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178 stories by "Heather Neill"

The Goat, or Who Is Sylvia?, Theatre Royal Haymarket review - 'Damian Lewis devastates' by Heather Neill

Revival of Edward Albee's gripping late play echoes Greek tragedyAsked in an interview if there remained any taboos in the theatre, Albee answered, "Yes. I don't think you should be all…

SOURCE: The Arts Desk at 3:06am on April 6, 2017[SHARE]

The Missing Light review at the Old Vic, London " 'delightful animation' by Heather Neill

On days when Rosencrantz and Guildenstern are not wandering in confusion among the clouds on their Old Vic set, the stage transforms

SOURCE: The Stage Registration at 12:03pm on April 3, 2017[SHARE]

Incident at Vichy review at Finborough Theatre, London " 'a timely, focused revival' by Heather Neill

This one-acter, written quickly by Arthur Miller in 1964 when the ANTA Washington Square Theater in New York City needed another play

SOURCE: The Stage Registration at 8:48am on March 31, 2017[SHARE]

Anna Maxwell Martin: 'I like playing baddies' - interview by Heather Neill

She's been Sally Bowles, Lady Macbeth and Elizabeth Darcy. Now for a gritty courtroom drama about rapeShe was Lyra in Philip Pullman's His Dark Materials at the National, she has shared…

SOURCE: The Arts Desk at 5:36am on March 28, 2017[SHARE]

Who's Afraid of Virginia Woolf?, Harold Pinter Theatre by Heather Neill

Humour and vitriol contend in a tightly orchestrated production of Albee's celebrated playMartha is described in the script of Who's Afraid of Virginia Woolf? as "a large, boisterous wo…

SOURCE: The Arts Desk at 6:54pm on March 9, 2017[SHARE]

10 Questions for Director Ellen McDougall by Heather Neill

On directing Othello at the Sam Wanamaker Playhouse, and taking over at the GateIn a few days' time, Ellen McDougall will become artistic director of the dynamic little Gate Theatre in Notti…

SOURCE: The Arts Desk at 8:48pm on March 1, 2017[SHARE]

Low Level Panic review at Orange Tree Theatre, London " 'beautifully realised' by Heather Neill

So much remains unchanged. While that might be the first reaction to Clare McIntyre’s 1988 play, Low Level Panic, here getting its

SOURCE: The Stage Registration at 4:34am on February 21, 2017[SHARE]

Henry V review at Southwark Cathedral, London " 'a poignant production' by Heather Neill

Old enemies have become allies in this poignant version of Henry V originally performed in 2015 to mark both the 600th anniversary

SOURCE: The Stage Registration at 10:30am on February 6, 2017[SHARE]

Great Expectations review at Merton Arts Space, London " 'welcoming' by Heather Neill

The Attic Theatre Company has been going for over 20 years " its last outing was with Beacons, a new play, at

SOURCE: The Stage Registration at 1:15pm on December 5, 2016[SHARE]

Peter Pan, National Theatre by Heather Neill

Sally Cookson brilliantly reinvents a Christmas favourite to hook in all agesThe cry "Let's pretend" must have been heard often when J M Barrie played with the Llewelyn Davies boys in Kensin…

SOURCE: The Arts Desk at 12:48pm on December 3, 2016[SHARE]

This House review at Garrick Theatre, London " 'pertinent and witty' by Heather Neill

What could be more apt during the panto season in this politically farcical year than a play about the House of Commons?

SOURCE: The Stage Registration at 6:04am on December 1, 2016[SHARE]

10 Questions for Actor David Troughton by Heather Neill

The RSC stalwart, Gloucester in Gregory Doran's production of King Lear, talks politics, blinding and cricketDavid Troughton (b.1950), a familiar face on television and a Royal Shakespe…

SOURCE: The Arts Desk at 3:54am on November 14, 2016[SHARE]

King Lear, Old Vic by Heather Neill

Glenda Jackson returns to the stage as an authoritative Lear, gender irrelevantThe signs were there early in Glenda Jackson's career that she would one day have what it takes to "ascend the …

SOURCE: The Arts Desk at 12:02am on November 5, 2016[SHARE]

'I am dismayed by the tone of the debate' by Heather Neill

'I AM DISMAYED BY THE TONE OF THE DEBATE' A member of the Globe's Council sees both sides in the Emma Rice furoreA member of the Globe's Council sees both sides in the Emma Rice furoreT…

SOURCE: The Arts Desk at 6:36am on November 4, 2016[SHARE]

theartsdesk in Venice: Shylock comes home by Heather Neill

"In such a night as this..." begins Lorenzo's beautiful speech in Act V of The Merchant of Venice. Watching Shakespeare's play in the Campo del Ghetto Nuovo on a balmy evening under a darken…

SOURCE: The Arts Desk at 5:27am on August 10, 2016[SHARE]

The Wars of the Roses, Rose Theatre, Kingston by Heather Neill

At the press night curtain call for Richard III, about eleven-and-a half hours after the beginning of this anniversary three-play production, Trevor Nunn stepped in front of his impressively…

SOURCE: The Arts Desk at 9:10pm on October 4, 2015[SHARE]

10 Questions for Actress Jane Lapotaire by Heather Neill

Jane Lapotaire's distinguished career on stage and screen was cut sort in 2000 when she collapsed in Paris with a massive brain haemorrhage. She was giving a Shakespeare masterclass at the t…

SOURCE: The Arts Desk at 2:54am on September 28, 2015[SHARE]

Llanelliad: Greeks bear gifts to Wales by Heather Neill

The Trojan War has been going on for nine years when Homer's account begins in The Iliad. Mike Pearson and Mike Brookes have been developing their version of the story, using Christopher Log…

SOURCE: The Arts Desk at 10:32pm on September 16, 2015[SHARE]

The Gathered Leaves, Park Theatre by Heather Neill

Families. Whether it's the House of Atreus, the court at Elsinore or the Archers, they tend to be of compelling interest. For most of us, loyalties, guilty secrets, truths that will out, pet…

SOURCE: The Arts Desk at 7:18pm on July 17, 2015[SHARE]

Skin in Flames, Park Theatre by Heather Neill

The premise might seem familiar: a famous photograph, taken by a Western journalist in fraught military and political circumstances, has repercussions many years later. The subject of the pi…

SOURCE: The Arts Desk at 7:27pm on May 14, 2015[SHARE]

Play Mas, Orange Tree Theatre by Heather Neill

Mustapha Matura's 1974 play is a celebration of liberation, both social and political, and a sly warning about the possible pitfalls of sudden freedom. Mas (or Masquerade) is the Trinidadian…

SOURCE: The Arts Desk at 2:05pm on March 14, 2015[SHARE]

Kill Me Now, Park Theatre by Heather Neill

The big news was that dashing Greg Wise was returning to the London stage after an absence of 17 years. Still best remembered as the handsome cad Willoughby in the film of Sense and Sensibil…

SOURCE: The Arts Desk at 9:40am on February 24, 2015[SHARE]

The Last of the De Mullins , Jermyn Street Theatre, London by Heather Neill

Jermyn Street Theatre, London : Artistic director Anthony Biggs' determination to rediscover forgotten plays is admirable, but they can't all be winners. St John Hankin's acco…

SOURCE: The Stage Registration at 5:52am on February 6, 2015[SHARE]

Dara , Lyttelton, National Theatre, London by Heather Neill

Lyttelton, National Theatre, London: This adaptation of a play originally performed by Ajoka Theatre in Pakistan deals with an important, timely subject: the beginnings of the philosophical …

SOURCE: The Stage Registration at 6:11am on January 28, 2015[SHARE]

Taken at Midnight, Theatre Royal Haymarket by Heather Neill

The mother, so often a sentimental figure in art, can be as tenacious and bold as any animal when protecting her young. Mark Hayhurst's play about Irmgard Litten, mother of Hans, a lawyer wh…

SOURCE: The Arts Desk at 10:34am on January 26, 2015[SHARE]
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