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41 stories by "Inge Kjemtrup"

Don Giovanni review at Pleasance Theatre, London " 'a provocative idea' by Inge Kjemtrup

Directors of Mozart's Don Giovanni are often seduced into seeking out a plausible explanation for the title character's unrepentant womanising. For the

SOURCE: The Stage Registration at 12:13pm on October 27, 2017

Cosi fan Tutte review at Glyndebourne " 'comedy to savour' by Inge Kjemtrup

It's a beautiful sunny day in Naples, but it might as well be the frozen North for two young men who have

SOURCE: The Stage Registration at 8:51am on October 9, 2017

ENO's Aida review at London Coliseum " 'a musical and visual spectacle' by Inge Kjemtrup

Verdi's Aida lends itself to spectacle. Set in ancient Egypt, and with temple scenes and triumphal processions crucial to the plot, it's

SOURCE: The Stage Registration at 10:54am on September 29, 2017

Hummus review at Lewis Cubitt Square, London " 'flavoured with equal parts humour and pathos' by Inge Kjemtrup

Who can resist hummus, that delicious blend of chickpeas, olive oil and garlic? It's a Middle Eastern cultural touchstone and the name

SOURCE: The Stage Registration at 6:21am on August 4, 2017

The Merchant of Venice review at Royal Opera House, London " 'incisively played' by Inge Kjemtrup

Exactly why composer Andre Tchaikowsky " gay, Jewish and depressive " chose The Merchant of Venice, with its heavy-handed anti-Semitism, as the

SOURCE: The Stage Registration at 11:35am on July 20, 2017

La Voix Humaine review at Kings Place, London " '50 shades of emotion in 50 minutes' by Inge Kjemtrup

Poulenc's one-woman opera La Voix Humaine opens with a woman, Elle, sitting alone, waiting for her lover to ring. She swings from

SOURCE: The Stage Registration at 6:49am on July 12, 2017

Le Nozze di Figaro review at Garsington Opera " 'enchanting and engaging' by Inge Kjemtrup

Garsington Opera's Le Nozze di Figaro is a glorious indulgence for the eye and ear. From the first scene to the last,

SOURCE: The Stage Registration at 7:52am on June 5, 2017

La Rondine review at Opera Holland Park " 'visually arresting' by Inge Kjemtrup

How best to mark the centenary of Puccini's La Rondine? It's an operatic misfit that began life as a frothy operetta, turned

SOURCE: The Stage Registration at 6:57am on June 2, 2017

The Day After review at Lilian Baylis House, London " 'emotionally compelling' by Inge Kjemtrup

The inspiration for Jonathan Dove's opera The Day After, being given its UK premiere by English National Opera, is the Greek myth

SOURCE: The Stage Registration at 8:03am on May 30, 2017

The Secret Marriage review at the Vaults, London " 'easy-drinking, operatic fizz' by Inge Kjemtrup

Cimarosa's Il Matrimonio Segreto was the runaway hit of 1792 following its first performance before Emperor Leopold II, who insisted upon an

SOURCE: The Stage Registration at 7:59am on May 23, 2017

How pop-ups are making opera more accessible than ever by Inge Kjemtrup

An aircraft hangar in Liverpool, a room at an Islington pub, a warehouse in Hackney, the space below a canal bridge in

SOURCE: The Stage Registration at 5:00am on May 18, 2017

Tosca review at Hackney Empire, London " 'a spirited production' by Inge Kjemtrup

One of the themes of Puccini's masterwork, Tosca, is the powerlessness of an ordinary person who gets caught up in the machinery

SOURCE: The Stage Registration at 8:21am on March 6, 2017

Madam Butterfly review at King's Head Theatre, London " 'a compact production' by Inge Kjemtrup

When an opera is scaled down from a huge cast on a grand stage to a tiny cast in an intimate theatre

SOURCE: The Stage Registration at 8:44am on February 14, 2017

The Swarm review at Vault, London " 'bewitching, if bewildering' by Inge Kjemtrup

Unless they happen to get stung by one, most people give little thought to bees. Composer, performer and bee-keeper Heloise Tunstall-Behrens, however,

SOURCE: The Stage Registration at 11:16am on February 10, 2017

Scenes from the End review at Tristan Bates Theatre, London " 'sombre and powerful' by Inge Kjemtrup

For anyone fed up with the Christmas season's compulsory cheeriness, Scenes from the End, a visceral exploration of loss and grieving, may

SOURCE: The Stage Registration at 7:44am on December 9, 2016

Erwartung / Twice Through the Heart review at Hackney Showroom " 'innovative programming' by Inge Kjemtrup

The two one-act operas presented by Shadwell Opera boast many obvious similarities: Arnold Schoenberg's Erwartung and Mark Anthony Turnage's Twice Through the

SOURCE: The Stage Registration at 11:37am on November 7, 2016
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