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105 stories by "Frey Kwa Hawking"

Flutter review at Soho Theatre, London " 'an intimate examination of gambling' by Frey Kwa Hawking

Starting life at the Wandsworth Arts Fringe and sponsored by the Racing Post newspaper, Justin Hopper’s Flutter is an intimate but thoroughly

SOURCE: The Stage Registration at 10:45am on June 14, 2018

I am of Ireland review at Old Red Lion, London " 'boldly written' by Frey Kwa Hawking

Seamus Finnegan’s I an of Ireland, directed by his longtime collaborator Ken McClymont. Finnegan trains the keenest of eyes on his country’s religious

SOURCE: The Stage Registration at 6:35pm on June 12, 2018

Review: Sancho: An Act of Remembrance, Wilton's Music Hall by Frey Kwa Hawking

It's very likely no person will ever have the same boundless charisma as Paterson Joseph: it makes him the perfect The post Review: Sancho: An Act of Remembrance, Wilton's Music Hall appeare…

SOURCE: A Younger Theatre at 10:32am on June 9, 2018

Review: Blueberry Toast at Soho Theatre by Frey Kwa Hawking

Taylor Swift and suburban marriages: Frey Kwa Hawking reviews the UK premiere of Mary Laws' play about a family breakfast gone wrong. The post Review: Blueberry Toast at Soho Theatre appeare…

SOURCE: exeuntmagazine.com at 3:30am on May 30, 2018

Review: Adam and Eve at Hope Theatre by Frey Kwa Hawking

Inappropriate texts: Frey Kwa Hawking on a disconcerting play about the impact of rape accusations. The post Review: Adam and Eve at Hope Theatre appeared first on Exeunt Magazine.

SOURCE: exeuntmagazine.com at 4:20am on May 26, 2018

The Gift of the Gab review at White Bear Theatre, London " 'ends before it really gets going' by Frey Kwa Hawking

An ageing band of grifters hold forth in an Italian-run greasy spoon in Brighton, teasing the proprietor's daughter, bickering and, perhaps also,

SOURCE: The Stage Registration at 12:28pm on May 21, 2018

Sex With Robots and Other Devices review at King's Head Theatre, London " 'creepy and inventive' by Frey Kwa Hawking

The third recipient of the King's Head Theatre's Adrian Pagan Award explores a subject that's been done almost to death: the complications

SOURCE: The Stage Registration at 8:20am on May 21, 2018

Review: H.R.Haitch, Union Theatre by Frey Kwa Hawking

H.R.Haitch, a 'new' musical comedy from Iris Theatre's Workin Process scheme three years in the making, has found a fitting The post Review: H.R.Haitch, Union Theatre appeared first on A You…

SOURCE: A Younger Theatre at 7:12am on May 17, 2018

Review: Baby Box, King's Head Theatre by Frey Kwa Hawking

Sleepless Theatre Company's Baby Box takes a long, searching look at female pain, strength and survival through the lens of The post Review: Baby Box, King's Head Theatre appeared first on A…

SOURCE: A Younger Theatre at 5:48am on May 12, 2018

Review: I, AmDram, Camden People's Theatre by Frey Kwa Hawking

Like nearly every one-hander, for all the possible production values, stimulating concepts and masterful writing, I, AmDram ultimately stands or The post Review: I, AmDram, Camden People's T…

SOURCE: A Younger Theatre at 5:48am on May 11, 2018

Review: The Prudes, Royal Court by Frey Kwa Hawking

A woman and a man are going to have sex. They need to have sex, in fact. It might be The post Review: The Prudes, Royal Court appeared first on A Younger Theatre.

SOURCE: A Younger Theatre at 6:18am on May 6, 2018

Gracie review at Finborough Theatre, London " 'a brave performance' by Frey Kwa Hawking

Over the course of Joan MacLeod's Gracie, we see the entire early life of a girl raised in a community inspired by

SOURCE: The Stage Registration at 3:46am on May 2, 2018

Review: Cream Tea and Incest, The Hope Theatre by Frey Kwa Hawking

Benjamin Alborough's Cream Tea and Incest is less similar to the 'Daddy's Boy' skit in Unbreakable Kimmy Schmidt than I The post Review: Cream Tea and Incest, The Hope Theatre appeared first…

SOURCE: A Younger Theatre at 11:24am on April 24, 2018

The Gulf review at Tristan Bates Theatre, London " 'never edges towards surprising territory' by Frey Kwa Hawking

The heat is rising in the Alabama Delta. On an isolated fishing trip, Betty is trying to talk to her girlfriend Kendra,

SOURCE: The Stage Registration at 6:49am on April 20, 2018

Review: Reared, Theatre503 by Frey Kwa Hawking

Emotional labour is a necessary term, however misapplied it can sometimes now be, due to its high profile. John Fitzpatrick's Reared is sympathetic to the often unnoticed burden which falls …

SOURCE: A Younger Theatre at 7:30am on April 14, 2018

Review: The Service, King's Head Theatre by Frey Kwa Hawking

Horror theatre, and horror comedies in particular, often leave you feeling grimy. FacePlant Theatre's The Service, now in a revamped form at the King's Head Theatre, has the advantage of ens…

SOURCE: A Younger Theatre at 6:15am on April 10, 2018

Review: White Guy on the Bus at Finborough Theatre by Frey Kwa Hawking

Seething resentment: Bruce Graham's play applies the heat to an exploration of prejudice and hypocrisy in Philadelphia. The post Review: White Guy on the Bus at Finborough Theatre appeared f…

SOURCE: exeuntmagazine.com at 7:20am on March 30, 2018

Review: Is This Thing On?, Old Red Lion Theatre by Frey Kwa Hawking

Frigg Theatre is a Nordic company with an explicitly feminist focus, which aims to create original work "about subjects that are generally considered taboo". Domestic violence, the theme of …

SOURCE: A Younger Theatre at 6:18am on March 30, 2018

Review: Three Sisters, Jack Studio Theatre by Frey Kwa Hawking

This new version of Chekhov's Three Sisters, directed and written by Ross McGregor, largely leaves the play undisturbed in text and production: a depiction of the grinding awfulness everyday…

SOURCE: A Younger Theatre at 8:00am on March 24, 2018

Review: The Great Wave, National Theatre by Frey Kwa Hawking

It's a fantastic story, in that it's one that is almost impossible to believe " yet, more fantastically, true " and brimming with potential. Francis Turnly's The Great Wave is the first full…

SOURCE: A Younger Theatre at 6:30am on March 24, 2018

Dramaturgy Under Capitalism by Frey Kwa Hawking

Frey Kwa Hawking explores the slippery territory of defining a dramaturg's role, and forging a practice in a world that requires both productions and people to be marketable. The post Dramat…

SOURCE: exeuntmagazine.com at 10:09am on March 20, 2018

Review: Foreign Body, Vault Theatre by Frey Kwa Hawking

"Sit and bear witness". It's difficult; of course it is. In Foreign Body, the product of some four years of development, Imogen Butler-Cole trains everything she has at the subject of sexual…

SOURCE: A Younger Theatre at 7:00am on March 13, 2018

Feature: They who laugh last laugh longest: the dimensions of durational theatre by Frey Kwa Hawking

The artists aren't just present, they're relentless. Action Hero's Slap Talk is more than a dialogue, and more even than a six-hour long dialogue, though its length goes straight to some eye…

SOURCE: A Younger Theatre at 9:03am on March 12, 2018

Review: Corpus Christi, Arcola Theatre by Frey Kwa Hawking

I should have loved this play. I'm into Christ, I'm into being gay. Terrence McNally's script, in the right hands and possibly another context, can probably reach beautiful and painful level…

SOURCE: A Younger Theatre at 4:30am on March 10, 2018

Review: Electra, Bunker Theatre by Frey Kwa Hawking

DumbWise does not quite live up to their big claim that they have "reinvented" the gory myth of the house of Atreus with their Electra; unfortunately, there isn't too much here to distinguis…

SOURCE: A Younger Theatre at 7:20am on March 8, 2018
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