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427 stories by "George Hall"

The Marriage of Figaro review at London Coliseum " 'an inventive and well-sung production' by George Hall

It's usual for a company to leave some space between one production of a classic work and another, but Joe Hill-Gibbins' new

SOURCE: The Stage Registration at 6:23am on March 16, 2020

Susanna review at Linbury Theatre, London " 'uneven staging of Handel's oratorio' by George Hall

The annual production by members of the Royal Opera's Jette Parker Young Artists Programme gives the scheme's current intake a chance to

SOURCE: The Stage Registration at 5:32am on March 6, 2020

Così Fan Tutte review at Hackney Empire, London " 'a lightweight staging of Mozart's complex comedy' by George Hall

English Touring Opera launches its spring tour with the complex Mozart/Da Ponte comedy whose title translates as All Women Behave Like That

SOURCE: The Stage Registration at 5:17am on March 5, 2020

Fidelio review at Royal Opera House, London " 'an original take on Beethoven's opera' by George Hall

This year marks 250 years since Beethoven's birth. For opera companies the anniversary choice is simple, since he completed only one opera,

SOURCE: The Stage Registration at 6:36am on March 2, 2020

Nixon in China review at Theatre Royal, Glasgow " 'gives a modern classic a new lease of life' by George Hall

The first so-called 'CNN opera' was premiered in 1987, when the events it portrayed " US President Richard Nixon's unanticipated and historic

SOURCE: The Stage Registration at 6:43am on February 19, 2020

La Dafne review at Old Market, Hove " 'witty production of Marco da Gagliano's early opera' by George Hall

Opera is a fairly recent art form: the first work generally accounted as an opera dates from 1597 and is largely lost,

SOURCE: The Stage Registration at 12:19pm on February 11, 2020

Opera composer Gerald Barry: 'The most money you got was for an opera: so I decided to write one' by George Hall

Composer Gerald Barry tells George Hall about discovering music as a child, cutting up Oscar Wilde for The Important of Being Earnest

SOURCE: The Stage Registration at 8:00am on January 24, 2020

Street Scene review at Grand Theatre, Leeds " 'intricate staging of Kurt Weill's opera' by George Hall

Premiered on Broadway in 1947, Kurt Weill's 'American opera' drew on a Pulitzer-winning play that sought to depict realistically the interconnected lives

SOURCE: The Stage Registration at 7:44am on January 20, 2020

La Bohème review at the Royal Opera House, London " 'finely cast revival' by George Hall

Puccini's classic tale of bohemian love, poverty, life and death in 19th-century Paris returns for another revival. Before Richard Jones' production (here

SOURCE: The Stage Registration at 6:01am on January 13, 2020

The Lost Thing review at Linbury Theatre, London " 'a versatile and hard-working cast' by George Hall

This first collaboration between the Royal Opera and the disabled and non-disabled artists of Candoco is based on Shaun Tan's picture book

SOURCE: The Stage Registration at 11:04am on December 11, 2019

Otello review at Royal Opera House, London " 'a strong cast in a lacklustre production' by George Hall

Originally launched by star tenor Jonas Kaufmann, Keith Warner's 2017 production returns, this time with 65-year-old American Gregory Kunde in the title

SOURCE: The Stage Registration at 4:12am on December 10, 2019

Orphée review at London Coliseum " 'Netia Jones' staging is stylish and evocative' by George Hall

English National Opera has enjoyed significant success with two major Glass pieces: Satyagraha and Akhnaten, which, together with Einstein on the Beach,

SOURCE: The Stage Registration at 7:29am on November 18, 2019

La Belle Hélène review at Town Hall, Lewes " 'hits the spot' by George Hall

New Sussex Opera joins forces with operetta specialists Opera della Luna for its latest production, which benefits from Jeff Clarke's mastery of

SOURCE: The Stage Registration at 1:02pm on November 14, 2019

Tenor Mark Padmore: 'I'm in awe of quite how wonderful Death in Venice actually is' by George Hall

Mark Padmore's latest role was written for Benjamin Britten's lifelong partner Peter Pears. The tenor tells George Hall how at 58 he

SOURCE: The Stage Registration at 4:00am on November 12, 2019

The Magic Flute review at Royal Opera House " 'perfectly blends seriousness and comedy' by George Hall

The Royal Opera has taken to calling Mozart's work The Magic Flute on its website, rather than retaining the German title Die

SOURCE: The Stage Registration at 6:17am on November 4, 2019

Mother Goose/Where the Wild Things Are review at Alexandra Palace, London " 'unalloyed fun' by George Hall

Just one UK performance for this staging of Oliver Knussen's family opera " arguably the finest of all such pieces " following

SOURCE: The Stage Registration at 7:44am on October 31, 2019

La Cucina/Adina review at National Opera House, Wexford " 'witty and accomplished' by George Hall

Irish composer Andrew Synnott's La Cucina (The Kitchen) makes its world premiere on Wexford's main stage, with a libretto by the event's

SOURCE: The Stage Registration at 9:00am on October 28, 2019

The Mask of Orpheus review at London Coliseum " 'a superficial staging' by George Hall

Premiered at English National Opera back in 1986, The Mask of Orpheus belatedly returns in a staging by Daniel Kramer " the

SOURCE: The Stage Registration at 11:55am on October 25, 2019

Don Quichotte review at National Opera House, Wexford " 'handsomely designed and impressively conducted' by George Hall

Rising star director Rodula Gaitanou joins with designer Takis and conductor Timothy Myers to give Wexford a successful season launch with this

SOURCE: The Stage Registration at 6:08am on October 25, 2019

Dorilla in Tempe review at National Opera House, Wexford " 'lacks directorial conviction' by George Hall

At a festival that celebrates the rare, Baroque opera is itself a rarity. The works of Antonio Vivaldi " best known for

SOURCE: The Stage Registration at 12:02pm on October 24, 2019

L'Elisir d'Amore review at Glyndebourne, Lewes " 'lively and effortlessly charming' by George Hall

Since its first showing in 2007, Annabel Arden's staging of Donizetti's heart-warming romcom L'Elisir d'Amore (The Love Potion) has become a welcome

SOURCE: The Stage Registration at 11:54am on October 18, 2019

Rigoletto review at Glyndebourne, Lewes " 'Christiane Lutz's muddled production' by George Hall

Rigoletto belatedly enters the Glyndebourne repertory via Christiane Lutz's staging, a radical rewrite of Verdi's revenge tragedy based on a play by

SOURCE: The Stage Registration at 1:15pm on October 16, 2019

Don Pasquale review at Royal Opera House, London " 'Bryn Terfel stars in a smart, stylish production' by George Hall

You sometimes hear people describe Don Pasquale as a 'cruel' comedy " though they're often a bit vague as to what they

SOURCE: The Stage Registration at 6:55am on October 15, 2019

Jawnuta review at Posk, London " 'strongly performed Polish opera' by George Hall

Stanislaw Moniuszko (1819-72) is one of those composers much admired inside his homeland " in this case, Poland " where he is

SOURCE: The Stage Registration at 5:40am on October 10, 2019

The Seraglio review at Hackney Empire, London " 'a staging of humour and heart' by George Hall

English Touring Opera's autumn tour celebrates the German form of Singspiel " opera with spoken dialogue " with works by Mozart and

SOURCE: The Stage Registration at 7:22am on October 9, 2019
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