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427 stories by "George Hall"

Les Fêtes d'Hébé review " Rameau wanted to charm and delight, and this succeeds by George Hall

Britten theatre, London The Royal College of Music's European collaboration brings clean-edged chic and character to the French composer's opéra-ballet spectacleThe distinctively French for…

SOURCE: The Guardian at 8:06am on April 7, 2017☆⚑

Madama Butterfly review at Royal Opera House " 'Ermonela Jaho gives a star performance' by George Hall

The current revival of Moshe Leiser and Patrice Caurier's long-running traditional production of Madama Butterfly fields two geishas and two exponents of

SOURCE: The Stage Registration at 6:39am on March 24, 2017☆⚑

Handel's Faramondo review at Britten Theatre, London " 'atmospheric gangland staging' by George Hall

This year, the London Handel Festival's annual opera is a great rarity: Faramondo, which had eight performances in 1738 and then disappeared

SOURCE: The Stage Registration at 8:20am on March 21, 2017☆⚑

Partenope review at Coliseum, London " 'combining vivacity with delicacy' by George Hall

Originally seen in 2008, Christopher Alden's staging won the Olivier Award for Best New Opera Production the following year, and in its

SOURCE: The Stage Registration at 8:24am on March 16, 2017☆⚑

Die Meistersinger von Nurnberg starring Bryn Terfel " review at Royal Opera House London by George Hall

In the week when Bryn Terfel receives his knighthood, the world's leading Wagnerian bass-baritone stars in Royal Opera Director of Opera Kasper

SOURCE: The Stage Registration at 1:28pm on March 12, 2017☆⚑

The Winter's Tale review at Coliseum, London " 'an intelligent staging' by George Hall

Thus far there have been at least a dozen attempts to set The Winter's Tale as an opera, though none of them

SOURCE: The Stage Registration at 5:36am on February 28, 2017☆⚑

Pelleas et Melisande review at Theatre Royal, Glasgow " 'outstanding orchestral playing' by George Hall

Back in 1962, Scottish Opera's inaugural season consisted of just two works: Madam Butterfly and Pelleas et Melisande. Debussy's symbolist opera returns

SOURCE: The Stage Registration at 10:10am on February 24, 2017☆⚑

Snow review at CLF Art Cafe, London " 'an auspicious debut' by George Hall

A new company debuts with not one opera but three. Snow is a composite work, with one librettist telling three stories all

SOURCE: The Stage Registration at 10:49am on February 21, 2017☆⚑

Cinderella review at Grand Theatre, Leeds " 'feel-good factor' by George Hall

The last of three works making up Opera North's fairytale season, Cinderella " or La Cenerentola, given that the company perform Rossini's

SOURCE: The Stage Registration at 8:20am on February 20, 2017☆⚑

Adriana Lecouvreur review at Royal Opera House " 'singing of rare subtlety' by George Hall

The Royal Opera celebrates the 25th anniversary of Angela Gheorghiu's international debut at the house in 1992 with a revival of Adriana

SOURCE: The Stage Registration at 6:51pm on February 7, 2017☆⚑

Hansel and Gretel review at the Grand Theatre, Leeds " 'mingles magic with menace' by George Hall

Opera North's fairytale season continues with the most popular of all operatic examples, Hansel and Gretel. Edward Dick's production sets the action

SOURCE: The Stage Registration at 8:07am on February 3, 2017☆⚑

The Depraved Appetite of Tarrare the Freak review at Wilton's Music Hall, London " 'impressively sung' by George Hall

A collaboration between brothers Tom and Tobi Poster, The Depraved Appetite of Tarrare the Freak is a chamber opera " just two

SOURCE: The Stage Registration at 10:27am on February 2, 2017☆⚑

Phillip Glass' The Trial review at Theatre Royal, Glasgow " 'economical but effective' by George Hall

Philip Glass, who turns 80 at the end of this month, is one of the most successful, as well as one of

SOURCE: The Stage Registration at 8:58am on January 25, 2017☆⚑

The Snow Maiden review at Grand Theatre, Leeds " 'mixed results' by George Hall

Opera North's spring season comprises works from three different European fairytale traditions. Two " Humperdinck's Hansel and Gretel and Rossini's Cinderella "

SOURCE: The Stage Registration at 6:47am on January 23, 2017☆⚑

Le Grand Macabre review at Barbican Centre, London " 'skill and precision' by George Hall

A comic-grotesque fantasy in which Nekrotzar " a figure representing Death, the “Grand Macabre” of the title " menaces the pleasure-loving population

SOURCE: The Stage Registration at 8:05am on January 16, 2017☆⚑

Written on Skin review at Royal Opera House, London " 'a modern masterpiece' by George Hall

George Benjamin's second opera, Written on Skin was premiered at the Aix-en-Provence Festival in 2012 and made a strong impression when it

SOURCE: The Stage Registration at 6:14am on January 14, 2017☆⚑

Der Rosenkavalier at the Royal Opera House review " 'not as romantic as usual' by George Hall

For many opera fans an orgy of nostalgia for a mythical old Vienna, Richard Strauss' romantic comedy returns to Covent Garden in

SOURCE: The Stage Registration at 5:42am on December 19, 2016☆⚑

Alice's Adventures Under Ground review at the Barbican Hall, London " 'genius' by George Hall

In 2011, Irish composer Gerald Barry secured a major hit with his setting of The Importance of Being Earnest, which started life

SOURCE: The Stage Registration at 6:13am on November 29, 2016☆⚑

Oreste review at Wilton's Music Hall " 'talented young cast' by George Hall

For the first time, the Royal Opera takes up residence at Wilton's for this show by young professionals from the Jette Parker

SOURCE: The Stage Registration at 6:43am on November 14, 2016☆⚑

Simplicius Simplicissimus review at Lilian Baylis Studio, London " 'timely, if awkwardly shaped' by George Hall

Operas about the horrors of war are always timely, even if variable in quality. Karl Amadeus Hartmann lived through the Nazi period

SOURCE: The Stage Registration at 6:27am on November 14, 2016☆⚑

William Kentridge's Lulu review at the London Coliseum " 'ENO on superb form' by George Hall

From every point of view a major undertaking for the company, Alban Berg's Lulu, his unfinished opera about the ultimate femme fatale,

SOURCE: The Stage Registration at 3:31am on November 10, 2016☆⚑

Les Contes d'Hoffmann review at Royal Opera House " 'lacks clarity' by George Hall

The oldest production in the Royal Opera's repertory, John Schlesinger's staging of The Tales of Hoffmann has reached the ripe old age

SOURCE: The Stage Registration at 5:53am on November 8, 2016☆⚑

Wexford Festival Opera 'Now we have a theatre, we must play with the big boys' by George Hall

To many people back in 1951, it must have seemed a crazy idea. With the encouragement of the writer Compton Mackenzie, a

SOURCE: The Stage Registration at 9:00am on September 23, 2016☆⚑

Daniel Kramer: 'Opera is so important, so stop coming for our building. Back off' by George Hall

Over the last few years, English National Opera has at times appeared to be falling apart in the most public way possible.

SOURCE: The Stage Registration at 5:00am on September 1, 2016☆⚑

2015 year in review: Opera by George Hall

The Royal Opera offered the year's biggest " and noisiest " turkey, with a William Tell that made the headlines for all

SOURCE: The Stage Registration at 5:00am on December 30, 2015☆⚑
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