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1,122 stories by "Frank Scheck"

Review: Asuncion by Frank Scheck

Jesse Eisenberg certainly hasn’t written an attractive part for himself in his debuting playwriting effort, now being presented by the Rattlestick Playwrights Theater. In his dark come…

SOURCE: Scheck on the Arts at 5:54am on November 3, 2011

Review: We Live Here by Frank Scheck

I don’t envy actress-turned-emerging-playwright Zoe Kazan; it’s hard to write a family play that steers clear of the usual tropes of long-simmering resentment and buried history.…

SOURCE: Scheck on the Arts at 5:52am on November 3, 2011

If only 'Charity' had stayed home by Frank Scheck

Titling your play "A Charity Case" is just asking for it, and Australian playwright Wendy Beckett doesn't make it any easier to resist. This play about adoption "from the adoptee's point of …

SOURCE: The New York Post Subscription at 11:29pm on November 2, 2011

'Milk' it for all it's got by Frank Scheck

Cellphones ring incessantly during "Milk Like Sugar," but don't bother to check whether you've left yours on. They belong to the teenage girls at the heart of Kirsten Greenidge's evocative p…

SOURCE: The New York Post Subscription at 12:18am on November 2, 2011

Cheever's 'Children' pack a WASP-y sting by Frank Scheck

John Cheever was exploring the mores of the American WASP long before A.R. Gurney wrote his first play. So it's fitting that the playwright's debut effort, 1974's "Children," now being reviv…

SOURCE: The New York Post Subscription at 11:44pm on October 30, 2011

Review: Chinglish by Frank Scheck

Miscommunication—of the linguistic, cultural and relationship kind—is the subject of David Henry Hwang’s Chinglish. Receiving its Broadway premiere after an acclaimed run e…

SOURCE: Scheck on the Arts at 6:23am on October 28, 2011

Flashes of wit, but the jocks fall flat by Frank Scheck

The Reduced Shakespeare Company has managed to distill and find the funny in Shakespeare, the Bible and the history of America. But it seems to have fumbled with "The Complete World of Sport…

SOURCE: The New York Post Subscription at 11:11pm on October 25, 2011

Leave Godot out of it, 'Blame' the blue dress by Frank Scheck

There have been plays about ambitious interns scheming their way to the top ever since there've been interns. But John Morogiello's comedy "Blame It on Beckett" puts a knowing theatrical spi…

SOURCE: The New York Post Subscription at 11:02pm on October 23, 2011

Review: Relatively Speaking by Frank Scheck

Relatively Speaking, the new evening of comic one-acts by Woody Allen, Elaine May and Ethan Coen, has just opened on Broadway, and all I can say is…oy! That this level of writing talen…

SOURCE: Scheck on the Arts at 5:26am on October 21, 2011

Review: The Agony and the Ecstasy of Steve Jobs by Frank Scheck

The recent death of Steve Jobs provides a fascinating conundrum for Mike Daisey, the writer/performer of the solo piece The Agony and Ecstasy of Steve Jobs. On the one hand, it provides an a…

SOURCE: Scheck on the Arts at 6:39am on October 18, 2011

Cyber fun pure joy-shtick by Frank Scheck

It's hard to get anything done when the Internet beckons -- with yet another friend request, Twitter updates and the latest YouTube video of a dancing cat. It's even harder when your compute…

SOURCE: The New York Post Subscription at 10:38pm on October 17, 2011

Upper Fest Side: talent shows are a steal by Frank Scheck

For the next month at Ars Nova, every night is opening night. That's because the Upper West Side theater is outdoing itself with its showcase for emerging artists. ANT Fest 2011 -- it stand…

SOURCE: The New York Post Subscription at 9:28pm on October 16, 2011

Review: The Mountaintop by Frank Scheck

One of history’s greatest ironies is that Martin Luther King, Jr. delivered his soaring “I’ve have been to the mountaintop” speech on the very night before his death.…

SOURCE: Scheck on the Arts at 12:37am on October 14, 2011

Mondays can be murder by Frank Scheck

'Any Given Monday" is a dark comedy so offensive, so amoral and so generally unpleasant that you'll hate yourself for laughing at it. The problem is, you'll hate yourself a lot. The play by …

SOURCE: The New York Post Subscription at 11:01pm on October 12, 2011

Review: Clint Holmes: Remembering Bobby Short by Frank Scheck

The popular singer's new show at the Cafe Carlyle proves to be a fitting and extremely entertaining tribute to the late, great performer.

SOURCE: TheaterMania at 10:00am on October 12, 2011

Review: The Lyons by Frank Scheck

Contemporary playwrights seem forever bent on proving Tolstoy’s line that “all families are unhappy in their own way.” The latest example is Nicky Silvers, who has mined su…

SOURCE: Scheck on the Arts at 5:51am on October 12, 2011

Chatty mime spills all by Frank Scheck

For a mime, Bill Bowers has a lot to say. And that's all to the good. In his new one-man show "Bill Bowers Beyond Words" -- a mix of mime and spoken vignettes -- he presents a portrait of s…

SOURCE: The New York Post Subscription at 11:09pm on October 10, 2011

Review: Man and Boy by Frank Scheck

Terence Rattigan’s Man and Boy was written in the 1960s and is set in the 1930s, but it would unfortunately resonate in any decade. This portrait of a desperate business tycoon was ins…

SOURCE: Scheck on the Arts at 5:46am on October 10, 2011

Moving musical proud of its agender by Frank Scheck

As touching as it is idiosyncratic, "Southern Comfort" effectively redefines the term "family musical." Based on a 2001 Sundance award-winning documentary about transgender people in rural G…

SOURCE: The New York Post Subscription at 10:52pm on October 6, 2011

One hit, two misses by Frank Scheck

Even the most ardent musical-theater lovers would be hard-pressed to catch all 25 shows at the New York Musical Theatre Festival, running though Oct. 16. Here are a few of the more intriguin…

SOURCE: The New York Post Subscription at 11:21pm on October 2, 2011

Review: The Submission by Frank Scheck

Playwright Jeff Talbott clearly knows the territory that he explores in The Submission. Having had his previous efforts presented at numerous theater festivals, he’s well in a position…

SOURCE: Scheck on the Arts at 6:52am on September 30, 2011

Dear New York: thanks for being in this play by Frank Scheck

New York's streets teem with such chaotic vitality that stepping into a theater can seem anticlimactic. So it's exciting to enter 3LD and encounter floor-to-ceiling windows exposing lower Gr…

SOURCE: The New York Post Subscription at 10:30pm on September 29, 2011

Review: The Bald Soprano by Frank Scheck

With some exceptions, absurdism doesn’t age particularly well. The impact of what was shocking and avant-garde decades ago is reduced by the endless mediocre imitations that have follo…

SOURCE: Scheck on the Arts at 6:58am on September 28, 2011

The Swedish Invasion: An Interview with Jonas Hassen Khemiri by Frank Scheck

Last season, the Play Company’s production of Invasion! at Soho Rep left made quite an impact, garnering an OBIE award for playwright Jonas Hassen Khemiri, in his debut as a playwright…

SOURCE: Scheck on the Arts at 5:24am on September 27, 2011

Songs and star scoop 'Newsies' story by Frank Scheck

It's a hard-knock life for the newsboys in "Newsies," the stage adaptation of the flop 1992 Disney musical film that's become a cult favorite. When this ragtag group of orphans and runaways …

SOURCE: The New York Post Subscription at 11:32pm on September 26, 2011
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