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48 stories by "Emily May"

At Theatertreffen Festival, Bodies Do the Talking by Emily May

Choreographer-led works at the annual German theater event range from the transgressive to the melancholic.

SOURCE: The New York Times Subscription at 1:12pm on May 15, 2025

Review: Les Vêpres Siciliennes, The Royal Opera House by Emily May

Les Vêpres Siciliennes is an epic undertaking by the Royal Opera. Spanning five acts and four hours, it is somewhat of a marathon, where against all the odds the performers continue to ba…

SOURCE: A Younger Theatre at 11:33am on October 29, 2017

Review: Mosquitoes, National Theatre by Emily May

Alice (Olivia Williams) and Jenny (Olivia Coleman) live completely contrasting lives, geographically and intellectually. Alice lives in Geneva, is a mother and a scientist working on the dev…

SOURCE: A Younger Theatre at 12:42pm on July 31, 2017

Review: Chinese Whispers, Greenwich Theatre by Emily May

Chinese Whispers " a play exploring the "bizarre life of Sir Edmund Backhouse" " is a difficult production to define. As it attempts to guide us through the audacious swindles of this Victor…

SOURCE: A Younger Theatre at 11:36am on July 24, 2017

Review: Twelfth Night, Shakespeare's Globe by Emily May

Emma Rice's "Summer of Love" at Shakespeare's Globe proves to be her farewell season as Artistic Director. And what a farewell her Twelfth Night has turned out to be. Rice invites you all ab…

SOURCE: A Younger Theatre at 7:36am on May 31, 2017

Review: Cosmic Trigger, The Cockpit by Emily May

With the current state of political affairs, discussions of post-truth, fake news, and green aliens in body suits running the country, it feels very poignant for Love & Will Productions…

SOURCE: A Younger Theatre at 8:33am on May 15, 2017

Review: The Exterminating Angel, Royal Opera House by Emily May

Live sheep are being paraded around the stage. I would be surprised, but considering this opera's surrealist inspirations, one should come expecting the unexpected. From the appearance of be…

SOURCE: A Younger Theatre at 4:12pm on May 11, 2017

Review: Romeo and Juliet, Shakespeare's Globe by Emily May

A black cloth, torn and irregular, is suspended over the stage of Shakespeare's Globe " reminiscent of a foreboding spider's web. From the very beginning, this ominous material hangs over th…

SOURCE: A Younger Theatre at 3:31pm on May 1, 2017

Review: Tarantiseismic, Sadler's Wells by Emily May

The stage is dark for several minutes. Almost unrecognisably, light begins to seep into the performance space, gradually revealing the cast of the National Youth Dance Company submerged unde…

SOURCE: A Younger Theatre at 1:48pm on April 24, 2017

Review: Women Redressed, Jermyn Street Theatre by Emily May

A platform for the prominence of female characters, playwrights and issues, Women Redressed is an intriguing feminist theatre festival produced by Sheer Height Theatre. In its fourth instalm…

SOURCE: A Younger Theatre at 6:12am on April 12, 2017

Review: Sex With Strangers, Hampstead Theatre by Emily May

The stage is dressed with a plethora of brown. From brown leather sofas to brown wooden wall cladding, the colour scheme sets an expectation of a warm, cosy, and intimate setting. This expec…

SOURCE: A Younger Theatre at 3:18pm on February 17, 2017

Review: Masurca Fogo, Sadler's Wells by Emily May

Two men eat lit candles. A live chicken in paraded around the stage and is left to feed off a smashed watermelon. A vase of flowers is emptied into the skirt of one performer's gown. A woman…

SOURCE: A Younger Theatre at 5:48am on February 16, 2017

Review: Henry V, Southwark Cathedral by Emily May

One would not normally compare the plights of the British Army in the Battle of Agincourt and WWI. Yet despite the obvious contrasting features " the former casting the English as aggressors…

SOURCE: A Younger Theatre at 2:24pm on February 13, 2017

Review: Resolution 2017, The Place by Emily May

Resolution 2017 is the 28th edition of the celebrated platform for emerging contemporary dance choreographers. With a different triple-bill every night for just over a month, Resolution prov…

SOURCE: A Younger Theatre at 2:18pm on January 19, 2017

Review: Another Night Before Christmas, The Bridge House Theatre by Emily May

With Christmas just around the corner, many of the audience at the Bridge House Theatre may be able to empathise with protagonist Carole's disdain for the commercialism of the season. "It st…

SOURCE: A Younger Theatre at 5:36am on December 2, 2016

Review: Swan Lake/Loch na hEala, Sadler's Wells by Emily May

The stage is set with an unlikely assortment of objects. A utilitarian platform, instruments, ladders, wiring and microphones conjure thoughts of a warehouse. It is as if the backstage of th…

SOURCE: A Younger Theatre at 2:06pm on November 29, 2016

Review: Akram Khan's Giselle, Sadler's Wells by Emily May

English National Ballet (ENB) are fast becoming one of the most intriguing companies at work in the UK today. Under the artistic direction of Tamara Rojo, they have collaborated with choreog…

SOURCE: A Younger Theatre at 4:02pm on November 20, 2016

Review: Pride and Prejudice, Richmond Theatre by Emily May

"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife." The infamous Austen quotation rings throughout Richmond Theatre as i…

SOURCE: A Younger Theatre at 7:36am on November 17, 2016

Review: Oreste, Wilton's Music Hall by Emily May

It is not every day that an audience member enters the world's oldest surviving music hall and is confronted with staging adorned with aggressive graffiti. This juxtaposition of antiquated s…

SOURCE: A Younger Theatre at 4:36pm on November 10, 2016

Review: Virgin Territory, The Place by Emily May

It is irrefutable that choreographer, Charlotte Vincent, is passionate about her subject. The Place's bar is filled with pre-show information and activities that encourage the audience to en…

SOURCE: A Younger Theatre at 10:48am on November 5, 2016

Review: Mum's the Word, The Hen and Chickens Theatre by Emily May

As we enter the intimate auditorium above The Hen and Chicken pub in Islington, raucous jazz music fills our ears. We are confronted with a simplistic set reminiscent of a stereotypical Lond…

SOURCE: A Younger Theatre at 9:12am on October 29, 2016

Review: Pinocchio, Sadler's Wells by Emily May

Originally the protagonist of Carlo Collodi's book set in 19th Century Italy, and then the eponymous star of the Disney classic, Pinocchio is a fairytale character that many of us remember f…

SOURCE: A Younger Theatre at 12:20pm on October 25, 2016

Review: Force of Trump, Jack Studio Theatre by Emily May

As you enter the Jack Studio Theatre, he's there. Bleach blonde wig in place, he dances around on an office chair accompanied by the Flying Lizards' 'Money'. Already inciting an atmosphere o…

SOURCE: A Younger Theatre at 4:07pm on October 15, 2016

Review: O Snap, Stratford Circus Arts Centre by Emily May

"The stumbling blocks of our teenage years where emotions and friends rule" are the focus of Erik Kaiel's O Snap, a piece of dance theatre aimed at children from age ten and up. Moments of i…

SOURCE: A Younger Theatre at 12:50pm on October 11, 2016

Review: Tetris, Stratford Circus Arts Centre by Emily May

Erik Kaiel's company " Arch 8 Dancers " have hit Dance Umbrella 2016 with a programme of three contrasting works aimed at younger audiences. Tetris " the first of the three " encompasses ins…

SOURCE: A Younger Theatre at 10:44am on October 11, 2016
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