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581 stories by "Gary Naylor"

Tasting Notes, Southwark Playhouse review - whining in the wine bar by Gary Naylor

★ TASTING NOTES New musical set in a wine bar should have stayed in the cellar  Not much goes right for a show whose characters are similarly ill-fated LJ's dream has come tr…

SOURCE: The Arts Desk at 10:18am on July 30, 2022

Sister Act The Musical, Eventim Apollo review- the West End meets the Westway by Gary Naylor

★★★★ SISTER ACT THE MUSICAL Event theatre and a sensational lead performance make the trip worthwhile Crowdpleasing musical retains its glitz and charm (and cheese…

SOURCE: The Arts Desk at 10:03am on July 28, 2022

The Darkest Part of the Night, Kiln Theatre - issues-led drama has its heart in the right place by Gary Naylor

★★★ THE DARKEST PART OF THE NIGHT, KILN Issues-led drama has its heart in the right place The didactic vies with the dramatic in Zodwa Nyoni's incident-packed new play Mu…

SOURCE: The Arts Desk at 1:33am on July 23, 2022

Closer, Lyric Hammersmith review - still sordid and sexy 25 years on by Gary Naylor

★★★★CLOSER, LYRIC HAMMERSMITH Still sordid and sexy 25 years on Lovers come together, split apart and come together again Drama is writing in thin air, its content i…

SOURCE: The Arts Desk at 11:12am on July 21, 2022

The Dance of Death, Arcola Theatre review - hate sustains a marriage in new version of Strindberg classic by Gary Naylor

Fine acting and bleak humour barely ameliorates a grim slog through a broken relationship Rebecca Lenkiewicz's adaptation of August Strindberg's 1900 paean to the power of loathing over lovi…

SOURCE: The Arts Desk at 4:12pm on July 7, 2022

The White Card, Soho Theatre review - expelling the audience from its comfort zone by Gary Naylor

Claudia Rankine's 2018 play insists on raising difficult questions  Art and race intersect to provocative effect We're in New York City, in an upscale loft apartment, with that absence of…

SOURCE: The Arts Desk at 5:18am on July 1, 2022

The Glass Menagerie, Duke of York's Theatre review - memories flare and fade by Gary Naylor

A classic play can still collapse time and space with its heartrending relevance The stage is cluttered with objects; a pianola sits stage left; a large cabinet, soon to be revealed as a di…

SOURCE: The Arts Desk at 8:18am on June 1, 2022

Girl on an Altar, Kiln Theatre review - machismo, murder and motherhood in mesmerising myth by Gary Naylor

  Marina Carr's angry, poetic take on Clytemnestra's story is delivered in all its gory glory Playwrights return to classical myths for two main reasons " to shine a light on how we live …

SOURCE: The Arts Desk at 10:06am on May 28, 2022

Grease, Dominion Theatre review - a super night out, great songs well sung and spectacular dancing by Gary Naylor

★★★★ GREASE, Dominion Theatre Nostalgia for the late 1950s and late 1970s underpins an entertaining show Crowdpleaser pleases crowd: this High School musical deliv…

SOURCE: The Arts Desk at 11:07pm on May 18, 2022

Julius Caesar, Shakespeare's Globe review - the Bard buried in bad choices by Gary Naylor

★ JULIUS CAESAR, SHAKESPEARE'S GLOBE Misjudged masterpiece   Intrusive 21st century agenda and dismal staging waste an opportunity With tyrants licking their lips around the worl…

SOURCE: The Arts Desk at 3:54am on May 14, 2022

Bonnie & Clyde, The Arts Theatre review - great songs, but plot fires too many blanks by Gary Naylor

Iconic couple shoot for West End success One of the more irritating memes (it's a competitive field, I know) is the "Name a more iconic couple" appearing over a photo of Posh and Becks, or H…

SOURCE: The Arts Desk at 3:42am on April 21, 2022

Zorro the Musical, Charing Cross Theatre review - struggling to find the right tone by Gary Naylor

Swordplay and songs never quite hit their stride Zorro (what a name!) is back, swashing and buckling his way into the West End, 13 years after he left and now not the only one wearing a mask…

SOURCE: The Arts Desk at 5:06am on April 16, 2022

Project Dictator, New Diorama Theatre review - anarchic satire by Gary Naylor

Political lesson on the dangers of populism fails to hit home Loud madcap comedy morphs into mime and flops when it should fly When Rhum + Clay conceived this show, the idea of a comic becom…

SOURCE: The Arts Desk at 8:12am on April 7, 2022

The Merchant of Venice, Sam Wanamaker Playhouse review - enormous empathy by Gary Naylor

Abigail Graham's pacy production focuses on the moneylender's fate A supposed 'comedy' gives the moneylender Shylock pride of place The Merchant of Venice is a comedy, you say? Shakespeare,…

SOURCE: The Arts Desk at 6:03am on March 10, 2022

After the End, Theatre Royal Stratford East review - suddenly relevant two-hander by Gary Naylor

Dennis Kelly's 2005 play presses many 2022 buttons Lockdown, #MeToo and Ukraine give new urgency to a dystopian fable Mark was teased about the fallout shelter at the bottom of his garden …

SOURCE: The Arts Desk at 3:36am on March 7, 2022

But I'm A Cheerleader: The Musical, Turbine Theatre review - two cheers for feelgood show by Gary Naylor

Another musical based on a movie hits London, with a moral guaranteed to please audiences Wave your pom poms for a show with its heart in the right place We open on "Seventeen is Swell", the…

SOURCE: The Arts Desk at 6:48am on March 4, 2022

Saturday Night Fever, Peacock Theatre review - crowd-pleaser stays true to its roots by Gary Naylor

Few concessions to 21st century sensibilities, but a great night out Iconic film on stage heats up the West End Wind the clock back 45 years and the Big Apple was bankrupt, the lights had go…

SOURCE: The Arts Desk at 10:18am on February 17, 2022

Broken Wings, Charing Cross Theatre review - new musical fails to fly by Gary Naylor

Plodding book detailing a poet's sentimental education falls flat on stage Somewhere in the world right now, one can hear Mister Mister's AOR hit, "Broken Wings" on an MOR radio station, cap…

SOURCE: The Arts Desk at 5:42am on February 16, 2022

Thrill Me: The Leopold & Loeb Story, Jermyn Street Theatre review - True Crime musical gets West End showcase by Gary Naylor

★★★ THRILL ME:THE LEOPOLD & LOEB STORY Child killers seduce us with charisma and song Child killers seduce us with charisma and song There's a lot of True Crime stuff a…

SOURCE: The Arts Desk at 9:33am on January 19, 2022

David Suchet - Poirot And More, A Retrospective, Harold Pinter Theatre review - the much-loved actor looks back by Gary Naylor

Sir David Suchet reflects on his extraordinary career  Sir David Suchet takes us from school days to sleuth days In the 80s, An Audience With... gave a television studio to an actor who …

SOURCE: The Arts Desk at 7:48am on January 12, 2022

The Tiger Lillies' Christmas Carol: A Victorian Gutter, Southbank Centre review - cult band get inside Scrooge's head by Gary Naylor

★★★★ THE TIGER LILLIES' CHRISTMAS CAROL: A VICTORIAN GUTTER, SOUTHBANK CENTRE  Melancholy musical retelling laced with wit and political venom   The Tiger…

SOURCE: The Arts Desk at 6:24pm on December 18, 2021

The Good Life, Richmond Theatre review - popular sitcom gets its own origin story by Gary Naylor

★★★ THE GOOD LIFE Nostalgic comedy with a surprising resonance 45 years on  Tom, Barbara, Jerry and Margo are back in the '70s, but with a message for today "Off-grid…

SOURCE: The Arts Desk at 7:03am on November 29, 2021

A Christmas Carol, The Old Vic review - not quite a festive-season cracker by Gary Naylor

★★★ A Christmas Carol - Immersive Dickens production not quite a Christmas cracker Stephen Mangan's Scrooge learns his lesson in imbalanced Dickens adaptation Four year…

SOURCE: The Arts Desk at 8:42am on November 26, 2021

Vanya and Sonia and Masha and Spike, Charing Cross Theatre review - Tony-winning play checks out Chekhov by Gary Naylor

★★★★ VANYA AND SONIA AND MASHA AND SPIKE Comedy mines Chekhov for laughs and finds some rich seams  Super London debut for Russian-inspired Broadway comedy Van…

SOURCE: The Arts Desk at 6:36am on November 17, 2021

Footfalls and Rockaby, Jermyn Street Theatre review - Beckett up close and personal by Gary Naylor

★★★★★ FOOTFALLS AND ROCKABY, Beckett's ferocious contemplations on the ebbing of life Double bill finds the Irish master at his most raw Like all great art, …

SOURCE: The Arts Desk at 7:42am on November 13, 2021
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