1,549 stories by "David Finkle"
Having seen it again, I can report that it's every bit as lively, as thoroughly hilarious and as consistently heart-tugging here as it was there, if not that much better for the cast members…
When theater veteran Moss Hart published his bestselling Act One in 1959, he packed a lot into it about his impoverished...
Plucking the dialogue pretty much verbatim from his best-selling book, Steinbeck handily transferred his tale to the stage. Again George and Lennie -- traveling together like the scores of o…
It's close to a year since Steven Soderbergh announced he'd be quitting movies. Now he surfaces at the Public Theater...
Perhaps the most complimentary remark to be made about Audra McDonald in Lady Day at the Emerson Bar & Grill is that in 90 minutes and under Lonny Price's fully empathetic direction, she…
Although Athol Fugard turns 82 in June and his protagonist in The Shadow of the Hummingbird--having its world premiere at...
Not to put too fine a point on it, director-choreographer Martha Clarke's version of the Bertolt Brecht-Kurt...
Qualifying "theater" with "live" should be redundant, but has become common.
Let me tell you that if anyone wanted a spot-on one-sentence review of Eno's newest work, you couldn't do any better than what she said. But we professional assessors are expected to say mo…
On January 20, 1980 Mary McCarthy, never known to mince words in print or in person, was asked on Dick Cavett's PBS talk show whom she considered overrated writers. After a moment's thought,…
With Washington's return to The Great White Way in the revival of Lorraine Hansberry's 1959 A Raisin in the Sun at the Barrymore, he does a tremendous favor. Once again, as he did with his …
Frank Loesser disliked repeating himself. When he produced book, music and lyrics for The Most Happy Fella in 1956, he decided to go operatic. Not all the way, but more than he ever had be…
I Remember Mama, John Van Druten's adaptation of Mama's Bank Account, Kathryn Forbes's memoir of her early 20th-century...
Give me a minute here while I clear my head after attending last night's performance of If/Then, the new musical starring...
Plays are revelations. Good plays, that is, and the better a play, the more revelatory it can be. And let's just say King Lear--now...
Throughout the 1980s and starting with William M. Hoffman's As Is and Larry Kramer's The Normal Heart, plays addressing the...
Newspapers drop arts criticism in a troubled culture.
This isn't your grandfather's Les Miz. It's the new and enhanced-in-some-ways-diminished-in-others Les Miz, and it very much takes into account the movie and the possible expectations that i…
To be blunt about it, I've never thought much of Christopher Durang's Beyond Therapy as a play, but I'm always willing to change...
Nowhere in the program for Tales From Red Vienna, at Manhattan Theater Club's City Center Stage I, is there any...
Companies here and abroad, far and wide, high and low devote themselves to William Shakespeare. There's nothing new about the dedication. The Shakespeare devotees just keep coming.
Since it's impossible to stay on top of absolutely everything on view from one year to the next in burgeoning New...
Two musical turkeys, roasted and underdone.
The first performance of the new Wozzeck production at the Metropolitan Opera House turned into one of...
Missing for deliberate reasons or reasons of chronology from All the Way, Robert Schenkkan's sure-fire hit at the Neil Simon, are...