Review: The Bald Soprano
With some exceptions, absurdism doesn’t age particularly well. The impact of what was shocking and avant-garde decades ago is reduced by the endless mediocre imitations that have followed throughout the years. Such is the case with The Bald Soprano, Eugene Ionesco’s one-act “anti-play” (the playwright’s description) about language and middle-class life that is now being revived by the Pe…