 2017

Wilde Creatures review at Vaudeville Theatre, London " 'wry, moralistic tales' by Jo Caird

Part of a year-long celebration of Oscar Wilde at the Vaudeville, Wilde Creatures takes a look at the writer's lesser known works " his fairy

SOURCE: The Stage Registration at 6:30am on December 18, 2017

The Ramshackle House review at Stratford Circus, London " 'magic' by Jo Caird

Telling a story through contemporary circus is a feat attempted by many, but achieved by regrettably few. With The Ramshackle House, Upswing

SOURCE: The Stage Registration at 7:18am on December 7, 2017

The Ugly Duckling review at the Albany, London " 'smart, funny and relatable' by Jo Caird

Tutti Frutti Productions begins its adaptation of Hans Christian Andersen's story of a baby bird hatched into the wrong nest using puppetry, then

SOURCE: The Stage Registration at 5:43pm on December 6, 2017

Richard O'Brien: 'Never underestimate luck' by Jo Caird

Richard O'Brien loves populist things. "I really am a small-brained human being, and adolescence formed all of my fantasies and my journey,"

SOURCE: The Stage Registration at 9:00am on July 18, 2016

Brian Blessed: 'I'm not bitter towards the West End. I just can't stand it' by Jo Caird

Brian Blessed, it turns out, is a hard man to interrupt. Not until nearly two hours after my arrival at the Surrey

SOURCE: The Stage Registration at 9:00am on July 14, 2016
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