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1,122 stories by "Frank Scheck"

Goes above & 'Beyond' by Frank Scheck

The Irish Rep has done it again. Having ably resuscitated, Eugene O'Neill's "The Hairy Ape" and "The Emperor Jones," it's now revived "Beyond the Horizon" " a drama that won him the first of…

SOURCE: The New York Post Subscription at 12:52am on February 27, 2012

Review: Galileo by Frank Scheck

With partisan politics injecting itself into scientific debate with dismaying frequency these days, Bertolt Brecht’s Galileo has a disturbing modern resonance. While the Classic Stage …

SOURCE: Scheck on the Arts at 7:03am on February 24, 2012

Review: Early Plays by Frank Scheck

Although the stage seems bare for The Wooster Group’s production of Eugene O’Neill’s Early Plays, it actually contains an awful lot of baggage. The troupe is well known for…

SOURCE: Scheck on the Arts at 6:20am on February 23, 2012

Where's Waldo? At the fuse box by Frank Scheck

Imagine a "Honeymooners" episode in which Ed Norton channels the spirit of Ralph Waldo Emerson, and you've got the gist of "Call Me Waldo." In Rob Ackerman's whimsical new comedy, best frien…

SOURCE: The New York Post Subscription at 12:42am on February 23, 2012

Mind reader's show ESP-ecially enjoyable by Frank Scheck

One thing's guaranteed about an evening with Marc Salem " he'll mess with your head. The renowned mentalist does it again in his latest show, "Mind Over Manhattan," which will leave you scra…

SOURCE: The New York Post Subscription at 12:50am on February 20, 2012

'License' to thrill by Frank Scheck

It's hard to imagine that a crackling drama could revolve around a poet laureate's career. But Jack Canfora's "Poetic License" manages to render a tale of artistic ambition and hidden secret…

SOURCE: The New York Post Subscription at 12:47am on February 20, 2012

Review: Blood Knot by Frank Scheck

It may be heretical to say, but seeing Athol Fugard’s landmark 1961 drama Blood Knot again, even in a superbly realized revival such as the one being presented by the Signature Theatre…

SOURCE: Scheck on the Arts at 6:18am on February 17, 2012

Shatner's World: We Just Live In It: Theater Review by Frank Scheck

Frank Scheck William Shatner takes audiences on a witty journey through his acting career in his one-man Broadway performance.read more

SOURCE: The Hollywood Reporter at 8:00pm on February 16, 2012

A 'Map' for the birds by Frank Scheck

When the narrator of "A Map of Virtue" turned out to be a bird statue, the play stopped working for me. Sadly, that was in the first few minutes.This latest effort, presented by the playwrig…

SOURCE: The New York Post Subscription at 12:20am on February 16, 2012

Love story, with tattoo, leaves its mark by Frank Scheck

As delicate as a cherry blossom, "Tokio Confidential" transports us to 19th-century Japan. This lovely chamber musical about a Civil War widow whose life's transformed by a tattoo artist rev…

SOURCE: The New York Post Subscription at 12:20am on February 16, 2012

Love and death, and family, in olden times by Frank Scheck

Love proves lethal in John Ford's 1629 revenge drama "The Broken Heart." Theatre for a New Audience's stylish rendition of this difficult and rarely performed play captures all of its chills…

SOURCE: The New York Post Subscription at 12:32am on February 15, 2012

Lacking 'Drive' by Frank Scheck

Norbert Leo Butz has always brought a certain strangeness to his roles, whether a buffoonish con artist in "Dirty Rotten Scoundrels" or an obsessive FBI agent in "Catch Me If You Can." But a…

SOURCE: The New York Post Subscription at 11:10pm on February 13, 2012

Overstuffed 'Whales' not a day at the beach by Frank Scheck

When Rinde Eckert's "Moby-Dick"-themed "And God Created Great Whales" premiered in 2000, it racked up rave reviews and many awards, and went on to several revivals. Well, call me Ishmael, bu…

SOURCE: The New York Post Subscription at 10:09pm on February 12, 2012

'Merrily,' it gets Encores! by Frank Scheck

Revivals of "Merrily We Roll Along" are a lot like the musical itself: Just as its characters get younger and more idealistic with each scene, there's a perpetual hope of going back in time …

SOURCE: The New York Post Subscription at 12:29am on February 10, 2012

Misconceived staging not worth Chek-ing out by Frank Scheck

An offhand reference to wild ducks is the closest you get to Chekhov's brilliance in "Chekhovek," an ill-advised adaptation of the Russian master's short stories. Like "The Sneeze," last sea…

SOURCE: The New York Post Subscription at 12:51am on February 9, 2012

'Therapy' should be couched by Frank Scheck

Try as you might, you won't find a directing credit in the program for "Psycho Therapy." Watching it, you won't find any evidence of a director, either. Frank Strausser's alleged comedy deal…

SOURCE: The New York Post Subscription at 12:48am on February 9, 2012

Drama a Marvell to behold by Frank Scheck

Memo to theater companies specializing in the classics: Take a cue from Marvell Rep. The troupe's second season doesn't have a Shakespeare, Chekhov or Shaw in the bunch " just six controvers…

SOURCE: The New York Post Subscription at 12:48am on February 7, 2012

Review: Look Back in Anger by Frank Scheck

It’s ironic that John Osborne’s classic drama Look Back in Anger is now as much of a period piece as the “well-made plays” it was attempting to usurp. This work--whic…

SOURCE: Scheck on the Arts at 7:00am on February 3, 2012

Fine writing does not apply here by Frank Scheck

In light of the recent Vassar early-admissions snafu, already wary parents of students applying to college should avoid "Inadmissible." Not that anyone else should rush to see this play abou…

SOURCE: The New York Post Subscription at 10:27pm on February 1, 2012

Review: Russian Transport by Frank Scheck

Beware sexy Russian men bearing gifts. That seems to be the primary message of Russian Transport, the new play by Erika Sheffer being given its world premiere by the New Group. This uneasy b…

SOURCE: Scheck on the Arts at 5:09am on January 31, 2012

Review: Wit by Frank Scheck

Margaret Edson has just written one play in her life, the brilliant Wit, now receiving its Broadway premiere a mere seventeen years after it was first produced and went on to win nearly ever…

SOURCE: Scheck on the Arts at 6:58am on January 27, 2012

Review: Petula Clark at Feinstein's at Loews Regency by Frank Scheck

The British songstress long-awaited return to the New York nightclub scene proved to be a truly triumphant evening.

SOURCE: TheaterMania at 10:00am on January 25, 2012

'Claywoman' half-film, half-live & half-baked by Frank Scheck

In "The Mystery of Claywoman," we meet a 500-million-year-old extraterrestrial who's become a cult-like figure. She's a fascinating character " too bad we don't get to see more of her. Half …

SOURCE: The New York Post Subscription at 10:38pm on January 24, 2012

Ghost story's a vision but not clear by Frank Scheck

Though "Stopped Bridge of Dreams" is based on 17thcentury Japanese writings, its style couldn't be more contemporary. Written, directed and designed by MacArthur "Genius" Award winner John J…

SOURCE: The New York Post Subscription at 11:40pm on January 23, 2012

He'll charm your pants off by Frank Scheck

You can tell that George Bernard Shaw was still a young man when he wrote "The Philanderer." This infrequently performed comedy has a breezy playfulness, unlike the playwright's more heavy-g…

SOURCE: The New York Post Subscription at 11:21pm on January 22, 2012
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