By Paul Adolphsen, Thando Doni. In this last installment, Paul Adolphsen interviews South African theatremaker Thando Doni about his artistic use of language and physical theatre.
By Beatriz Afonso Santos. Beatriz Afonso Santos describes her process of exploring theatre and theatremaking processes that involve all the senses.
By Holly L. Derr. In this cultural moment of divisiveness, how is one of the true stories of abortion theatricalized? Holly Derr considers Oregon Shakespeare Festival's co-production of Roe …
By Jonathan Mandell. Jonathan Mandell on the wealth of offerings of African-American theatre at the twentieth New York International Fringe Festival.
By Carey Purcell. Carey Purcell looks at female artistic leadership of summer companies at New York Stage and Film, the Eugene O'Neill Theater Center, and Williamstown Theatre Festival.
By Teresa Marrero. Teresa Marrero writes about the successes and learning moments encountered while teaching a Latina/o Theatre Special Topics course.
By Catherine Castellani. Playwright Catherine Castellani kicks off a series investigating what makes a work of theatre feminist.
By Catherine M. Young. Catherine M. Young reflects on the closing of the musical Shuffle Along.
By Trevor Boffone. Trevor Boffone on Josh Inocéncio's solo show, Purple Eyes , presented in special collaboration with ProyectoTeatro in Austin, Texas.
By Andrew Bailes. Andrew Bailes on the critical reception of The Bachelors , written by Caroline V. McGraw and directed by Erica Weiss in Chicago, Illinois.
By Brent Eickhoff. Chicago-based theatre practitioner Brent Eickhoff considers learning to cope with rejection in a positive manner.
By David Levy. David Levy discusses Noah Diamond's adaptation and revival of I'll Say She Is , the musical debut of the Marx Brothers.
By Jonathan Mandell. Jonathan Mandell looks at the new production of Runaways , thirty-eight years after the first, and asks: Should a work of theatre allow us to escape from, or force us to…
By Manuel Betancourt. Manuel Betancourt on the Young Vic's production of A Streetcar Named Desire by Tennessee Williams at St. Ann's Warehouse.
By Martha Steketee. Ramesh Meyyappan and Gavin Glover discuss their wordless adaptation of Madame Butterfly , replete with kites and puppets, and their hopes for hyphenate theatremakers.
By Trevor Boffone. Trevor Boffone considers the Latina/o theatre scene in Houston.
By Laura Brueckner. Laura Brueckner reports on the recent Arts in a Changing America's REMAP SF convening.
By Justin Taylor. Justin Taylor on reframing rejection.
By Josh Lefkowitz. Writer Josh Lefkowitz discusses his journey from theatre artist to poet and (maybe?) back again.
By Emily Dendinger, Jess Hutchinson. Playwright Emily Dendinger and producer Jess Hutchinson shine a little light on the play submission process.
By JD Caudill. JD Caudill writes about his personal experiences navigating Chicago as an early career director, and asks how the field can better support such artists.
By Bryce Cutler. How does Air Force One end up as a backdrop for a presidential debate? Bryce Cutler, a scenic and media designer, considers stage design for presidential debates.
By Sara Katzoff. Sara Katzoff writes about Kickwheel Ensemble Theater's creation of Passage , a physical theatre comedy.
By Jonathan Mandell. Have jokey depictions of elections on stage and screen helped cause a joke of a real-life presidential campaign? Jonathan Mandell visits two experimental theatre project…
By Salma Abu Ayyash. Salma Abu Ayyash considers the missed opportunity for Ayd Akhtar's Disgraced to challenge Islamphobia and the intersection of oppressions.
