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67 stories by "Jill Dolan"

The Tony Awards, 2011 by Jill Dolan

The Tony Awards season confirms what anyone concerned about the status of women in the arts has long come to expect: plays by women are excluded from the nominations once again. When will …

SOURCE: The Feminist Spectator at 8:07am on May 15, 2011

Good People by Jill Dolan

Pulitzer Prize-winning playwright David Lindsay-Abaire's Good People offers a compelling, if liberal, view of race, class, and gender relations in contemporary Boston. The Broadway producti…

SOURCE: The Feminist Spectator at 2:53pm on April 25, 2011

Precious Little by Jill Dolan

This very smart play presents a conundrum of ideas and feelings which, happily, it refuses to sort out in any complete or resolved way. Part of playwright Madeleine George's point is to sug…

SOURCE: The Feminist Spectator at 9:43am on April 9, 2011

Kin by Jill Dolan

Bathsheba Doran's lovely new play is a meditation on community and the unlikely ways in which it forms and dissolves across time. With a light touch and moving, smart insights, Doran paints…

SOURCE: The Feminist Spectator at 6:53am on March 29, 2011

Fen by Jill Dolan

Caryl Churchill's 1983 play, Fen, represents the British feminist playwright at her best, even though the play is rarely produced. In this revival at London's Finborough Theatre, director R…

SOURCE: The Feminist Spectator at 3:24pm on March 19, 2011

The Children's Hour by Jill Dolan

When I heard that Keira Knightley and Elisabeth Moss would star in a revival of Lillian Hellman's classic realist play The Children's Hour in London this spring, my first thought was, "Why n…

SOURCE: The Feminist Spectator at 1:58pm on March 17, 2011

Oh, the Oscars . . . by Jill Dolan

Every year, I settle in to watch the Academy Awards show, and every year, I come away disappointed. Last night's show promised something a little different"young co-hosts Anne Hathaway and …

SOURCE: The Feminist Spectator at 8:37pm on February 28, 2011

Three Sisters by Jill Dolan

Austin Pendleton directs Paul Schmidt's translation of Chekhov's play with verve and surprising wit, giving the play a hint of contemporary relevance while maintaining a light touch over the…

SOURCE: The Feminist Spectator at 9:07am on February 18, 2011

Merchant of Venice by Jill Dolan

I missed the Public's production of Merchant in the Park last summer, and so was happy for an unexpected chance to see it last weekend on Broadway. I'd heard various responses to Al Pacino …

SOURCE: The Feminist Spectator at 10:33am on February 13, 2011

John Gabriel Borkman by Jill Dolan

This production, by Dublin's Abbey Theatre, of one of Ibsen's last plays, is beautiful from top to bottom, but the set and the performances far outweigh the text itself. The play is a pot-b…

SOURCE: The Feminist Spectator at 7:37am on February 7, 2011

The How and the Why by Jill Dolan

Perhaps the most amazing aspect of Sarah Treem's terrific new play, in a beautiful production directed by Emily Mann at the McCarter Theatre Center in Princeton, is that it's a two-hander fo…

SOURCE: The Feminist Spectator at 9:04pm on January 21, 2011

Lost Lounge by Jill Dolan

This elegiac evening with Peggy Shaw, Lois Weaver, and musician Vivian Stoll is a beautiful meditation on change, loss, and aging, delivered as a Sid Caesar/Imogene Coco- or Mike Nichols/Ela…

SOURCE: The Feminist Spectator at 12:37am on January 19, 2011

Jomama Jones: Radiate by Jill Dolan

Jomama Jones: Radiate, an incomparable performance art/concert created by singer-lyricist-performer-playwright Daniel Alexander Jones, is the first downtown theatre must-see experience of 2…

SOURCE: The Feminist Spectator at 11:02am on January 13, 2011

A Small Fire by Jill Dolan

Although it takes a moment or two to pick up speed, Adam Bock's play at Playwrights Horizons gathers momentum as it hurtles toward a conclusion that might have left me bereft but instead is …

SOURCE: The Feminist Spectator at 1:52pm on January 10, 2011

Angels in America, Part Two by Jill Dolan

The second half of the Angels revival at the Signature Theatre at proved as satisfying as the first, if not more so, since the story deepens and expands as the play breathes into its ideas a…

SOURCE: The Feminist Spectator at 7:18am on January 8, 2011

The Town by Jill Dolan

I'm often still surprised by my own gullibility. My faith in performance (and film and television"in representation, really) means that I'm eager to see a broad swath of cultural production…

SOURCE: The Feminist Spectator at 12:00pm on December 29, 2010

Angels in America by Jill Dolan

I'd heard mixed things about this production, since people had such strong attachments to the original Broadway version directed by George C. Wolfe, starring Stephen Spinella as Prior and Jo…

SOURCE: The Feminist Spectator at 9:17am on December 28, 2010
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