69 stories by "Hannah Greenstreet"
Bloody funny: Hannah Greenstreet writes on a comic monologue about a female psychopath.
The post Edinburgh fringe review: Ladykiller by The Thelmas appeared first on Exeunt Magazine.
Can we talk about #metoo plays? Hannah Greenstreet reviews a play exploring sexual abuse in Hollywood.
The post Edinburgh Review: Power Play: The Empty Chair at Pleasance Pop-Up appeared fir…
The contemporary confessional: Hannah Greenstreet reviews Claire Gaydon's Youtuber show.
The post Edinburgh Review: See-Through at Summerhall appeared first on Exeunt Magazine.
A chorus and a sisterhood: Hannah Greenstreet on Nouveau Riché's poetic exploration of misogynoir.
The post Edinburgh fringe review: Queens of Sheba at Underbelly appeared first on Exeunt M…
Gentle and gently devastating: Hannah Greenstreet writes on Jessica Butcher's exploration of a mother-daughter relationship.
The post Edinburgh review: Sparks at Pleasance Courtyard appeared…
What Girls Are Made Of looks back on a teenage brush with stardom with adult wisdom and a 90s soundtrack.
The post Edinburgh Review: What Girls Are Made Of at Traverse appeared first on Exeu…
Hannah Greenstreet writes on Lydia Larson's hilarious monologue about "the fantasy lives we build to survive".
The post Edinburgh review: Finding Fassbender at Pleasance appeared first on Ex…
Visual richness: Hannah Greenstreet writes on the images of Breach Theatre's show, which dramatises the story of baroque painter Artemisia Gentileschi.
The post Edinburgh review: It’s …
Pickle Jar is a one-woman show about rape culture, grief, and misplaced guilt.
The post Edinburgh Review: Pickle Jar at Underbelly Cowgate appeared first on Exeunt Magazine.
Warning: this review explodes. Hannah Greenstreet grapples with Rory Mullarkey's new play.
The post Review: Pity at the Royal Court appeared first on Exeunt Magazine.
Edges, borders, barbed wire: Cordelia Lynn's bomb attack drama explores the ethics of keeping safe.
The post Review: One For Sorrow at the Royal Court appeared first on Exeunt Magazine.
I'm ready to work: Hannah Greenstreet responds to a frenzied, feminist reimagining of Chekhov with a letter to its creators, RashDash.
The post Review: RashDash’s Three Sisters at The …
Gig theatre has come to be associated with the punkish energy of theatre companies like Middle Child and RashDash. Fragment, a new
What if Romeo and Juliet did not die as teenagers, but lived on into old age? This is the concept of Ben
Not all porn? Hannah Greenstreet reviews a revival of Sarah Daniels' play about sexism and pornography
The post Review: Masterpieces at the Finborough Theatre appeared first on Exeunt Magazi…
Hannah Greenstreet chats to Ellie Keel, producer of Alchymy - a unique Oxford-based festival that's all about developing new theatre.
The post Alchymy Festival appeared first on Exeunt Magaz…
Jodi Gray's wolfish one-woman play is an exploration of 'monstrous' femininity and the male gaze.
The post Review: Big Bad at Vault Festival 2018 appeared first on Exeunt Magazine.
'This is not the end': Hannah Greenstreet reviews an attempt at starting a feminist revolution inside a theatre.
The post Review: I Have a Mouth and I Will Scream at Vault Festival 2018 app…
Gets very meta very quickly: Hannah Greenstreet reviews Jen Silverman's play about five Betties
The post Review: Collective Rage at the Southwark Playhouse appeared first on Exeunt Magazine.
Words can be weaponised: ten short plays expose the challenges of introducing nuance to the #MeToo conversation.
The post Review: The Words Are Coming Now at Theatre503 appeared first on Exe…
Phil Willmott has set himself a challenge by adapting the story of Beauty and the Beast for Newbury Corn Exchange's pantomime, given
A scene of festive detritus " the aftermath of a student party at an Oxford College " is the setting for the
Hannah Greenstreet sits in on rehearsals for Forward Arena's queer, time-hopping epic.
The post Callisto: A Queer Epic appeared first on Exeunt Magazine.
Oxford Playhouse's Jack and the Beanstalk boasts the best cow this panto season. Jagger's (Tegan Bannister and Daisy Elwin) milkshake brings all
Chipping Norton Theatre's Sleeping Beauty takes its audience time-travelling from 1567 to 1967. John Terry's engaging production slickly incorporates all the beloved elements
