The Merchant of Venice, Sam Wanamaker Playhouse review - enormous empathy
Abigail Graham's pacy production focuses on the moneylender's fate A supposed 'comedy' gives the moneylender Shylock pride of place The Merchant of Venice is a comedy, you say? Shakespeare, as ever, refuses to be confined to convenient boxes, his best plays' extraordinary pliability and longevity a testament to the piercing eye he cast towards the slings and arrows that assail humankind. More than most of his works,…