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64 stories by "Houman Barekat"

Review: Onstage, the 'Stranger Things' Franchise Eats Itself by Houman Barekat

"Stranger Things: The First Shadow," a London theater show based on the Netflix series, pummels the audience with sensory overload and its lavish budget.

SOURCE: The New York Times Subscription at 7:12pm on December 14, 2023☆⚑

'Boy Parts,' the Play, Is a Winking Pastiche of Trauma Tropes by Houman Barekat

A London production adapted from Eliza Clark's debut novel refuses to justify its unreliable narrator's violence, but lacks narrative depth and complexity.

SOURCE: The New York Times Subscription at 12:37am on October 27, 2023☆⚑

Review: Andrew Scott Plays Every Part in 'Vanya.' Why? by Houman Barekat

In London, transforming Chekhov's "Uncle Vanya" into a one-man show is an impressive feat, but it costs the play its pathos.

SOURCE: The New York Times Subscription at 10:55am on September 22, 2023☆⚑

In 'The Effect,' Paapa Essiedu and Taylor Russell Delight by Houman Barekat

In a revival of Lucy Prebble's play at the National Theater, in London, Paapa Essiedu and Taylor Russell are terrific as a couple who meet during a pharmaceutical trial.

SOURCE: The New York Times Subscription at 5:55am on August 21, 2023☆⚑

At Edinburgh Fringe, Small Shows With Big Ambitions by Houman Barekat

This year, the stronger productions in the open-to-all event were on a par with many in the more prestigious, curated Edinburgh International Festival.

SOURCE: The New York Times Subscription at 10:33am on August 17, 2023☆⚑

At the Edinburgh Festival, Wrestling With Identity by Houman Barekat

In plays from Scotland, Korea and Switzerland, theater companies explored questions of belonging, with varying degrees of success.

SOURCE: The New York Times Subscription at 10:07am on August 11, 2023☆⚑

Edinburgh Festival Review: 'Food' Is an Acquired Taste by Houman Barekat

At the Edinburgh Festival, Geoff Sobelle presents a dinner party as a theatrical spectacle, in which silliness is the end in itself.

SOURCE: The New York Times Subscription at 7:49am on August 10, 2023☆⚑

Can 'Miss Saigon' Be Saved? Two British Shows Disagree. by Houman Barekat

A revival reimagines the polarizing musical for the 21st century while a new show offers a bawdy riposte.

SOURCE: The New York Times Subscription at 12:13pm on July 18, 2023☆⚑

'Dear England' Review: When Soccer Success Becomes a Moral Victory by Houman Barekat

A new James Graham play about the soccer coach Gareth Southgate is a lively romp, but its core message about embracing male vulnerability feels soppy.

SOURCE: The New York Times Subscription at 10:43am on June 21, 2023☆⚑

Review: In 'Aspects of Love,' Some Problematic Attachments by Houman Barekat

A London revival of Andrew Lloyd Webber's partner-swapping musical is a camp amoral romp. But is this obsession really the same as romance?

SOURCE: The New York Times Subscription at 12:12pm on May 26, 2023☆⚑

Review: In 'Hamnet,' Shakespeare Becomes Soap Opera by Houman Barekat

The Royal Shakespeare Company adaptation of Maggie O'Farrell's hit 2020 novel is elegant and tasteful " but also formulaic and sentimental.

SOURCE: The New York Times Subscription at 4:06pm on April 13, 2023☆⚑

Review: 'Berlusconi: A New Musical' Is Hammy and Hamstrung by Houman Barekat

The show, in London, skewers its protagonist through maximalist kitsch, but it comes with a tone of finger-wagging moralism that's no fun.

SOURCE: The New York Times Subscription at 3:36pm on April 4, 2023☆⚑

Review: 'Drive Your Plow Over the Bones of the Dead' in London by Houman Barekat

The British experimental theater company Complicité turns the Nobel laureate Olga Tokarczuk's novel "Drive Your Plow Over the Bones of the Dead" into a thought-provoking, entertaining spect…

SOURCE: The New York Times Subscription at 11:24am on March 29, 2023☆⚑

'Lemons Lemons Lemons Lemons Lemons' Review: A Thought Exercise, Without Deep Thoughts by Houman Barekat

On London's West End, Aidan Turner and Jenna Coleman star in a lightly dystopian comedy that succeeds as a portrait of a troubled couple, but falls short as political satire.

SOURCE: The New York Times Subscription at 12:22pm on February 1, 2023☆⚑
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