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1,115 stories by "FRANK SCHECK"

Leave Godot out of it, 'Blame' the blue dress by Frank Scheck

There have been plays about ambitious interns scheming their way to the top ever since there've been interns. But John Morogiello's comedy "Blame It on Beckett" puts a knowing theatrical spi…

SOURCE: The New York Post Subscription at 11:02pm on October 23, 2011

Review: Relatively Speaking by Frank Scheck

Relatively Speaking, the new evening of comic one-acts by Woody Allen, Elaine May and Ethan Coen, has just opened on Broadway, and all I can say is…oy! That this level of writing talen…

SOURCE: Scheck on the Arts at 5:26am on October 21, 2011

Review: The Agony and the Ecstasy of Steve Jobs by Frank Scheck

The recent death of Steve Jobs provides a fascinating conundrum for Mike Daisey, the writer/performer of the solo piece The Agony and Ecstasy of Steve Jobs. On the one hand, it provides an a…

SOURCE: Scheck on the Arts at 6:39am on October 18, 2011

Cyber fun pure joy-shtick by Frank Scheck

It's hard to get anything done when the Internet beckons -- with yet another friend request, Twitter updates and the latest YouTube video of a dancing cat. It's even harder when your compute…

SOURCE: The New York Post Subscription at 10:38pm on October 17, 2011

Upper Fest Side: talent shows are a steal by Frank Scheck

For the next month at Ars Nova, every night is opening night. That's because the Upper West Side theater is outdoing itself with its showcase for emerging artists. ANT Fest 2011 -- it stand…

SOURCE: The New York Post Subscription at 9:28pm on October 16, 2011

Review: The Mountaintop by Frank Scheck

One of history’s greatest ironies is that Martin Luther King, Jr. delivered his soaring “I’ve have been to the mountaintop” speech on the very night before his death.…

SOURCE: Scheck on the Arts at 12:37am on October 14, 2011

Mondays can be murder by Frank Scheck

'Any Given Monday" is a dark comedy so offensive, so amoral and so generally unpleasant that you'll hate yourself for laughing at it. The problem is, you'll hate yourself a lot. The play by …

SOURCE: The New York Post Subscription at 11:01pm on October 12, 2011

Review: Clint Holmes: Remembering Bobby Short by Frank Scheck

The popular singer's new show at the Cafe Carlyle proves to be a fitting and extremely entertaining tribute to the late, great performer.

SOURCE: TheaterMania at 10:00am on October 12, 2011

Review: The Lyons by Frank Scheck

Contemporary playwrights seem forever bent on proving Tolstoy’s line that “all families are unhappy in their own way.” The latest example is Nicky Silvers, who has mined su…

SOURCE: Scheck on the Arts at 5:51am on October 12, 2011

Chatty mime spills all by Frank Scheck

For a mime, Bill Bowers has a lot to say. And that's all to the good. In his new one-man show "Bill Bowers Beyond Words" -- a mix of mime and spoken vignettes -- he presents a portrait of s…

SOURCE: The New York Post Subscription at 11:09pm on October 10, 2011

Review: Man and Boy by Frank Scheck

Terence Rattigan’s Man and Boy was written in the 1960s and is set in the 1930s, but it would unfortunately resonate in any decade. This portrait of a desperate business tycoon was ins…

SOURCE: Scheck on the Arts at 5:46am on October 10, 2011

Moving musical proud of its agender by Frank Scheck

As touching as it is idiosyncratic, "Southern Comfort" effectively redefines the term "family musical." Based on a 2001 Sundance award-winning documentary about transgender people in rural G…

SOURCE: The New York Post Subscription at 10:52pm on October 6, 2011

One hit, two misses by Frank Scheck

Even the most ardent musical-theater lovers would be hard-pressed to catch all 25 shows at the New York Musical Theatre Festival, running though Oct. 16. Here are a few of the more intriguin…

SOURCE: The New York Post Subscription at 11:21pm on October 2, 2011

Review: The Submission by Frank Scheck

Playwright Jeff Talbott clearly knows the territory that he explores in The Submission. Having had his previous efforts presented at numerous theater festivals, he’s well in a position…

SOURCE: Scheck on the Arts at 6:52am on September 30, 2011

Dear New York: thanks for being in this play by Frank Scheck

New York's streets teem with such chaotic vitality that stepping into a theater can seem anticlimactic. So it's exciting to enter 3LD and encounter floor-to-ceiling windows exposing lower Gr…

SOURCE: The New York Post Subscription at 10:30pm on September 29, 2011

Review: The Bald Soprano by Frank Scheck

With some exceptions, absurdism doesn’t age particularly well. The impact of what was shocking and avant-garde decades ago is reduced by the endless mediocre imitations that have follo…

SOURCE: Scheck on the Arts at 6:58am on September 28, 2011

The Swedish Invasion: An Interview with Jonas Hassen Khemiri by Frank Scheck

Last season, the Play Company’s production of Invasion! at Soho Rep left made quite an impact, garnering an OBIE award for playwright Jonas Hassen Khemiri, in his debut as a playwright…

SOURCE: Scheck on the Arts at 5:24am on September 27, 2011

Songs and star scoop 'Newsies' story by Frank Scheck

It's a hard-knock life for the newsboys in "Newsies," the stage adaptation of the flop 1992 Disney musical film that's become a cult favorite. When this ragtag group of orphans and runaways …

SOURCE: The New York Post Subscription at 11:32pm on September 26, 2011

Friendly musical tuneup by Frank Scheck

When it comes to pressure, panic and pain, no one said it better than Larry Gelbart: "If Hitler's alive, I hope he's out of town with a musical." The pressure's even worse for those who dare…

SOURCE: The New York Post Subscription at 11:24pm on September 25, 2011

One-acts sink and swim in 'Rivers' by Frank Scheck

Female playwrights are woe fully underrepresented on our stages -- women of color particularly. Helping to correct that sorry state of affairs is the Ensemble Studio Theatre's "The River Cro…

SOURCE: The New York Post Subscription at 11:20pm on September 20, 2011

Do ask for 'Directions' by Frank Scheck

Imagine being able to see Eugene O'Neill's obscure one-acts, minus all those long monologues. Now you can. Enter "The Complete & Condensed Stage Directions of Eugene O'Neill, Volume 1: Ea…

SOURCE: The New York Post Subscription at 12:17am on September 19, 2011

Review: The Select (The Sun Also Rises) by Frank Scheck

Try as I might, I find it impossible to appreciate the Elevator Repair Service’s aesthetic. This enterprising downtown troupe has made a significant name for themselves in recent years…

SOURCE: Scheck on the Arts at 7:02am on September 15, 2011

Jesse's turn by Frank Scheck

They say that in Hollywood, everybody wants to direct. Apparently, in the theater, what everybody wants to do is write. Exhibit A: Jesse Eisenberg, whose play, "Asuncion," previews Oct. 12 a…

SOURCE: The New York Post Subscription at 11:50pm on September 13, 2011

Review: Follies by Frank Scheck

It’s been a mere ten years since the last Broadway incarnation of Stephen Sondheim and James Goldman’s Follies, but that ill-conceived version was lamentable enough to warrant an…

SOURCE: Scheck on the Arts at 6:10am on September 13, 2011

They're turning trouble into a kin-do situation by Frank Scheck

Theater rarely gets more intimate -- or more immediate -- than Richard Nelson's follow-up to last year's "That Hopey Changey Thing," set on the eve of the last presidential election. Once…

SOURCE: The New York Post Subscription at 11:12pm on September 12, 2011
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