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590 stories by "Gary Naylor"

Iphigenia in Splott, Lyric Hammersmith review - raises as many questions as answers by Gary Naylor

★★★ IPHIGENIA IN SPLOTT, LYRIC HAMMERSMITH THEATRE Howl of protest at the cost of austerity leads to a different conclusion seven years on Timely revival of Gary Owen's sol…

SOURCE: The Arts Desk at 8:37am on October 1, 2022

The Wonderful World of Dissocia, Theatre Royal Stratford East review - wild trip gets a welcome revival by Gary Naylor

★★★★ THE WONDERFUL WORLD OF DISSOCIA, THEATRE ROYAL STRATFORD EAST The landscape of mental health explored in surreal comedy A woman confronts her neuroses in a ph…

SOURCE: The Arts Desk at 9:43am on September 24, 2022

Clutch, Bush Theatre review - new comedy-drama passes its test by Gary Naylor

★★★ CLUTCH Odd couple in a Corsa drive in fourth gear for comedy but second gear for pathos After a strong start, newly commissioned play takes a wrong exit from the rounda…

SOURCE: The Arts Desk at 5:07am on September 22, 2022

The Two Popes, Rose Theatre review - sparkling with wit and pathos by Gary Naylor

Funny, poignant and stimulating, a delightfully welcome piece of intellectual escapism It can't have been an easy pitch. "Popes. Both foreign, yes. German and Argentinian " sorry, can't cha…

SOURCE: The Arts Desk at 5:33am on September 15, 2022

Ride, Charing Cross Theatre review - A true story of female empowerment by Gary Naylor

★★★★ RIDE New musical about a difficult, charismatic, barrier-breaking woman freewheels into the West End  New musical about a barrier-breaking woman freewhe…

SOURCE: The Arts Desk at 5:07am on September 1, 2022

Into The Woods, Theatre Royal Bath review - If you go down to the woods today, you're sure of a big surprise by Gary Naylor

★★★★★  INTO THE WOODS Breathtaking production captures the unease at the heart of this fairytale musical Prepare to be dazzled and disoriented in a phanta…

SOURCE: The Arts Desk at 5:24am on August 26, 2022

Treason The Musical In Concert, Theatre Royal Drury Lane review - plenty of musical gunpowder but not enough plot by Gary Naylor

★★★  TREASON THE MUSICAL IN CONCERT Semi-staged production shows promise - and problems Semi-staged production shows promise - and problems A semi-staged concert perform…

SOURCE: The Arts Desk at 8:25am on August 25, 2022

Wonderville Magic and Cabaret - fast-paced show delivers the promised wonder by Gary Naylor

Leave memories of Paul Daniels at the door and embrace the sweet deception inside There's nothing quite like magic, live, up close and personal. Sure there are the TV spectaculars, the casin…

SOURCE: The Arts Desk at 8:07am on August 17, 2022

The Tempest, Shakespeare's Globe review - occasional gales of laughter drown out subtlety by Gary Naylor

If you think a fat man wearing yellow swimming trunks is funny, you're on the right island Alexei Sayle, in his angry young man phase, once said that you can always tell when you're watching…

SOURCE: The Arts Desk at 5:42am on August 6, 2022

Tasting Notes, Southwark Playhouse review - whining in the wine bar by Gary Naylor

★ TASTING NOTES New musical set in a wine bar should have stayed in the cellar  Not much goes right for a show whose characters are similarly ill-fated LJ's dream has come tr…

SOURCE: The Arts Desk at 10:18am on July 30, 2022

Sister Act The Musical, Eventim Apollo review- the West End meets the Westway by Gary Naylor

★★★★ SISTER ACT THE MUSICAL Event theatre and a sensational lead performance make the trip worthwhile Crowdpleasing musical retains its glitz and charm (and cheese…

SOURCE: The Arts Desk at 10:03am on July 28, 2022

The Darkest Part of the Night, Kiln Theatre - issues-led drama has its heart in the right place by Gary Naylor

★★★ THE DARKEST PART OF THE NIGHT, KILN Issues-led drama has its heart in the right place The didactic vies with the dramatic in Zodwa Nyoni's incident-packed new play Mu…

SOURCE: The Arts Desk at 1:33am on July 23, 2022

Closer, Lyric Hammersmith review - still sordid and sexy 25 years on by Gary Naylor

★★★★CLOSER, LYRIC HAMMERSMITH Still sordid and sexy 25 years on Lovers come together, split apart and come together again Drama is writing in thin air, its content i…

SOURCE: The Arts Desk at 11:12am on July 21, 2022

The Dance of Death, Arcola Theatre review - hate sustains a marriage in new version of Strindberg classic by Gary Naylor

Fine acting and bleak humour barely ameliorates a grim slog through a broken relationship Rebecca Lenkiewicz's adaptation of August Strindberg's 1900 paean to the power of loathing over lovi…

SOURCE: The Arts Desk at 4:12pm on July 7, 2022

The White Card, Soho Theatre review - expelling the audience from its comfort zone by Gary Naylor

Claudia Rankine's 2018 play insists on raising difficult questions  Art and race intersect to provocative effect We're in New York City, in an upscale loft apartment, with that absence of…

SOURCE: The Arts Desk at 5:18am on July 1, 2022

The Glass Menagerie, Duke of York's Theatre review - memories flare and fade by Gary Naylor

A classic play can still collapse time and space with its heartrending relevance The stage is cluttered with objects; a pianola sits stage left; a large cabinet, soon to be revealed as a di…

SOURCE: The Arts Desk at 8:18am on June 1, 2022

Girl on an Altar, Kiln Theatre review - machismo, murder and motherhood in mesmerising myth by Gary Naylor

  Marina Carr's angry, poetic take on Clytemnestra's story is delivered in all its gory glory Playwrights return to classical myths for two main reasons " to shine a light on how we live …

SOURCE: The Arts Desk at 10:06am on May 28, 2022

Grease, Dominion Theatre review - a super night out, great songs well sung and spectacular dancing by Gary Naylor

★★★★ GREASE, Dominion Theatre Nostalgia for the late 1950s and late 1970s underpins an entertaining show Crowdpleaser pleases crowd: this High School musical deliv…

SOURCE: The Arts Desk at 11:07pm on May 18, 2022

Julius Caesar, Shakespeare's Globe review - the Bard buried in bad choices by Gary Naylor

★ JULIUS CAESAR, SHAKESPEARE'S GLOBE Misjudged masterpiece   Intrusive 21st century agenda and dismal staging waste an opportunity With tyrants licking their lips around the worl…

SOURCE: The Arts Desk at 3:54am on May 14, 2022

Bonnie & Clyde, The Arts Theatre review - great songs, but plot fires too many blanks by Gary Naylor

Iconic couple shoot for West End success One of the more irritating memes (it's a competitive field, I know) is the "Name a more iconic couple" appearing over a photo of Posh and Becks, or H…

SOURCE: The Arts Desk at 3:42am on April 21, 2022

Zorro the Musical, Charing Cross Theatre review - struggling to find the right tone by Gary Naylor

Swordplay and songs never quite hit their stride Zorro (what a name!) is back, swashing and buckling his way into the West End, 13 years after he left and now not the only one wearing a mask…

SOURCE: The Arts Desk at 5:06am on April 16, 2022

Project Dictator, New Diorama Theatre review - anarchic satire by Gary Naylor

Political lesson on the dangers of populism fails to hit home Loud madcap comedy morphs into mime and flops when it should fly When Rhum + Clay conceived this show, the idea of a comic becom…

SOURCE: The Arts Desk at 8:12am on April 7, 2022

The Merchant of Venice, Sam Wanamaker Playhouse review - enormous empathy by Gary Naylor

Abigail Graham's pacy production focuses on the moneylender's fate A supposed 'comedy' gives the moneylender Shylock pride of place The Merchant of Venice is a comedy, you say? Shakespeare,…

SOURCE: The Arts Desk at 6:03am on March 10, 2022

After the End, Theatre Royal Stratford East review - suddenly relevant two-hander by Gary Naylor

Dennis Kelly's 2005 play presses many 2022 buttons Lockdown, #MeToo and Ukraine give new urgency to a dystopian fable Mark was teased about the fallout shelter at the bottom of his garden …

SOURCE: The Arts Desk at 3:36am on March 7, 2022

But I'm A Cheerleader: The Musical, Turbine Theatre review - two cheers for feelgood show by Gary Naylor

Another musical based on a movie hits London, with a moral guaranteed to please audiences Wave your pom poms for a show with its heart in the right place We open on "Seventeen is Swell", the…

SOURCE: The Arts Desk at 6:48am on March 4, 2022
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