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49 stories by "Graham Rogers"

Hansel und Gretel, Wormsley Estate, High Wycombe by Graham Rogers

Wormsley Estate, High Wycombe: Composed by a one-time assistant to Richard Wagner and hailed as a masterpiece by Richard Strauss (who conducted its 1893 premiere), Engelbert Humperdinck'…

SOURCE: The Stage Registration at 7:27am on June 24, 2013

Brighton Festival: Captain Blood's Revenge, The Old Market, Hove by Graham Rogers

The Old Market, Hove: Reformed pirate Billy Bone is missing. He left Salty Sue, landlady of the The Blasted Bilge Rat, and their baby daughter Pegatty six months ago to go fishing but hasn&#…

SOURCE: The Stage Registration at 7:04am on May 28, 2013

Tosca, Royal Opera House, London by Graham Rogers

Royal Opera House, London: Set amid the violent turbulence of revolutionary Rome in 1800, Jonathan Kent's 2006 production of Puccini's impassioned tragedy, enhanced by Paul Brown&#…

SOURCE: The Stage Registration at 5:31am on March 4, 2013

Carmen, Royal Albert Hall, London by Graham Rogers

Royal Albert Hall, London: Raymond Gubbay gives Bizet's ever-popular operatic tale of fiery but doomed passion the stadium treatment in this Royal Albert Hall venture, first produced in…

SOURCE: The Stage Registration at 5:27am on February 22, 2013

La Boheme, Theatre Royal, Windsor by Graham Rogers

Theatre Royal, Windsor: Founded in 1933 when Belarus was part of the Soviet Union (the country became an independent republic in 1990), the Grand Opera of Belarus still proudly declares its …

SOURCE: The Stage Registration at 4:40am on January 29, 2013

Interviews: Opera's big beast takes bull by horns by Graham Rogers

Graham Rogers catches up with Sir John Tomlinson and discusses his many performances in Wagner's Ring Cycle, career longevity and his role as The Minotaur

SOURCE: The Stage Registration at 2:00am on January 11, 2013

The Mikado, The Coliseum, London by Graham Rogers

The Coliseum, London: Jonathan Miller's resolutely non-Japanese flapper-era production of The Mikado is now 25 years old, but feels as fresh and sparkling as ever - and the current Engl…

SOURCE: The Stage Registration at 5:28am on December 3, 2012

La Boheme, Charing Cross, London by Graham Rogers

Charing Cross, London: Nearly three years after its humble beginnings in the Cock Tavern, Kilburn, low-budget company OperaUpClose's pared-down production of La Boheme has graduated - v…

SOURCE: The Stage Registration at 5:25am on November 16, 2012

The Lighthouse, Linbury Studio, Royal Opera House, London by Graham Rogers

Linbury Studio, Royal Opera House, London: Boxing Day, 1900. A supply ship from Stromness arrives at a remote Outer Hebrides lighthouse to find it deserted - all three keepers vanished, but …

SOURCE: The Stage Registration at 6:33am on October 12, 2012

Tosca, King's Head Theatre Pub, London by Graham Rogers

King's Head Theatre Pub, London: Three years after its Olivier award-winning production of La boheme, shoestring company OperaUpClose returns to Puccini for a make-over of Tosca. Director Ad…

SOURCE: The Stage Registration at 6:42am on October 10, 2012

Christ lag in Todes Banden/The Emperor of Atlantis, Linbury Studio Theatre, Royal Opera House, London by Graham Rogers

Linbury Studio Theatre, Royal Opera House, London: A Czech of Jewish descent born in 1898, Victor Ullmann was already an established composer when he was imprisoned in the Nazi 'show ca…

SOURCE: The Stage Registration at 7:53am on October 8, 2012

Albert Herring, Linbury Studio, Royal Opera House, London by Graham Rogers

Linbury Studio, Royal Opera House, London: Albert Herring was reportedly dismissed at its 1947 Glyndebourne premiere as "not our kind of thing" - possibly because the sharp observa…

SOURCE: The Stage Registration at 7:09am on October 8, 2012

Parsifal, Festspielhaus, Bayreuth, Germany by Graham Rogers

Festspielhaus, Bayreuth, Germany: At a time when directors' concepts rule at Bayreuth, Stefan Herheim's 2008 production of Parsifal has more substance and integrity than the four o…

SOURCE: The Stage Registration at 6:36am on August 6, 2012

Tannhauser, Festspielhaus, Bayreuth, Germany by Graham Rogers

Festspielhaus, Bayreuth, Germany: New in 2011, Sebastian Baumgarten's Tannhauser is the third of the five 2012 Bayreuth Festival productions to superimpose the concept of its protagonis…

SOURCE: The Stage Registration at 6:10am on August 6, 2012

Lohengrin, Festspielhaus, Bayreuth, Germany by Graham Rogers

Festspielhaus, Bayreuth, Germany: Lohengrin is probably Wagner's most accessible music drama, at least in terms of its romantic-adventure plot of good - a gallant nameless knight and a …

SOURCE: The Stage Registration at 6:21am on August 3, 2012

Tristan und Isolde, Festspielhaus, Bayreuth, Germany by Graham Rogers

Festspielhaus, Bayreuth, Germany: Despite its glorious acoustic, the oppressive atmosphere inside the Bayreuth Festpielhaus auditorium is not for the fainthearted. Everything about the uniqu…

SOURCE: The Stage Registration at 6:15am on August 2, 2012

Der fliegende Hollander (The Flying Dutchman), Festspielhaus, Bayreuth, Germany by Graham Rogers

Festspielhaus, Bayreuth, Germany: Like the maverick egotist yet undeniable genius composer Richard Wagner himself, his Bayreuth Festival is no stranger to controversy. The big event for 2012…

SOURCE: The Stage Registration at 6:52am on August 1, 2012

L'Olimpiade, Garsington Opera, Wormsley by Graham Rogers

Garsington Opera, Wormsley: There is no more appropriate opera for an Olympic year than Vivaldi's L'Olimpiade, set in ancient Olympia itself against the backdrop of the Games. Fort…

SOURCE: The Stage Registration at 6:57am on June 6, 2012

Idomeneo, June 1-July 1 by Graham Rogers

June 1-July 1: An ancient Greek tale of filial slaughter to appease the gods may not seem like suitable entertainment for genial summer opera - especially in the near-idyllic countryside set…

SOURCE: The Stage Registration at 6:47am on June 6, 2012

La Cenerentola, Glyndebourne Festival 2012 by Graham Rogers

Glyndebourne Festival 2012: Peter Hall's 2005 production of La Cenerentola for Glyndebourne, now revived by Lynne Hockney, steers Rossini's naturalistic take on the Cinderella stor…

SOURCE: The Stage Registration at 10:59am on May 24, 2012

La Boheme, Hackney Empire, London by Graham Rogers

Hackney Empire, London: Cape Town-based Isango Ensemble returns to London for a three-week season at the Hackney Empire. Read the full review

SOURCE: The Stage Registration at 6:17am on May 21, 2012

Madam Butterfly, English National Opera, London by Graham Rogers

English National Opera, London: The late Anthony Minghella's visually stunning Madam Butterfly, his only opera production, remains fresh in this fourth English National Opera revival. I…

SOURCE: The Stage Registration at 6:57am on May 9, 2012

La Fille du Regiment, Royal Opera House, London by Graham Rogers

Royal Opera House, London: Laurent Pelly's sparkling production of Donizetti's frothy but heartwarming comedy returns to the Royal Opera House for a second revival, cementing its r…

SOURCE: The Stage Registration at 8:31am on April 20, 2012

The Barber of Seville, Hackney Empire, London by Graham Rogers

Hackney Empire, London: Rossini's effervescent masterpiece The Barber of Seville is usually an enjoyable experience - but this new English Touring Opera production, with David Parry…

SOURCE: The Stage Registration at 6:05am on March 9, 2012
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