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130 stories by "F. Kathleen Foley"

An emotionally charged 'Spring Awakening' by Deaf West Theatre by F. Kathleen Foley

For anyone who didn't quite connect with the 2008 Ahmanson Theatre production of "Spring Awakening" on an emotional level, the current production by Deaf West Theatre will redress that defic…

SOURCE: Los Angeles Times at 7:00pm on September 17, 2014

'What I Learned in Paris' at the Colony Theatre by F. Kathleen Foley

It's appropriate that Pearl Cleage's "What I Learned in Paris" should have had its 2012 world premiere at the Alliance Theatre in Atlanta.

SOURCE: Los Angeles Times at 8:00pm on September 11, 2014

'Bulrusher,' a Pulitzer finalist, is given a mesmerizing L.A. premiere by F. Kathleen Foley

The Los Angeles premiere of 2007 Pulitzer finalist "Bulrusher," presented by Skylight Theatre Company and Lower Depth Theatre Ensemble, is a sometimes undisciplined outpouring that can frust…

SOURCE: Los Angeles Times at 1:59pm on August 28, 2014

Pacing, casting mar 'Cherry Orchard' at Pacific Resident Theatre by F. Kathleen Foley

"The Cherry Orchard" could more appropriately be titled "Aristos in Amber." 

SOURCE: Los Angeles Times at 8:00pm on August 12, 2014

'Broadway Bound' ventures boldly but shakily down memory lane by F. Kathleen Foley

The years have not been kind to "Broadway Bound."  First produced on Broadway in the mid-1980s, Neil Simon's Tony-nominated, Pulitzer-finalist play shows serious flaws in its current revi…

SOURCE: Los Angeles Times at 5:05pm on August 6, 2014

'Much Ado About Nothing' at the Theatricum Botanicum is crowd-pleaser by F. Kathleen Foley

An evening under the stars at the Theatricum Botanicum rarely disappoints. No exception to that general rule, "Much Ado About Nothing," playing in repertory in the theater's sylvan Topanga s…

SOURCE: Los Angeles Times at 8:00pm on July 22, 2014

Family crisis blazes in 'Other Desert Cities' at International City by F. Kathleen Foley

For those who have not yet seen Jon Robin Baitz's Pulitzer-nominated "Other Desert Cities," the first of that prolific playwright's works to reach Broadway, the play's current production at …

SOURCE: Los Angeles Times at 4:09pm on June 10, 2014

A masterly 'Les Miserables' at La Mirada Theatre by F. Kathleen Foley

A juggernaut entertainment since its 1985 premiere, "Les Misérables" has undergone many incarnations, including the controversial 25th anniversary production that pitted original director T…

SOURCE: Los Angeles Times at 3:35pm on June 5, 2014

'Against the Wall' at Theatre West by F. Kathleen Foley

There's a breath of fresh air blowing across the proscenium of venerable Theatre West, an occasionally creaky production entity that has been in existence 50 years and counting, and has been…

SOURCE: Los Angeles Times at 7:00pm on May 29, 2014

An emotionally astute 'Delicate Balance' at the Odyssey by F. Kathleen Foley

Edward Albee's "A Delicate Balance," which won the 1967 Pulitzer, was written at a time of unparalleled American preeminence and prosperity. That's reflected in its characters, well-to-do na…

SOURCE: Los Angeles Times at 8:00pm on May 7, 2014

Theater review: A poignant, potent 'Come Back, Little Sheba' by F. Kathleen Foley

Playwright William Inge was part and parcel of the 1950s, a time of scenery-chomping melodrama in the American theater zeitgeist. If not delicately interpreted, his plays can seem positively…

SOURCE: Los Angeles Times at 2:24pm on April 8, 2014

Review: 'God Only Knows' at Theatre 40 by F. Kathleen Foley

First produced in 2000, Hugh Whitemore’s “God Only Knows,” is receiving its belated American premiere at Theatre 40. 

SOURCE: Los Angeles Times at 8:45pm on March 27, 2014

'A Steady Rain' at the Odyssey by F. Kathleen Foley

First produced in 2007, Keith Huff’s “A Steady Rain,” made it all the way to Broadway by 2009. That record-breaking sellout starred Hugh Jackman and Daniel Craig.

SOURCE: Los Angeles Times at 9:05pm on February 26, 2014

Review: 'The Invisible Play' a light-hearted take on detachment by F. Kathleen Foley

Poor Colin. An editor at an “existential publishing house,” he's flown under the emotional radar most of his adult life, refusing to actually connect with anyone and denying the …

SOURCE: Los Angeles Times at 7:43pm on December 10, 2013

Review: Skypilot Theatre's 'Christmas 2' is irreverent and too long by F. Kathleen Foley

In “The Eight: Reindeer Monologues,” playwright Jeff Goode reimagined Santa's reindeer as a group of sodden malcontents who rant on about the perversity and abuses of their slave…

SOURCE: Los Angeles Times at 2:00pm on November 27, 2013

Review: Filipina, lover of classic TV, dreams of 'Dallas Non-Stop' by F. Kathleen Foley

With the poor, suffering Philippines so prominently in the headlines, Boni B. Alvarez's world premiere play, “Dallas Non-Stop,” offers a glimpse into the vibrant Filipino culture…

SOURCE: Los Angeles Times at 4:33pm on November 20, 2013

Review: An 'Endgame' that Samuel Beckett would applaud by F. Kathleen Foley

Much like a nettle, Samuel Beckett’s absurdist plays must be firmly grasped or else they can sting the unwary interpreter.

SOURCE: Los Angeles Times at 6:16pm on November 5, 2013

Review: A chilling brush with Strindberg's 'Creditors' by F. Kathleen Foley

David Greig, adapter-translator of August Strindberg’s “Creditors,” has commented that Strindberg’s acerbic classic is really “less of a play and more an almost…

SOURCE: Los Angeles Times at 4:25pm on October 16, 2013

'The Dream of the Burning Boy' at Malibu Playhouse by F. Kathleen Foley

It has been proven time and again that the schoolroom is a ripe milieu for drama. There's plenty of dramaturgical gold to be mined from memorable characters from the ideologically grandiose …

SOURCE: Los Angeles Times at 1:47pm on September 25, 2013

Review: 'Red' rounds out Rothko's edges at Long Beach Performing Arts by F. Kathleen Foley

Just what hasn't Tony Abatemarco done in his several decades as a performer? Certainly  he has est ablished himself as a performer of the first rank over the years in an incredibly va…

SOURCE: Los Angeles Times at 11:29am on September 4, 2013

Review: 'The Diary of Anne Frank' diluted by too many false moments by F. Kathleen Foley

“The Diary of Anne Frank,” the journal of a Jewish girl who died in the Holocaust during the final days of World War II, has been a worldwide phenomenon since it was first publis…

SOURCE: Los Angeles Times at 4:45pm on August 7, 2013

Review: 'Next to Normal' musical is serious, and uplifting, business by F. Kathleen Foley

When you find tears streaming down your cheeks in the opening number of a musical, you suspect you're in for a ravaging evening.

SOURCE: Los Angeles Times at 1:40pm on June 4, 2013

Review: 'Heart Song' beats stronger when flamenco takes the lead by F. Kathleen Foley

Playwright Stephen Sachs delves into the fascinating world of flamenco in “Heart Song,” at the Fountain Theatre.

SOURCE: Los Angeles Times at 7:00pm on May 29, 2013

Review: 'The Crucible' reinvigorated at Antaeus by F. Kathleen Foley

Shakespearean in dimension and craft, “The Crucible,” Arthur Miller’s 1953 play about the Salem witch trials, is inarguably a masterwork. 

SOURCE: Los Angeles Times at 4:24pm on May 21, 2013

Review: 'Hot Cat' at Theatre of NOTE adds new resonance to a classic by F. Kathleen Foley

Co-founders of Theatre Movement Bazaar, Tina Kronis and Richard Alger have been staging their cheekily experimental shows for more than a decade now. The duo typically commences with a class…

SOURCE: Los Angeles Times at 1:30pm on May 9, 2013
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