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1,115 stories by "FRANK SCHECK"

Review: Jesus Christ Superstar by Frank Scheck

Jesus Christ Superstar, which began its life as a concept album, has always been more fun to listen to than actually watch. But the new Broadway revival--imported from the Stratford Shakespe…

SOURCE: Scheck on the Arts at 6:41am on March 23, 2012

A fine job singing of unemployment by Frank Scheck

The spirit of Woody Guthrie is alive and well in the East Village, thanks to Ethan Lipton's "No Place To Go," a "musical ode to the unemployed." Stylistically, the 41-year-old hews more clo…

SOURCE: The New York Post Subscription at 10:35pm on March 21, 2012

Review: Nellie McKay: Silent Spring - It's Not Nice to Fool Mother Nature by Frank Scheck

This tribute to environmentalist Rachel Carson at Feinstein's at Loews Regency doesn't do justice to its subject matter.

SOURCE: TheaterMania at 10:00am on March 21, 2012

You'll swoon over 'Moon' by Frank Scheck

It took no small amount of guts for the Pearl Theatre Company to mount "A Moon for the Misbegotten." This final masterpiece by Eugene O'Neill hasn't exactly been underexposed here. Broadway'…

SOURCE: The New York Post Subscription at 12:29am on March 20, 2012

'Lucky' is just ducky by Frank Scheck

HEY , kids " remember that fairy tale by Hans Christian somebody, "Ugly Duckling," about a duck that turns into a beautiful swan? Now you can see it live! It has music and dancing and everyt…

SOURCE: The New York Post Subscription at 12:46am on March 17, 2012

Review: Death of a Salesman by Frank Scheck

Whenever there’s a new revival of Death of a Salesman people marvel at the fact that it seems so newly relevant. But it’s not that society is changing but rather that Arthur Mill…

SOURCE: Scheck on the Arts at 4:10am on March 16, 2012

Pardon me, waiter, there's soup in this play by Frank Scheck

'Teresa's Ecstasy," by the wonderfully named Spanish American playwright and actress Begonya Plaza, tries to combine the spiritual with the earthly in its story of a woman's quest for self-d…

SOURCE: The New York Post Subscription at 12:46am on March 15, 2012

When puppets go bad, hilariously & wickedly by Frank Scheck

There's a scene in "Hand to God" in which two teenagers tenderly and quietly discuss their feelings for one another . . . all the while desperately trying to ignore the hand puppets they're …

SOURCE: The New York Post Subscription at 12:30am on March 14, 2012

'Flight' never quite takes off by Frank Scheck

There's nothing more annoying than to be stuck at the theater while someone chatters away incessantly on his cellphone. It's even worse when he's onstage. That's the case with "Flight," in…

SOURCE: The New York Post Subscription at 12:31am on March 13, 2012

It's got killer music by Frank Scheck

You'll never hear Beethoven's erotically charged piece of music the same way after seeing "The Kreutzer Sonata." Adapted by Nancy Harris from Leo Tolstoy's 1889 novella " so provocative tha…

SOURCE: The New York Post Subscription at 11:17pm on March 11, 2012

Review: An Iliad by Frank Scheck

The simple act of storytelling is a time-honored theatrical tradition. But it can also a hackneyed one. Case in point: An Iliad, the new one-man show—well, technically two man, but mor…

SOURCE: Scheck on the Arts at 5:27am on March 9, 2012

Review: The Lady From Dubuque by Frank Scheck

Not that I’m in any rush, but whenever death comes for me I hope it takes the form of the Lady from Dubuque.   As elegantly personified by Jane Alexander in the Signature Theatre…

SOURCE: Scheck on the Arts at 4:53am on March 7, 2012

Pleasure mixed with Twain by Frank Scheck

Even Mark Twain would have liked "The Adventures of Tom Sawyer" now playing at the New Victory Theater: Not only is this child-friendly rendition faithful to the text and spirit of his work,…

SOURCE: The New York Post Subscription at 10:57pm on March 5, 2012

Review: Tribes by Frank Scheck

On its surface, Tribes is concerned with a young deaf man’s sudden decision to embrace sign language rather than rely on lip-reading. But that description doesn’t do justice to N…

SOURCE: Scheck on the Arts at 8:25am on March 5, 2012

Moving 'Alice' is a wonderland by Frank Scheck

The women address us from the stage, speaking in soft, halting tones, their eyes darting nervously. They're clearly not comfortable being there. But when they look directly at each other, t…

SOURCE: The New York Post Subscription at 10:39pm on March 4, 2012

Review: Carrie by Frank Scheck

The original musical version of Carrie was a notorious flop upon its 1988 Broadway premiere--it closed after five performances at a loss of millions of dollars, nearly destroyed the reputati…

SOURCE: Scheck on the Arts at 3:01am on March 2, 2012

Review: Assistance by Frank Scheck

Tyrannical bosses should be more careful about mistreating their employees. Their victims may very well develop into talented playwrights who will later skewer them in viciously funny fashio…

SOURCE: Scheck on the Arts at 6:08am on February 29, 2012

She's a not-so-little orphan angry by Frank Scheck

Its lurid title notwithstanding, "I Killed My Mother" is neither campy comedy nor a theatrical take on film noir. Instead, Andras Visky's new play " a portrait of a young woman's hardscrabbl…

SOURCE: The New York Post Subscription at 12:52am on February 27, 2012

Goes above & 'Beyond' by Frank Scheck

The Irish Rep has done it again. Having ably resuscitated, Eugene O'Neill's "The Hairy Ape" and "The Emperor Jones," it's now revived "Beyond the Horizon" " a drama that won him the first of…

SOURCE: The New York Post Subscription at 12:52am on February 27, 2012

Review: Galileo by Frank Scheck

With partisan politics injecting itself into scientific debate with dismaying frequency these days, Bertolt Brecht’s Galileo has a disturbing modern resonance. While the Classic Stage …

SOURCE: Scheck on the Arts at 7:03am on February 24, 2012

Review: Early Plays by Frank Scheck

Although the stage seems bare for The Wooster Group’s production of Eugene O’Neill’s Early Plays, it actually contains an awful lot of baggage. The troupe is well known for…

SOURCE: Scheck on the Arts at 6:20am on February 23, 2012

Where's Waldo? At the fuse box by Frank Scheck

Imagine a "Honeymooners" episode in which Ed Norton channels the spirit of Ralph Waldo Emerson, and you've got the gist of "Call Me Waldo." In Rob Ackerman's whimsical new comedy, best frien…

SOURCE: The New York Post Subscription at 12:42am on February 23, 2012

Mind reader's show ESP-ecially enjoyable by Frank Scheck

One thing's guaranteed about an evening with Marc Salem " he'll mess with your head. The renowned mentalist does it again in his latest show, "Mind Over Manhattan," which will leave you scra…

SOURCE: The New York Post Subscription at 12:50am on February 20, 2012

'License' to thrill by Frank Scheck

It's hard to imagine that a crackling drama could revolve around a poet laureate's career. But Jack Canfora's "Poetic License" manages to render a tale of artistic ambition and hidden secret…

SOURCE: The New York Post Subscription at 12:47am on February 20, 2012

Review: Blood Knot by Frank Scheck

It may be heretical to say, but seeing Athol Fugard’s landmark 1961 drama Blood Knot again, even in a superbly realized revival such as the one being presented by the Signature Theatre…

SOURCE: Scheck on the Arts at 6:18am on February 17, 2012
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