By Michael Lueger. In this installment, Michael Lueger examines historical and contemporary depictions of Muslims in Western drama.
By Arwen Mitchell. Dramaturg and rhetoric instructor, Arwen Mitchell, explores artistic ownership, intellectual property, and new idea formation in consideration of Samuel French's cease-and…
By Carla Della Gatta. In this installment of the Pedagogy Notebook series, professor Carla Della Gatta writes about how she integrated Latina/o artists into a critical studies class on Greek…
By Damon Falke. Playwright Damon Falke discusses his play Laura, or Scenes from a Common World and how "Apollo and Daphne" from Ovid's Metamorphoses inspired his work.
By Christina Cook. Christina Cook describes her transition from an MFA program into life as a freelance designer.
By Malesha Taylor. Malesha Taylor shares her experience working in audience development and emphasizes the need for regional theatres to continue building relationships with diverse audience…
By Carlos Morton. Carlos Morton on the recent Los Angeles production of José Sanchis Sinisterra's Ay Carmela .
By HowlRound TV. Tune in to the Creative Careers panel Managing Your Career: A Discussion of Theatre Arts Administration livestreaming on the global, commons-based HowlRound TV network at ho…
By Kathleen Warnock. Playwright Kathleen Warnock describes an unsettling experience she had while seeing Annie Baker's The Flick.
By Carey Purcell. Journalist Carey Purcell discusses her takeaways from December's Percolating Gender Parity symposium, and how gender-based pay discrepancies affect women in theatre.
By Edward Einhorn. Edward Einhorn discusses the benefits and pitfalls of posting scripts online.
By Michael Lueger, Ken Cerniglia. In this installment, Michael Lueger interviews Dramaturg Ken Cerniglia about his journey and work with Disney Theatrical Group.
By Melissa Huerta. Melissa Huerta on the world premiere production of Migdalia Cruz's Latins in La-La Land at the College of Wooster in Ohio.
By Patricia Davis. Patricia Davis on the Klunch's production of George is Dead by Elaine May in Washington DC.
By Jamie Gahlon. HowlRound Senior Creative Producer Jamie Gahlon reveals the most-shared NewCrit pieces of the past year, and a few of her own favorites.
